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Manufacturer: Moog
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SKU: GS2159511
Model: MF-102 Ring Modulator
Features
•FREQUENCY rotary control, which varies the carrier frequency over a six-octave range.
•RATE rotary control, which varies the LFO�s frequency from 0.1 Hz to 25 Hz.
•LFO AMOUNT rotary control, which adjusts the amount that the LFO output sweeps the carrier oscillator.
•MIX rotary control, which crossfades continuously from unmodulated to modulated audio.
•DRIVE rotary control, which adjusts the gain of the audio input.
•SQUARE-SINE rocker switch, which chooses the LFO waveform.
•LO-HI rocker switch, which chooses between the low frequency carrier range (2 Hz to 130 Hz) and the high frequency carrier range (60 Hz to 4,000 Hz).
•LEVEL, a three-color LED that is used to set the DRIVE control.
•LFO, a LED that indicates the LFO rate.
•BYPASS, a two-color LED that tells whether the ring modulator is on or bypassed.
•ON/BYPASS, a rugged, smooth-acting �stomp switch.�
Jack Panel Features
•AUDIO IN 1/4” phone jack – accepts any instrument-level or line-level audio signal from -16 dBm to +4 dbm.
•AUDIO OUT 1/4” phone jack – -4 dBm nominal output level.
•FREQUENCY, RATE, LFO AMOUNT, MIX, all of which are stereo 1/4” jacks that accept moogerfooger EP1 (or equivalent) expression pedals, or control voltages from two-circuit or three-circuit 1/4” jacks.
•AUX AUDIO IN - provides a means of applying an external signal to the ring modulator, in place of the carrier oscillator.
•LFO OUT jack – delivers the LFO voltage for use by other voltage-controlled devices.
•CARRIER OUT jack – delivers the carrier signal for use by other devices.
•+9V POWER INPUT jack – accepts standard 9 volt power adaptors (power adaptor included).
General Specifications
•CASE: Black panel with hardwood sides – classic analog appearance.
•DIMENSIONS: 9” x 6” x 2-1/2”
•NET WEIGHT: 2 lb
•SHIPPING WEIGHT: 4 lb, including power adaptor and instruction manual.
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SKU: GS10144
Eddie's Guitars Has Moogerfooger Effects In Stock Ready For Shippment Call for Price.(314-781-7500) more information »
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The MF-107 FreqBox is different from other effects. The effected sound is not a processed version of your input signal, but the sound of the input signal modulating an internal oscillator. It contains a VCO with continuously variable waveshape, and the capacity to modulate that Oscillator in the following ways:- the VCO can be hard synced by the input signal - The VCO can be frequency modulated (FM) by the input signal - The VCO frequency can be modulated by an envelope follower which tracks the dynamics of the input signal - The Amplitude of the VCO also tracks the dynamics of the input signalHard sync is a classic analog synthesis technique where the start of an oscillator's cycle can be reset by another. The oscillator being synced takes on the frequency characteristics of the other oscillator, and when its frequency is swept, it reinforces the harmonics of the fundamental frequency. In the case of the FreqBox, the input signal is used to reset the FreqBox's VCO.FM is a technique used to get really rich sounds from simple waveforms. The type of FM used in the FreqBox pedal is linear FM. Sounds range from gong or bell-like tones to sizzly sweeps.The FreqBox, like all moogerfoogers, works with any instrument-to-line-level input. In addition to the panel controls there are control inputs for use with expression pedals or control voltages and control outputs for interconnecting moogerfoogers like you would a modular synth.The FreqBox effects pedal can provide some really unusual processing to all types of signals guitars, synths, drum sounds, vocals or wind instruments allowing you to enter previously unexplored sonic territory. more information »
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SKU: GS2159512
Model: MF-104Z Analog Delay
Features
•DELAY TIME rotary control, which adjusts the delay time from slightly less than 50 milliseconds to 500 msec in the SHORT position; 100 msec to slightly more than 1000msec (1 second) in the LONG position.
•MIX rotary control, which adjusts the mix between the direct and the delayed signals.
•FEEDBACK rotary control, which adjusts the amount of delayed signal that is fed back to the input.
•INT. LOOP-EXT. LOOP switch routes the feedback either directly or through an external effects processor that you hook up. For example, inserting the MF-102 Ring Modulator in the feedback loop will create echoes that change timbre as they die out.
•DRIVE rotary control, which adjusts the gain of the audio input to the delay.
•OUTPUT LEVEL rotary control, which balances the delayed signal with the bypassed signal.
•LOOP GAIN rotary control, which sets the gain of the external feedback loop.
•LEVEL, a three-color LED that is used to set the DRIVE control.
•LOOP LEVEL, a LED that aids in setting the external loop level.
•BYPASS, a two-color LED that tells whether the delay is active or bypassed.
•ON/BYPASS, a rugged, smooth-acting �stomp switch.�
Jack Panel Features
•AUDIO IN 1/4” phone jack – accepts any instrument-level or line-level audio signal.
•MIX OUT 1/4” phone jack – delivers the delayed and the direct signals, depending on the setting of the MIX control.
•DELAY OUT 1/4” phone jack – delivers just the delayed signal.
•TIME, MIX, FEEDBACK, all of which are stereo 1/4” jacks that accept moogerfooger EP1 (or equivalent) expression pedals, or control voltages from two-circuit or three-circuit 1/4” jacks.
•LOOP IN - 1/4” phone jack – provides access to the feedback loop for connecting an external processor.
•LOOP OUT 1/4” phone jack – provides access to the feedback loop for connecting an external processor.
•+9V POWER INPUT jack – accepts standard 9 volt power adaptors (power adaptor included). more information »
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This is the classic Moog filter that changed the sound of electronic music. Reach out and sweep the filter with the CUTOFF knob. Or use the ENVELOPE section to do it automatically. Or plug in one or more expression pedals or control voltages to do it. Or more information »
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A high-quality effect designed by Bob Moog, the Moog Moogerfooger MF-103 pedal contains an amazing-sounding 6- or 12-stage phaser circuit as well as a wide-range LFO with an adjustable sweep function. Used with guitars, basses, keyboards, samples, or recorded tracks, the MF-103 can apply subtle tonal coloration or extremely deep phasing that spins your speakers and ears out of control. Uncontaminated by the digital world! A direct descendant of the original Moog modular synthesizers, yet can be used with any instrument level to line level signal. Sweep frequency, resonance, LFO rate, and LFO amount can be controlled by great-feeling knobs, expression pedals, or external control voltages. Panel switches select range of LFO rate and 6- or 12-stage phasing. 1/4" audio inputs and outputs, pedal/control inputs, LFO out, and auxiliary sweep input for bi-phase effects. Heavy-duty yet smooth-acting bypass switch for tabletop or floor use. A phaser is a type of comb filter, so called because its frequency response has several dips and peaks, like the teeth of a comb. As the phaser response sweeps back and forth across the frequency spectrum, the harmonics of the audio input signal are alternately increased and decreased. This produces the classic phaser "whooshing" sound.Phasing is one of the best ways to impart motion to a track and to make sounds come alive. You can get swirling, shimmering, vibrating effects; fill up a whole stage from one sound source; and create brand-new sonic textures.The MF-103's 2 comb-filter responses are called 6-stage and 12-stage, because of the number of phase-shifting circuits that are used internally. The 6-stage mode has 3 dips in its frequency response, while the 12-stage mode has 6 dips. These 2 modes have distinctly different sound qualities. In addition, the MF-103 features a variable feedback circuit which increases the resonance or depth of the phaser sound. Power supply included. more information »
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