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The Audio-Technica AT8022 is a stereo microphone that is ideal for use mounted on a video camera. Now get true stereo field recording at interviews and when recording at home. Audio-Technica's versatile AT8022 stereo condenser offers a compact housing and the pristine sound quality of a live sound field. Its coincident capsule configuration produces an X/Y stereo image in a small housing. The microphone is supplied with two cables for use with either pro or consumer gear. It offers switchable low-frequency roll-off and the convenience of battery or phantom power. The Audio-Technica AT8022 Stereo Microphone is fully RoHS-compliant—free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS). more information »
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The Thump TH-15A/PV14 PA package includes a pair of Tapco Thump 15" powered dpeakers, the Peavey PV14 12-channel Mixer, and 2 - 20' powered speaker cables.Thump 15-inch Powered Speaker Designed by the same team that produced Mackie's best-selling compact active loudspeakers, the THUMP TH-15A Active Loudspeakers provide amazingly accurate response from 20kHz all the way down to 40Hz, giving it just the right amount of punch. All-new Class D circuitry drives its custom, high-precision 15 inch woofer to greater volumes with less heat than is possible with competing designs. Onboard electronics include full system protection packed into a durable polypropylene enclosure, making the TH-15A speaker the most lightweight powerhouse in its class.Exceptional Sonic Performance TH-15A Active loudspeakers put out a tremendous amount of sound for their size and price tag. The two-way bass reflex (ported) design generates ample quantities of chest-pounding bass, and its 1" compression driver ensures smooth, wide dispersion. Tapco even inserted a 3-band equalizer at the input to give you all the tonal control you could ever want, with an available 15dB boost or cut at 80Hz (for the Lows), 100Hz to 8kHz (sweepable Mids) and 12kHz (for the Highs). With the TH-15A's extremely versatile EQ, you can add some extra thump to that kick drum, bring out the sizzle in your hi-hats and add pop to vocals.More Than Just a Powered Speaker Cabinet Sure, the TH-15A has a built-in power amp—it has two of them, 298-Watts for the 15" woofer and 99-Watts for the HF horn. New Class D circuitry drives the woofer more efficiently with less heat byproduct than the competition's speakers. But so much more goes into an Active loudspeaker design than just amplifiers. The Active crossover divides the frequencies, time aligns the signals for proper reproduction and sends them to the appropriate drivers; active compression provides protection for the drivers, and thermal circ more information »
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Receiver for E03. Offers singers and players a custom listening environment anywhere in the venue. Requires the E03 system to function. more information »
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The multi-pattern GT-57 Studio FET Condenser Microphone is perhaps Groove Tubes's most versatile large capsule mic. An ultra-thin 3 micron gold evaporated Mylar diaphragm is uniquely hand-built into the mic. GT exclusive Disk Resonator naturally extends high frequencies to improve detail and depth., The GT-57 microphone is the perfect choice for both vocal and instrument recordings. The 3 popular polar patterns give the recording engineer complete flexibility for all applications. Exclusive FET Class A electronics are so smooth and warm you might even think it's a tube mic!With the same specs as the Groove Tubes GT-55 mic, but built with a dual sided capsule and pattern selection switch to provide optional Omni and figure 8 polar patterns. All of the features of the high-end multi pattern Groove Tubes GT-67, with FET circuitry replacing the tube for an excellent all around large diaphram microphone at a modest price.Requires phantom power. more information »
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Designed to extend the low end of any EON system, it compact enclosure weighs just 65 lb. and is equipped with an 18" low frequency driver with neodymium magnet, a 500W Class D amplifier, stereo-balanced loop-through outputs with high pass filter, daisy c more information »
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The M 80 microphone from Telefunken delivers condenser-like performance in a durable dynamic design. Its directional pickup pattern and wide frequency response yield a microphone that is the ideal blend of functionality, isolation, and—most importan more information »
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There aren't many companies that can design and build one preamp that engineers and producers feel that they could make an entire record with. A Designs Audio has built two. The all-tube MP-2A and the solid-state Pacifica, but we're here to talk about the MP-2A (you can check out the Pacifica later). With A Designs Audio's MP-2A, not only do you get a never-ending sweetspot and sonic majesty, it also gets top marks in "works and plays well with others." Meaning, while some preamps are picky when it comes to mics, the MP-2A welcomes all — and sounds great no matter what you put through it — ribbon, dynamic, or condenser. Better still, while the MP-2A falls squarely into the realm of "color" preamp, it never overwhelms a track with too much character. If you've been searching for an all-tube preamp with a rich bottom end, sweet and airy top end and enough tonal versatility to record all of your tracks without over-colorization at mixdown, think A designs Audio MP-2A.A Designs Audio MP-2A, First Take: True tube in, tube out stereo mic preamp World-class custom-wound transformers Two "tone" switches, give you four unique tone signatures. Audiophile quality and components and a price below comparable boutique preampsTrue tube mic preampThe MP-2A is a classic 1-channel tube mic pre based on the celebrated MP-1. It offers the same true tube in / tube out design, plus the same quality that made the original MP-1 and MP-2 the buzz of the professional audio industry. New features include a -20 db pad switch, two selectable tone switches for four possible tones, plus 60db of gain (perfect for next generation ribbon mics) Classic features include a world-class Cinemag input transformer coupled with a custom wound output transformer, delivering the low noise and top quality sound that you demand from a high-end, high-priced mic-pre. Additional features include a balanced combo XLR/1/4 inch input, a true VU meter, phantom more information »
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Lab Gruppen amplifiers are engineered to amazing levels of sonic quality, performance, and reliability. more information »
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Tough, paintable exterior coating. Cast-frame 18" woofers. Frequency response of 30Hz-2kHz (-10dB). 600W program handling/1,200W peak. Sensitivity: 96dB. 22"W x 32"H x 25"D each. 71 lbs. each. more information »
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Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 Line + Gradient Condenser Microphone provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations. more information »
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Includes a bodypack transmitter, ME3 headworn microphone, and a rackmountable receiver.When Sennheiser evolutionized the world of performance wireless microphones with the original evolution series, they introduced startling new technology and innovative design. Now, they are again pushing the limits of performance, audio quality, ruggedness and ease of use. They've redesigned the evolution series from the inside out for G2 with features such as much smaller body packs, larger backlit LCD displays, AutoScan function on all receivers, 36MHz switching bandwidth, and the most intuitive user interfaces available.For increased flexibility and power, the 300 Series is an excellent choice. It gives you eight switchable presets (reprogrammable to any of the 1440 available frequencies), peak-hold level and battery meter status indicators, and variable-level balanced XLR and unbalanced TS 1/4" connectors. In addition, an alphanumeric name can be assigned to the receiver. more information »
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The Neumann KM 184 Small Diaphram Cardioid Microphone has become the classic high-quality miniature microphone. The pressure gradient transducer used in the KM 184 features very smooth frequency response not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz (which brings out the sizzle in cymbals), a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances.With the same transformerless circuitry as is used in the KM 100 system, the KM 184 has excellent technical specifications. Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The KM 184 mic will operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output is balanced and phantom (48V) powered.The KM 184 is a good economical alternative choice for users looking for a high-quality miniature microphone. You don't have to give up the electroacoustic features you expect from a Neumann microphone! more information »
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This 6V version of the Lunatec V3 is based on the industry standard Lunatec V2. Designed to deliver accurate, musical preamplification with high-definition A/D conversion in a bombproof, portable, DC-powered package. Sound designers, remote engineers, classical engineers, concert tapers, or anyone with a portable recording system will be stunned by the depth, clarity, and realism the Lunatec V3 delivers.Grace Design's ultralow distortion, 24-bit A/D converter is included as standard. Flexible outputs include S/PDIF (RCA) and 2 sets of AES3 (XLR). Sample rates of 44.1, 48, 88.2, 96, 176.4, and 192kHz are supported. Both single- and dual-wire 176.4 and 192kHz AES/EBU modes are provided via a pair of XLR connectors. Also includes an analog noise-shaping dither circuit (ANSR). more information »
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