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As a boost it adds extra sensitivity and duplicates the gain of a classic stack. The gain structure cleans up with a flick of your guitar's volume control. Ideal for blues-oriented styles without changing the voicing of the amp. As the Fetish is boosted i more information »
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Wide operation range. Full frequency response. Tough construction. Zero clock noise. Rate & Depth controls. more information »
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With the Carl Martin Plexitone Overdrive Effects Pedal, you get a crunch channel, a high gain channel, and a 20dB clean boost channel for every tone you want: subtle overdrive, hard-rock crunch, high-gain shred, or bass-heavy grunge. An integrated regulated power supply gives all the headroom you'll need. more information »
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SKU: GS20263
Price reduced $10 in May 2007
We are now a dealer so passing on the savings to you.
Link here for all the info on the 308: http://www.analogman.com/dodmod.htm
SEE OPTIONS:
The YJM308 from DOD, like the 250 Reissue is a great Overdrive Pedal, but many people still prefer or wish they could get their hands on an old GRAY DOD 250. Most desire these over the original 2nd version yellows, re-issues and the newest YJM308 Yngwie version.
We can also do a vintage MXR distortion+ mod on these, with germanium diodes, etc like the original script logo MXR distortion+. This is $10 more than the Mojo mod.
A true purist will desire to clone the old Gray 250 by putting a single 741 opamp in this circuit and re-routing the pins in the existing dual opamp pin layout so it will work. That is our MOJO mod. more information »
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From shimmering static and active phasing to frequency-adjustable flanging, the Flanger Hoax gives you an exciting new palette of textures to create with. Familiar and advanced modulation controls and 3 outputs (direct, blended, effect) let you create endless variations that will do everything from subtly shade to wildly animate your music. The Flanger Hoax is made up of 2 separate phaser sections-the Fixed Phaser and Swept Phaser-and their associated delay lines. The Fixed Phaser is similar to a traditional phaser, modulated by a low-frequency sine wave called the Modulator. Each phaser circuit is followed by its own analog delay line, each of which can also be independently swept by the Modulator. Each phaser section can be bypassed to access the delay lines without any phase shift. Feedback control allows you to send the wet output of the pedal or the output of the Swept Phaser back into the phaser circuits. 18V power supply included.Controls: BLEND knob: Mixes between the effect and the dry signal. The counter-clockwise position is all-dry, while the clockwise position is all effect. The result of the BLEND Control goes out the BLENDED OUTPUT jack DELAY MODE switch: Selects between different phase shift combinations for the modulating waveform that sweeps the Fixed Phaser Delay line and the Swept Phaser Delay. FEEDBACK knob: Sets the amount of signal that is fed back into both phase shift circuits. The counter-clocker-clockwise position gives you no feedback; the clockwise position yields maximum feedback. OFF toggle switch position: All Feedback is turned off, no matter where the FEEDBACK knob is set. RATE knob: Sets the frequency of the sine wave Modulator. The available frequency range is from 0.07 Hz (14 Seconds) to 220 Hz. SWPT toggle switch position: In the SWPT Position, the output of the Swept Phaser is fed back into Phaser circuits. WET toggler switch position: In the WET position, the wet signal (which is at the EFFECT OUTPUT Jack) is fed back to the p more information »
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100 jam tracks performed by A-list studio players including Jason Bonham, Tony Franklin, Carmine Appice, Gregg Bissonette, and many more. Includes 200-plus artist-created presets, 150-plus song-based presets, 12 original Line 6 amp models, 7 guitar effect more information »
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The FPS-1 from Fulltone is a dead-quiet AC adapter and delivers exactly 9 volts no matter what your wall AC is putting out. This adapter has the standard 2.1mm x 5.5mm end with a negative center pin and will work with most BOSS, Ibanez, and other pedals, more information »
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SKU: ABYST
- Fulltone True Path ABY Soft Touch Guitar Amp Pedal - 22669/4 True-Path, the best ABY boxes money can buy, period. One has silent soft switches... that's the ""ST"" (Soft Touch). One has a Hard click in the switch (only for the driver's feel & not evident through the amp)... the ""HT"" (Hard Touch). No pops, no ticks, and no electrocutions, thanks to a Nickel core custom-wound 1:1 transformer that doesn't boost the treble frequencies like I hear the ""industry standard"" Jensen transformer do, so Fuzzes played through the True-Path sound round and distortions don't sound strident. I can hear it, so can you. Using the most advanced 4 opto switching system ever, yet also offering the purest signal. I developed our photocells over the last year with a rather patient optocoupler manufacturer (Thanks Fred), and my cells only have around only 50 ohms series resistance compared to the Vactecs (which *all other *switchers use) offering a whopping 300-400 ohms of series resistance to your guitar's signal. I can hear 300 ohms... you can hear 300-400 ohms. Want it Buffered You got it. Each channel has switchable JFET Buffers to drive long lengths of cables without any tone loss. Want it clean & clear for Fuzztones Let me explain: Fuzz pedals like to be hit with High impedance signal like your pickups produce. Buffers are Low Impedance, so if you are a Fuzz connoisseur like me you simply turn off the buffer on the ABY channel that goes to your Fuzzes. Want to correct the phase between your 2 amps You got it. I know the other ABY's says they're silent...but truth is they have a slight tick which becomes unbearable when splitting say a Twin Reverb and Vintage Plexi Marshall. Do not confuse this with a simple metal box and 2 switches that comprise 99% of the ABY's out there. Those sound ok UNTIL your signal chain reaches 20 feet or more...UNTIL you hit ""Both"" and the signal is loaded down to oblivion, or UNTIL you get electrocuted because of grounding issues due to the abse more information »
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This World Class Time Machine guitar effect pedal is a 2 channel, 3 mode pre-amplifier (booster) for driving your amplifiers into overdrive or saturation. The 2 channels are labeled VINTAGE and MODERN. The Vintage side is inspired by rare germanium boosts like the Dallas Rangemaster. The Modern side by a very transparent, +23dB gain dual JFET guitar signal amplifier. Our design uses a Maxim MAX1044 voltage doubling IC to get additional headroom. As with all Keeley built electronics it incorporates top of the line audiophile style parts including metal film caps, resistors, silver solder!, etc... Teflon-coated wiring leaves this unit breath-taking on the inside. Open one up for yourself! more information »
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It's a Bad Horsie and then some! Set to Steve's precise specifications, it gives you a contour switch and 2 knobs to adjust the wah frequency and level for completely customized wah sound. Morley's special Clear-Tone buffer circuitry prevents signal loadi more information »
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The Tremonti Phaser, the signature phase shifter guitar effect pedal brought to you by T-Rex and guitarist Mark Tremonti, gives you everything you could ask for in a modern phaser and then some. From a raw '70s grind to a 21st-century sophistication, a few simple controls on the Tremonti pedal put you in charge of the entire history of phase-shifted tone. Warped, swirling, twisted, spacey—it isn't easy finding words to describe the sound of a classic phase shifter. But the last 30 years of rock music wouldn't be the same without it, and Tremonti's signature stompbox delivers. The Stage switch lets you choose between a raw, vintage-sounding effect and a richer, more modern swirl. And the ingenious Bite knob adds a sexy overdrive edge to any setting. Fast or slow, deep or shallow, vintage or modern, the Tremonti Phaser pedal delivers extraordinary-sounding phased modulation that takes your playing to another world. more information »
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The all-analog DeltaLab RD1 gives you the edgy distortion of '70s–'80s hard rock. Use it to overdrive your favorite tube or solid state amp for harmonically rich, sustaining tone. more information »
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SKU: Strymon-Orbit
With the Orbit dBucket Flanger, we?ve painstakingly recreated every aspect of some of the greatest vintage analog flangers. To go beyond that, we?ve also added features such as through zero flanging to take you where few have ever ventured before. Our high performance DSP is dedicated entirely to doing one thing and one thing only, delivering the ultimate flanger. Add true bypass, extensive expression pedal control, a favorite preset, super high quality analog front end and output sections, low power consumption and you?ll never want to let go of your Orbit.
Hand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket
brigade chip.
Built on the dBucket building blocks developed for our Brigadier delay.
Super low noise, high performance A/D and D/A converters w/ 110dB signal to noise
High performance DSP stuffed into a compact form factor
3 LFO types (log, lin, through zero)
3 Feedback types (positive, negative, pos/neg)
TRUE BYPASS (electromechanical relay switching)
Stereo output
Expression pedal input with selectable control over any knob parameter
Favorite footswitch for saving your favorite setting
Powered with a standard 9V center negative DC supply. Compatible with all major DC supply brands. Current consumption 200mA ? (250mA recommended supply)
Premium analog front end and output section
No-nonsense user interface
Strong and lightweight purple anodized aluminum chassis
Crafted with love in the USA more information »
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The DS-2 Turbo Distortion features twin modes for an expanded range of distortion-taking users from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob. more information »
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