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The Decimator ProRackG stereo guitar noise reduction system establishes a new standard for excellence in real time noise filter performance. The Decimator ProRackG was designed to provide the maximum possible performance in a rack mount dual channel noise reduction system designed specifically for extremely high gain guitar amplifiers. The Decimator ProRackG is designed with 2 channels of single ended noise suppression configured specifically for high gain guitar applications allowing one channel to deliver noise reduction for the guitar directly and a second channel to eliminate amplifier gain noise. A separate guitar buffer input and output optimizes your guitar signal.Channel one eliminates 50 or 60 cycle hum, buzz, stage light noise and any other noise picked up directly by the instrument. The ProRack channel one output drives the front end of your guitar amplifier and eliminates all of the input noise picked up by the guitar. The control circuit of the second channel detects and tracks the guitar signal directly while the signal processing audio chain is patched into the effects loop of the high gain guitar amplifier. Now you can quiet down even the most insane amounts of noise with any amplifier system incorporating a series effects loop. The Decimator ProRackG will also solve the typical high gain feedback or squealing problem high gain guitar players fight.You know how difficult this problem can be. You play staccato notes and in between each note you have a squeal or burst of feedback that's virtually impossible to control. Problem solved with the Decimator ProRackG. By proper setting of the threshold for channel one and channel two you can eliminate this problem for good. The Decimator ProRackG has dual processing channels incorporating both low-level downward expansion and dynamically controlled low-pass filtering in a very easy to use single rack space unit. The ProRackG is based on ISP Technologies patent pending "Time Vector Processing," more information »
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The Vintage Octa Screamer is not for the faint at heart! It recreates the famous and instantly recognizable octave doubling effect immortalized by Jimi Hendrix. The Vintage Octa Screamer is based on a unique new circuit design that greatly improves the octave up effect and doesnt kill sustain and overtones like other octavia pedals are prone to do. It also includes innovative new features refining an already legendary effect.
Use the mix knob to blend in the octave effect and transform the pedal from a full-blown octavia to a fuzz... and everything in between. The built-in 30 dB(!!!) treble boost features a specially tuned filter circuit that pushes the octave effect to new extremes. Activate it to generate screaming overtones from outer space and blast your tone beyond the stratosphere. more information »
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It used to be that no delay could quite replicate the natural, warm, and shimmery tones of an old Echoplex tape echo—enter the Fulltone TubeTapeEcho, or TTE. more information »
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The Hotbox Classic is an active two channel tube preamp driven by two 12AX7 tubes. It is point to point, hand-wired in classic Matchless fashion and housed in a heavy duty, polished stainless steel enclosure complete with our signature back-lit logo and control panel. It uses the same top quality components as the Matchless amps down to the custom hand-wound transformer. Channel one is clean and crisp but is also capable of producing an overdriven sound. Channel two features gain, bass, treble, and output-level knobs. Similar to the EQ circuit of the C-30 series, the bass and treble controls are highly touch responsive. Surprisingly, channel two can be eq-d to be rich and robust. The Hotbox Classic can also be used directly into mixing consoles and is ideal for recording. An overall, excellent compliment for any amplifier whether it's solid state or tube. The Hotbox Classic will level the playing field.
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SKU: GS20258
Standard COMPROSSOR
100% ross specs with hand tested, selected transistors and NOS CA3080E chip.
Standard external attack knob on large comprossor 4/05
Optional external attack knob on small comprossor 5/03
Attack knob has a detent at 12:00 which is the standard Ross/ Dynacomp attack setting.
True Bypass with 3PDT switch
LED with metal bezel
Power jack standard, no extra charge. You can plug a Boss style 2.1mm x 5.5mm barrel 9V DC adaptor into this jack.
UK made RE'AN jacks for best noise isolation and operation. They are more expensive than the metal Mexican Switchcraft jacks that others use, but the benefits outweigh the cost.
Expensive high quality Matsushita/Panasonic capacitors.
Easily repaired if damaged- no custom parts like a mass-produced pedal.
Built in a grey hammer-finish powdercoated box (4" x 5" x 2.25") as seen at the right, with silkscreened graphics, or optionally in the smaller box (2.5" x 4.75" x 1.5" not including jacks, switch, etc) as seen below with hand stamped graphics.
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Specially designed for players who want grungy, punchy, ultrahigh gain with endless sustain. A scoop control lets you cut mids up to 30dB, and the Rampage is designed to give you 75dB of raging gain with amazingly little noise. Crank the sustain and feel your instrument take on a life of its own. It's the wildest, screamin'est, most outrageous distortion pedal on the planet. more information »
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SKU: GS3057119
Want to sell Analogman King of Tone V.4 Overdrive Pedal. Great overdrive with indepentdent booster. You can also switch it between OD/Booster, Booster/Booster, OD/OD, OD/Dist or Dist/Booster by toggle switch inside the pedal. Excellent condition with original box. Manual, bag, rubber feets, card and sticker also included. Don't waste the time on the waiting list for year!
Need to sell it for $380 plus shipping. It can be negotiable if you really want to buy this.
--> Call James : 310 382 6688 or send e-mail to sincere2js@gmail.com.
--> prefer you to pick it by yourself, I live in Westside, LA. We can discuss about the place where okay for us. If you live in other cities, just call me to discuss which way you will pay. Anyway, call me!! more information »
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The Fulltone FatBoost 3 effects pedal replaces previous versions 1 and 2, marrying everything that people liked about both versions while improving on them in a few key areas:•The FB-3 brings back the v1 11-position Gain control to give the ultimate in control over the FETs •The FB-3 adds one more stage of FET so that the pedal does not invert your signal •The FB-3 cures v1's huge bass increase and dull high-end issues, but allows those sounds as well should you so desireThe Fulltone FatBoost 3 is a discrete, Class-A, FET (Field-Effect-Transistor) guitar pedal offering up to 35dB of non-distorted gain without changing your signature sound, unless you want that. You can fatten/distort your tone, brighten or mellow up the sound, add or subtract bass, and even add harmonics. The FB-3 has true-bypass switching (via the Fulltone 3PDT) and incorporates a super-bright LED without the loud popping sound thanks to Fulltone's proprietary anti-pop circuitry. FET's can behave like tubes in a properly designed circuit. They can clip (distort) in a pleasing way instead of being buzzy or spiky-sounding (like a transistor) and can also add a subtle limiting to the signal which can even out the volume making your live and recorded tones more pleasing to the ear. If you're a recording engineer, you'll be happy to know you can use the Fulltone FatBoost 3 on everything from acoustic and electric guitar to electric bass, and even snare drums.The FatBoost 3 pedal works great in front of non-Master Volume tube amps to goose them into submission, as well as through Master Volume amps to drive them much harder than possible with just your guitar alone. It also works very well on bass, acoustic guitars (with pickups), and is ideal at the end of a pedalboard effects chain to completely eliminate the tone loss caused by long guitar cable runs back to your amp. Doing so will allow the use of 50' (or longer) cable lengths with no signal degradation whatsoev more information »
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With models of 83 amps, cabinets, and studio-quality effects onboard, the RP155 is an affordable tool for practicing, recording, and playing live. Also features Lexicon reverbs, 50 factory/50 user presets, a 20-second looper, drum machine with 60 patterns more information »
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SKU: GS3105664
ZVex Octane II vintage July 29 1998 model. This pedal does have a tiny hole on the bottom of the housing that Bob Bradshaw of Custom Electronics did to add power to it in my old rig before ZVex came out with the power plate adapters. I like this edition the best. Sounds amazing and excellent condition! 949-307-4675 more information »
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SKU: GS73086
New-in-box digital distortion. Hot-ass sounds for a cool price!Includes A.C. adapter, as well as a MIDI plug to uncover the "other" 56 presets in this box. In all it features 64!!!!Quite a few types of distortion. With this box you can find WHATEVER type of distortion you need.Just get it close, and you can fine tune it in. And with legendary, Pantented, HUSH circuitry you can REALLY crank on the gain without having to worry too much about the amp squealing like a trapped pig!
I accept payment through paypal via my e-mail address. So if interested, please e-mail me on it. Thanks for looking! more information »
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SKU: 99-040-1301
Line6 MS1 Echo Park ToneCore Pedal is based on Line 6's award-winning DL4 Delay Modeler. Echo Park is loaded with unbelievable sounding models including analog, tape, and digital delay, all easily adjusted with the Tap Tempo feat... Buy Line 6 Guitar Pedals MS1 Echo Park ToneCore Guitar Pedal now! more information »
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