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A great system for horn players who need expert amplification and freedom. more information »
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The Drawmer Three-Sum Multi-Band Interface gives you the benefits of multi-band processing with the ability to apply different parameters to different sections of the audio bandwidth.Locking in your audio to any one specific multi-band unit can vastly reduce the creative options. The Drawmer Three-Sum opens up a whole new set of options, allowing sound engineers to split the audio into two or three bands and to apply a sonic signature to each part of the audio bandwidth.The Three-Sum employs a high-quality signal path culminating in a variable threshold, brick wall limiter section with bypass facility. To ensure transparency the limiter design is 'two stage', applying different processing to the H.F. content of the material. In applications where the dynamics of the material need to be retained to create an open sound, the limiter is essential for catching peaks.The THREE-SUM has been designed for use in high-end mastering and general recording applications, alternatively, it can transform a project studio, equipped only with 'single band' processors, into a serious multi-band facility. more information »
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Body style: single cutaway dreadnaught. Top: solid Sitka spruce. Bracing: Guild scalloped. Back: solid mahogany. Sides: solid mahogany. Bridge: Indian rosewood pin bridge. Neck: 1-piece mahogany. Fretboard: Indian rosewood (12" radius). Width more information »
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Dual channel 15 band graphic equalizer/limiter. Combines a superb EQ circuit, a graceful yet powerful limiter and revolutionary Type III noise reduction that increases S/N ratio by 20dB. PeakPlus limiter's threshold ranges from 0dBu to +20dBu and can tran more information »
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When it first hit the street, the SG Standard with its thin, 2-horned body addressed 2 major issues of the Les Paul: weight and upper fretboard access. The SG was dramatically lighter and offered open access to the high frets. Rockers loved it, and it has remained a popular model over the years since. This reissue is true to the original in every way and its faded cherry finish gives it an especially authentic look. more information »
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SKU: GS1873358
approximately 3/16" X 3/8" X 2-1/16" (Acoustic Guitar Parts) more information »
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The Taylor K20ce Dreadnought Acoustic-Electric Guitar is alluring to the eyes and ears with its Hawaiian koa back, sides, and top. This rare and exotic tonewood is prized for its stunning golden hues, bold grain figure, and sweet tone. The visual allure of the koa is complemented with shimmering abalone trim around the top and soundhole, while figured maple binds the body, fingerboard, soundhole, peghead, and heelcap, and gold-plated tuners. The K20ce guitar is performance-ready with tone-shaping control at your fingertips from the on-board Taylor Expression System electronics.The Taylor dreadnought is focused and assertive with plenty of presence and volume. The time-honored heritage of the dreadnought body style makes it the choice of the traditional player. The Venetian cutaway of the Taylor K20ce offers maximum playability.Designed to faithfully reproduce true acoustic guitar tone, the Expression System utilizes patented Dynamic Sensors to capture top and string vibration like never before. Created in partnership with renowned audio pioneer, Mr. Rupert Neve, the Taylor Expression System is seamlessly integrated into the design of the guitar from the ground up. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally clean amplified sound. The finish used to create the lustrous gloss top, back, and sides of the K20ce acoustic electric guitar was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. more information »
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