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35" scale. 24 medium jumbo frets. Zero fret 1-3/4" wide. One-piece neck w/satin polyester finish. Carved mahogany body with maple burl top. Available in fretless or left handed models. MTD active wood covered soap bar pickups.. Shielded electronics compartment. MTD quick release bridge, 3/4". Double acting truss rod. Controls are volume; blend, treble, midrange, bass. Buzz Feiten Tuning System. more information »
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Resiliant omnidirectional electret-condenser instrument mic features a smooth, wide-range frequency response and is adapted for use with wireless microphone transmitters. more information »
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SKU: GS2347154
Martin's new large jumbo body size has a 17" lower bout, D-TAR Wave-Length Multi-Source pickup combines signals from the on-board mic and transducer - Indian rosewood 3-piece back with Sitka spruce top, white binding, layered black/white top and side trim, layered black/white (28-style) rosette. Low profile neck, bound ebony fretboard (25.4" scale, 1-3/4" nut width), pearl dot position inlays, decal on peghead, Grover chrome enclosed gears. Gloss body finish, natural top. Martin #593 Geib style hardshell case, MSP4200 medium strings. Pickup has soundhole mounted controls for volume and mic/transducer blend, 2 AA batteries last about 250 hours, and are easily replaced without removing strings. (Martin Guitars) more information »
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SKU: GS7657
MAP $2,660.00 PLEASE CALL FOR A HANDS ON DESCRIPTION!! Description: Bolt-on Guitar San Dimas RH 6-string Guitar Body Wood: Basswood Body top: None Body Binding: None Scalloped Heel: No Scalloped Horn: No Special Info About Body: None Peghead Type: Lic. FENDER® Regular Neck Wood: Maple 1-piece Head Cap: None Fingerboard Wood: Maple--quartersawn Fingerboard Inlay: Reg Dots (1/4in) Special Inlay Info: None Inlay Color: Black Name @ 12th: No Nut Width: 1-11/16 Butt Width: 2-1/4 Scale Length: 25.50 Num of Frets: 22 Fret Wire: Jumbo SBB215 Fret Scallop: None Binding: None Binding Color: None Binding Over Frets: No Neck Shape: Classic 735-825 Special Info About Neck: None Bridge: Floyd Rose 37mm Recess Tremolo: No Tailpiece: None Nut Type: Floyd #3 Strings: 9-42 Truss Rod Cover: None Strap Button: Std 17mm Jack Location: Side Jack Plate: Oval Tuners: Schaller Even Non-lockin RH Parts Color: Black Number of Knobs: 1 Dome Pickguard: None None Rear Control: STR Horn Switch: None Battery Cavity: None Special Parts Info: None Pickup Route: 1H Active Circuit None Pickup Rings: Black Pickup Covers: None Bridge Pickup: TB-4b Middle Pickup: None Neck Pickup: None 1 0 Other Pots: None Pickup Selector: None Switch Positions: n/a Other Switches: None Kill Switch: None Placement: STD Special Wiring: None --Volume --Tone B o d y N e c k Hardware P i c k u p s Controls Color: OTHER GRAPHIC (make entry) Special Color Info: Hot Rod Pins / Leaf Neck Paint: Gunstock Oil Artwork Provided No Painted Pickups? No Head Paint: Natural Logo: Charvel 3+3 Logo Size: 80% Logo Color: Black Sig. on Head?: None C o l o r C a s e Case G&G Hardshell 960-020 SanDim Fla CS Logo: Yes NEW Charvel Hot Rod Pin Stripes more information »
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With its angled wedge shape, the AG15 is designed to maximize projection. For warm, full-frequency sound, it features an 8 studio monitor-style speaker for soft mid- and low-frequency response and a coaxial tweeter for ultraclear, sparkling high end. The more information »
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SKU: GS1875305
6-string grand auditorium, solid Sitka spruce top, solid sapele back and sides, soft (Venetian) cutaway, 1 3/4" nut width, black plastic binding, plastic rosette, pearl dot inlay on fingerboard, mahogany neck with bound ebony fingerboard, ebony bridge, Taylor Expression System pickup, 25 1/2" scale, satin finished body with gloss top, chrome tuners; hardshell case included. (Flat-top Guitars) more information »
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SKU: GS4728
Excellent Guyatone Fuzz. It sounds as cool as it looks. It's a super rare model and we've never seen another like it. It makes a super nasty ring-modulator-ly octavia harmonic fuzz. Whew. The color is much cooler than the picture leads on. more information »
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SKU: GS1873061
A great playing, no-frills Tele -- superior quality and a great value! Features an alder body, a one-piece tinted maple neck, 21 frets, 3-ply parchment pickguard, standard hardware, 6 saddle string-thru bridge, die-cast tuners, 2 single-coil pickups, 3-way pickup selector, volume and tone controls, and chrome hardware. Available in black, midnight wine, Lake Placid blue, candy apple red and brown sunburst finishes. Includes deluxe gigbag. Made in Mexico. (Left Handed Solid Body Electric Guitars) more information »
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The VT-3 from D.W. Fearn is a dual-channel, all-triode vacuum tube DI ("direct box") for recording electric or electronic instruments. The inputs are designed to provide the proper load impedance for all instruments that have a 1/4" phone jack output. Tube circuitry provides the very high impedance necessary to capture all the details of these instruments.The outputs of the VT-3 are mic level (150 ohm source impedance at a nominal -30dBV). The VT-3 Direct Box is designed to operate into a high-quality microphone preamplifier like the Fearn VT-1 (#180271) and VT-2 (#180272) Vacuum Tube Microphone Preamplifiers.Operation is very simple: plug the instrument into the 1/4" front panel jack and take the output either from the front panel XLR connector, or a parallel XLR connector on the back panel. A second 1/4" jack provides an output to feed a guitar amplifier when necessary. A ground-lift switch helps eliminate ground loop buzz, and a switchable high-pass filter gently rolls off frequencies below 100Hz when required.The two channels are entirely independent and can be used with two different instruments at the same time.Important Note: Due to heat given off by tubes, D.W. Fearn recommends that you provide at least one rack unit (RU) of space above and below their audio rack products. For proper cooling and a refined look for your rack, we highly recommend using D.W. Fearn Vented Rack Panels (#180296).History of the VT-3 Vacuum Tube DIAs far back as I can remember, taking instruments direct has never sounded very good to me. There always seemed to be a lack of dynamics and a sterile quality to sounds recorded with a direct box (or DI). The first tube DI that we produced was the VT-I/F Instrument Interface. It was a beautiful piece in a large, machined-aluminum case that you could drive a truck over. Unfortunately, the cost of that case made it impossible to build the VT-I/F for a reasonable price. Only about 75 were ever made, but the owners lov more information »
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