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The Radial BigShot i/o is an easy-to-use instrument selector switch that lets you quickly transition between any two instruments and drive the signal to your amp. Because the i/o is 100% true-bypass, it addresses the needs of the most demanding purist. To further enhance connectivity, input-B is equipped with a level control called DIM that lets you reduce the signal from the louder of your two instruments so that both instruments are matched to the same volume level when they reach the amplifier. When passive instruments are used, a unique 'bright' switch lets you compensate for high frequency loss due to longer cables.To enhance onstage functionality, the BigShot i/o is equipped with a tuner output. With a simple foot stomp on the MUTE switch, the sound going to the amp is turned off and diverted to the tuner for quiet onstage adjustments. An 'always on' switch also permits on-the-fly quiet tuning should you wish to have the tuner on at all times.Compact, extremely rugged and completely passive, the BigShot i/o does not require any powering to make it work. This makes it ideal for pedalboards where the use of batteries or power supplies is painful! The BigShot i/o is also perfect for all you instruments and hi-Z line-level signal switching. more information »
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The Cusack Music Tap-A-Whirl is the world's first analog tremolo pedal with Tap Tempo built in. Here are the major features of the pedal (see the manual/website for more details): Tap your foot twice on the tempo switch to set the tempo. Choose from 8 predefined wave forms, including: sine, ramp, blip, bleep, square, waver, echo, and ping pong. Adjust the depth of the tremolo. Brake: You can speed up or slow down the tempo by holding the tempo switch down. The third knob can be configured to do one of two functions: Fade in the tremolo effect, or Change the speed at which the tempo is adjusted using the brake function. more information »
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5 different stereo reverb types room, spring, hall, plate and specials ranging from the warm vintage sounding Classic Spring to the pristine and stunningly realistic TC Classic Hall. Intelligent ducking keeps your sound clean. more information »
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Rackmount version of the Virtual Guitar Amplifier. MIDI and digital connectivity so you get 32 classic amp models, 15 legendary speaker cabinets, and 16 studio-quality effects. more information »
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The Rocktron Cyborg Digital Destiny is a guitar distortion pedal that breaks new ground in the world of floor effects excellence. The Cyborg is a programmable guitar effects pedal that, though simple to use, satisfies those who crave more complex control and the ability to create multiple effect presets.•Eight Pre-Programmed presets include Edgy Coils, Dirty, Austin, Crunch, Corrosive, Stack, Rectified and Armageddon. Choose a different distortion voicing for each CRUNCH and SOLO mode per preset. Both CRUNCH and SOLO sub presets may be programmed independently. Cyborgs offer instant preset recall and you can scroll and recall presets using on board foot switches or by using the preset knob. •Rocktron's Patented HUSH Noise Reduction is included. Use the HUSH to eliminate distortion noise even at extremely high gain settings. •The Cyborg Digital Distortion offers TRUE BYPASS. (Bypass all digital processing via PGA). •As with all Rocktron Cyborg pedal, the Cyborg Digital Distortion is fully MIDI programmable and controllable. •A Rocktron MIDI BREAKOUT any Rocktron MIDI controller including the All Access, MIDI Mate, MIDI XChange or even a PC to change presets and access any of the Cyborg parameters using standard MIDI continuous controller messages. Rocktron Cyborgs pedals offer all the features professionals demand! Rocktron has designed the Cyborg effect pedal series around a state-of-the-art Motorola DSP engine. Roctron's HUSH noise reduction is included for low noise levels. You can't beat the full bandwidth performance of these fully MIDI programmable and controllable Rocktron stomp boxes. Connect and control additional Cyborg Digital effects units with a single Rocktron MIDI controller. more information »
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The Maxon D&S II, part of the Reissue Series, is a distortion and sustainer pedal in the tradition of one originally released in 1974. With its mild drive, relaxed sustain and high output, the D&S II sits the fence between an overdrive and a distortion pedal. This unique "split personality" makes the D&S II a perfect stompbox for players who seek a natural-feeling drive sound but who want more drive and output than an overdrive pedal generally provides.The Maxon D&S II accomplishes this task with some unique circuit refinements not typically found in distortion pedals. Like a standard distortion effect, the D&S II features a diode-clipping stage after the amplifier section of the circuit. However, rather than using the silicon diodes commonly found in today's circuits, the D&S II distortion pedal uses germanium diodes in this clipping stage. The threshold voltage for clipping is 0.1 - 0.2V with germanium and 0.7 - 0.8V with silicon, so the germanium can distort even low-level tones, thus making a smoother distortion. In addition, the germanium's rectifier characteristic is inferior to silicon (voltage drop with negative current is not as sharp as that of silicon) - this shortcoming ironically works favorably for the D&S II, creating a somewhat rounded waveform of the clipped signal that contributes to the unit's warm, natural distortion. Due to their "inferior" characteristics, germanium diodes are now a very rare component and have generally been replaced with silicon diodes in other manufacturer's circuits. Ironically, it is these shortcomings that give the D&S II its signature sound.Also unique to the D&S II is its tone control. While most other overdrives and distortions feature hi boost/hi cut tone circuits, the D&S II tone control uses a low range boost/cut circuit for added bottom end. In addition, the D&S II's tone circuit features the JRC4558 IC chip, generally regarded as sonically superior to other op amp models. Th more information »
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All of the ToneCore guitar effects pedal can be placed in either mono or stereo ToneDock stompboxes. The ToneDock mono and stereo stompbox base stations can be powered by a standard 9 Volt battery, or the optional DC-1 power supply. more information »
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The DigiTech XMS Main Squeeze Compressor/Sustainer Pedal harnesses cutting-edge dbx OverEasy technology and quality electronics to deliver smooth sustain and release characteristics. The result is near-transparent compression for long, tube-like sustain that doesn't break up at the end of the note. Level, Attack, EQ, and Sustain controls on the Main Squeeze pedal let you precisely tailor the length of your note and tenor of your tone. Instrument and tuner outs. DigiTech includes a 9V battery with your XMS Main Squeeze pedal. more information »
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The MXR Phase 90 Pedal. This stompbox has found its way into a wide array of rock recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars, it's a great effect with bass, keyboards and even more information »
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The Boss FV-50H Stereo Volume Pedal is a high impedance pedal for guitar and bass. more information »
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