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The Ashly GQX-3102 is a graphic equalizer that features two channels of 31-band 1/3-octave EQ, a tunable high-pass filter circuit (8Hz to 200Hz), a switch-selectable cut or boost of either 6dB or 15dB. The full-throw faders are a custom-manufactured metal-shaft type, with the center detented position utilized as an "on/off" switch for that filter (to minimize any possible degradation in signal noise levels). and 10-segment, two color LED meter displays, referencing 0 VU to +4dBu.The GQX models are designed to be significantly quiet without the need for noise reduction to be built into the equalizer circuit. Double-sided circuit boards with ground plane design are used in the filter sections for improved RFI and electrostatic immunity. Precision Wein-Bridge filters and carefully designed summing amplifiers combine to provide extremely accurate response, low noise, negligible distortion, and complete immunity to magnetic fields. All filters exhibit true constant "Q" response with no broadening near the "flat" setting. High slew-rate circuitry throughout the signal path results in clean, quiet, transparent sound. The faders used are a custom-manufactured metal-shaft type, with molded saddle knobs, for the ultimate in reliability and smooth "feel". Ashly's unique "T-Beam" front panel construction eliminates interconnections between the faders and the filters, resulting in a very rugged and rigid front panel. GQX EQ's are covered by a Five Year Worry-Free Warranty. Input and output connections include barrier strip terminals and 1/4" TRS phone jacks, as well as standard locking XLR's. Circuit ground may be lifted from chassis ground via the barrier strip. Ashly's servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected directly to ground. The power supply is a universal switching power supply which operates from 90 - 240VAC, 50/60Hz with the power switch located on the re more information »
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The Mojave Audio MA-100SP is a matched pair of MA-100 small-diaphragm, vacuum tube condenser microphones with interchangeable cardioid and omnidirectional capsules and dual power supplies. Packaged in a single carrying case, the MA-100SP provides professional recording engineers with a convenient, easy to set up system for stereo recording applications.The small diaphragm MA-100 condenser microphone with interchangeable cardioid and omnidirectional capsules. Featuring hand selected 3 micron capsules, high quality Jensen audio transformers and military-grade JAN 5840 vacuum tubes, the MA-100 performs at a level reminiscent of some of the best loved classic small diaphragm tube condenser microphones. The MA-100 power supply can be set for either 115v or 230v via an external switch. The latest in a lineage of successful microphone designs by David Royer, one of an elite group of microphone designers who know that music and sound are inseparable from electronic design, the Mojave MA-100 microphone's 'cathode follower' design allows use on high SPL instruments such as drums and guitar amplifiers, as well as the more common applications of a small diaphragm, vacuum tube condenser microphone, such as acoustic instruments, cymbals, stereo pairs and pianos. Each MA-100 microphone, power supply and cable set is burned in for 24 hours, carefully tested and evaluated, then packaged in its protective case.Small Diaphragm—Big Sound! Why choose a small diaphragm microphone? Because small diaphragm microphones offer some distinct advantages over their larger brethren: •More consistent polar pattern •Better transient response •Ease of placementWhy choose an MA-100 Mic from Mojave Audio? •Extended low-frequency response •High SPL handling capability—try putting your large-diaphragm mic on a snare drum! more information »
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An affordable studio condenser mic with a smooth, warm sound, the Sterling Audio ST59 is an FET condenser microphone that employs a large capsule with a dual sided ultra-thin 3-micron evaporated gold Mylar diaphragm. The ST59 offers switch selectable card more information »
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The VocoPro PA-MAN powered mixer is a unique concept in portable PA that places advanced wireless microphone technology and a multi-format disc player in a mixing amplifier to create a versatile multi-application system. The built-in disc player will spin DVDs, CDs, and CD+G karaoke discs, and a USB port lets you access your digital library of music easily—just plug in a thumb drive and go. Performers will love that the disc player and each wireless mic channel are field-replaceable modules that can be removed without affecting the functionality of the other channels. Loaded with professional and practical features, the VocoPro PA-MAN will make a great asset for a performer or anyone looking for an all-in-one PA mixer. more information »
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The versatile Electro-Voice RE410 is a hand-held condenser vocal microphone that provides a crisp, clear top; sweet midrange; and pulls the voice out of the mix in a crowded spectrum. 40Hz-20kHz frequency response. Its cardioid pattern helps reject feedback loops and delivers acoustic isolation while the Warm-Grip handle provides a comfortable feel. High-compliance shockmount effectively eliminates handling noise and the multistage pop filter eliminates plosives. 3-year warranty. Requires phantom power. more information »
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The Sennheiser ew 110 G3 Omni-Directional Lavalier System brings your presentations to life. The included omni-directional microphone delivers natural speech reproduction even though it is inconspicuously small. The Sennheiser ew 110 G3 lavalier system offers you quick setup, user-friendly operation, and absolute reliability due to the true diversity receiver. NOne of the best features of the ew 110 G3: wireless infrared transmitter sync for easy operation. more information »
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PG2 Handheld Transmitter: . Power, mute and battery status LED. Power and mute switch. 9V battery (included) provides 8 hours of battery life. 250 ft. (75m) operating range. PG58 microphone cartridge: . Frequency Response: 60 to 15,000 Hz. Cardioid more information »
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This package includes the following PA equipment: Phonic Powerpod 1860 powered mixer with 400W stereo power, 8 mic/line mono channels, 2 stereo channels, and 16 onboard 32/40-bit DFX; 2 S715 15" 2-way speakers, a microphone, and cables.Phonic Powerpod 1860 Plus Powered Mixer The Powerpod 1860 Plus Powered Mixer is a 10-channel (8 mono mic/line, 2 stereo) live sound board with 400W per channel at 4 ohms. Channels 1-8 feature mic/line inputs, phantom power, and -18dB low-cut filters. All channels have muting, channel solo and PFL with metering, inserts, aux level, effect level and pan. Onboard DSP provides 16 32/40-bit effects with parameter control. An assignable 7-band graphic EQ provides additional control. Master section controls include faders for effects, Aux 1 and 2, mono monitor level, and summed mains L/R. Comprehensive I/O includes RCA inputs, record outputs, aux and FX sends and returns, control room, and unbalanced main L/R and mono outputs. Comes with microphone, mic cables, and speaker cables.Two S715 15" 2-way Speakers The Phonic S715 15" 2-way Stage Speakers have 400W program, and 600W peak power handling. They incorporate 15" heavy-duty woofers, with piezo tweeters. These PA speakers have a built-in handle, and a 35mm stand adaptor built-in as well. They also have dual 1/4" phone jacks, and can be used as floor monitors or mounted main speakers. more information »
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The Drawmer DL241 Dual Channel 'Auto-Compressor' highlights the beginning of a new generation of dynamic processors which set new standards of sonic excellence. Its combination of features, displays and well designed control functions make it an outstanding product for a vast range of broadcast, sound reinforcement, and recording applications.The DL241 'Auto-Compressor' incorporates many automatic functions allowing the engineer to achieve optimum results in the minimum set up time but does not compromise skilled users with limited controls. Its sophisticated design produces a smooth, transparent and warm sonic performance.Facilities available on the DL241 include: Expander/Gate. Drawmer's unique "Programmed Adaptive Expansion" circuitry allows effective 'single control operation' producing a fast smooth response and eliminating 'chatter' on or around threshold. This design differs from that of conventional Expanders in that the Expansion Ratio, Hold Attack and Release continually adapt themselves to the dynamics of the incoming signal. The Expander/Gate provides 80dB range and variable threshold from +20dB to 70dB with an OFF position._Switching is provided for 'Fast' or 'Slow' release characteristics. The 'Fast' mode can be used for instruments with rapid decay times or for additional tightening of the gating effect. The 'Slow' mode is more suitable for vocals and instruments with longer decay times or can be used to smooth over rough fade outs. A single LED indicates gating action. Compressor. A full Auto Attack/Release Compressor with variable Threshold and Ratio successfully combines the smoothness of the 'Soft Knee' principle with the precision of a 'Ratio' control. The advantage of this combination is that instead of the onset of compression being sudden at the threshold point the ratio increases over a 10dB input level range until it reaches the ratio set on the fro more information »
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MXL Omnidirectional capsule for use with the MXL 993 condenser microphone. Omidirectional capsules offer better off-axis high-frequency response than cardioid mics. They're best used for instruments recorded in good-sounding live rooms or ensemble recording. Even close-miked, an omni will always give a sense of more distance from the source than cardioid. more information »
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The Behringer TWEAKALIZER DFX69 is an extremely powerful desktop DJ effects processor with real-time control that puts a huge array of effects and functions right at your fingertips. Behind its super-intuitive interface is the power to simultaneously control 6 functions, an incredible real-time scratch function and a super-fast and accurate auto-BPM counter. For example, you can adjust track speed using the virtually inaudible Pitch Transposer, and you also get a breathtaking LFO-controlled effects section including delay & flanger and awesome filter effects with 3 filter types (low, high and band pass), 3 filter modes (auto, manual, LFO) and separate resonance control. There is a groove- and BPM-related loop sampler with up to 16 seconds of memory as well as an ultra-steep 3-band kill EQ (-40 dB) with separate cut buttons per band. A switchable phono/line input with built-in high-precision phono preamplifier lets you connect turntables and CD players, and a signal/effect balance and input gain control provide top flexibility. Ultra high-resolution 24-bit A/D and D/A converters and a high-performance 24/48-bit DSP provide ultimate in sonic resolution. more information »
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The Nady RSM-4 is a ribbon microphone with a versatile design that makes it ideal for numerous applications, from close-miking guitar cabs to vocal recording and live use. The RSM-4 mic's unique compact ring shape allows simple, unobtrusive placement anywhere. The Nady RSM-4 microphone's low-tension, 45mm long, 6-micron thick aluminum ribbon design has a typical large, mellow reproduction with smooth, natural response across the spectrum. Fast, accurate transient response, ultrahigh 165dB SPL capability, and overall stunning realism. The figure-8 pickup pattern offers extended sweet spots and increased off-axis high frequency reponse on the sides with decreased high response above and below on-axis (though with lower audio levels). Individual recording volume control of separate sources is enabled through the use of stereo mic setups where isolation is achieved by placing the source so that it is in the principal axis of one mic and the off-axis null of the other.The RSM-4 has a machined housing with advanced internal shockmount construction for rugged reliability and includes a mic clip and zippered pouch. more information »
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The S-24 Sanctuary Series is a 21-channel mixing console specifically designed to meet the needs of churches, schools and public venues. The challenge of these applications is to provide high quality sound where the experience of the operator ranges from novice to experienced. In many cases, these sound systems are used without an operator. The S-24 mixing system meets these challenges by incorporating a unique set of features that not only make it easier to achieve outstanding sound quality, but also simplify normal operation. In many applications, the S-24 mixer can simply be pre-set, leaving the mix to the system's automatic circuitry.One of the S-24's innovations is Automix, an automatic mixing function provided on the first four channels. Once set up is complete, the automatic mixer watches the incoming levels and automatically turns down unused and low priority inputs to give dominance to the main microphone. This gain-sharing Automix technology makes the Peavey S-24 a natural for churches, auditoriums and small conference rooms because it simplifies operation, reduces feedback and improves intelligibility. A compression circuit on these patent-pending channels helps keep things from getting too loud, and 18 dB/octave low-cut filters remove rumble and handling noise.Another feature that is unique to Peavey Electronics is a new type of mid-equalization control called the Mid-Morph. This control is actually two mid controls in one. When cut, it pulls out low-mid frequencies that cause the sound to be thick and muddy; when boosted, it shifts to an upper-mid frequency that brightens the vocal range.All channels on the S-24 have three band equalization, assignment selection, mute and post-fader sends to Monitor 1 and Monitor 2. The first 18 channels also have sends to the internal effects. LED lights show the presence of signal and the status of the channel. The microphone preamps use highly acclaimed low noise discrete transistor circuitry.Made in the USA. more information »
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