| Results For: | Gear Type: Miscellaneous
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Pairs the PGX14 wireless system with the Beta 98H Clip-On Condenser Mic . PGX14 delivers Automatic Frequency Selection, auto setup, XLR and 1/4" outs, and Audio Reference Companding for excellent signal handling. The Beta 98H clamps onto the bell of wind instruments and features an integrated gooseneck with angle brace, ratcheting swivel joint, and an isolation shockmount. more information »
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The UHF-3200 operates on the less-crowded UHF frequency band giving you a clearer, interference-free sound. Each mic channel has its own volume control and you can either output both channels independently or together using the mixed output channel. Included in this VocoPro package along with the wireless receiver are two wireless microphones with upgraded, durable metal bodies. Enjoy wireless freedom at home or in the club with the UHF-3200. more information »
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The Alesis TransActive Mobile is a great PA system for outdoor parties, mobile musicians, business meetings and sporting events. It's a high-output powered mountable 2-way speaker system, with a built-in rechargeable battery with level indicator that lasts over 12 hours. A built-in retractable handle and flight-case style roller wheels allow this PA to travel with you wherever you go. It also includes a michrophone.Simply attach your CD player, musical instruments or the included microphone and you're ready to rock. The integrated Universal Dock for iPod lets you quickly and easily dock your iPod right in the top, for fast control and playlist changes.The long-lasting rechargeable battery, high-efficiency amplifier with four inputs, sturdy aluminum construction and portable design, ensures the TransActive Mobile can be taken anywhere and everywhere.Perfect for outdoor parties, live gigs, business meetings, sporting events, and tailgate parties. more information »
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The Shure MX690 Microflex Wireless Boundary Microphone offers total freedom of placement with no holes to drill or cables to run for installation. The MX690 plate mic is a both a microphone and a wireless transmitter and is the perfect solution for conference and meeting spaces where users demand flexibility and high performance. Compatible with Shure SLX wireless systems, including the SLX4L receiver with logic output for applications requiring logic functionality. more information »
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Free yourself from the mic stand with this headworn mic that does not compromise on sound quality. more information »
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The Summit Audio TD-100 is an instrument preamp and tube DI that brings true high-end audio quality to home studios. An excellent-sounding input stage for digital recording, adding personality and quality to the signal before it hits the converters. 12AX7A/ECC83 tube provides milky warmth. Transistor output section uses ±24V rails to boost the tube sound with no added coloration. Tube loading and output gain controls let you tailor the tone to your taste. Polarity reverse, ground lift, plus signal and peak LEDs. Also works great as a tube headphone amp. more information »
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The Audix TR-40 is a test and measurement microphone that employs a 1/4" pre-polarized condenser capsule with an omni-directional polar pattern. You get an ultra-smooth, linear frequency response from 20Hz to 20kHz. The flat linear response enables the TR-40 mic to successfully capture the "room effect" without the need to resort to electonic processing. This, along with the ease at which the Audix TR-40 handles high SPL's of over 140dB, makes it an ideal testing mic for both studio and live recording of pianos, musical groups, choirs, and room acoustics. Measurement and Calibration Because the TR-40 combines phase coherency with an extremely linear frequency response, it's perfect for use as a cost-effective measurement or calibration microphone for many of today's real-time room analyzers, automated equalizers, and software driven measurement programs.Recording Techniques Many recording engineers use the TR-40 as a creative tool to naturally blend the sound of an acoustic instrument with the room. This provides a unique character and dimension to a recording which cannot be achieved any other way. Instruments such as piano, acoustic guitar, percussion, saxophone, and percussion all lend themselves to this creative process.Live Sound The TR-40 can be used successfully for a variety of applications from choir miking to overhead drum miking. The most interesting and original use of the TR-40 will be as a "room mic" providing a real time mix for performers equipped with in-ear monitor systems.Broadcast Application A series of TR-40's can be strategically placed over the audience in order to create the live' feeling of the event. more information »
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The AS-HSD is an inconspicuous headset that is comfortable and offers great on-stage performance. Features a unidirectional pattern element and an AKG style screw on connector. Includes case. more information »
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The DK25/L is for live performance and includes three SR25 microphones: two for overheads and one for kick drum, a KickPad, and a windscreen. The patented cardioid pattern on the SR25 mic provides a more uniform off-axis response and has less susceptibility to acoustic feedback. The DK25/L system is also ideal for use with multi-miked drums (four or more mics) in either live or studio applications. In such cases it is recommended that two SR25s are used for overheads.The SR25 microphone was engineered to be used in the DrumKit System, but can also provide stunning results on a wide variety of instruments and vocals. The SR25 has a high frequency response that extends to 25kHz and will handle up to 145 dB SPL. The performance vs. price ratio of this microphone is excellent.The Kickpad is a pad/EQ processor for all cardioid mics used on kick drums. Just plug the KickPad into the mic line feeding your favorite cardioid kick drum mic and you will experience an incredible instant kick drum sound that is exactly repeatable, every time. This is a real time saver that will work with any cardioid microphone that is used for kick drum. The KickPad is a passive device (requiring no phantom power) that can be used with either condenser or dynamic cardioid microphones. It will provide fantastic results for both recording and live sound applications. more information »
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The 02R96VCM Mixing Console is backed by the strong reputation of Yamaha's line of production mixers that have evolved over time in response to user needs: the 02R, debuting in 1995 and a fundamental reason for Yamaha's 2007 Technical Grammy Award, 2002's 02R96, and the 02R96 Version 2 released in 2004.Featuring 56 input channels and 18 mixing busses, the Yamaha 02R96VCM digital mixing console incorporates the impressive processing power of a custom Yamaha DSP7 LSI and offers the same array of robust channel functions as the DM2000 on its inputs and outputs. Its "selected channel" system fuses the controllability of a digital mixer with the feel of an analog desk for fast, intuitive operation. The analog input stages on the 02R96VCM mixer feature preamps descended from those of the DM2000, developed with the input of engineers from around the world to provide transparent sound that's perfect for the professional domain.Want more? Take a look at the 5 plug-in packages that give you both space and creativity in the production workplace. Or consider the digital domain where EQ, compressor, tape saturation and guitar effects VCM (Virtual Circuitry Modeling) plug-ins offer the warmth and depth of analog circuitry. The Yamaha 02R96VCM also boasts the outstanding REV-X reverb algorithm introduced in the SPX2000. What's more, it comes equipped with iSSP technology (see below) that makes creating realistic sound fields easy, giving you functionality within the console that would otherwise require outboard effects.Versatile V2 features plus a formidable array of plug-in processors The Yamaha 02R96VCM digital mixer is the 02R96 Version 2 plus a formidable array of state-of-the-art processing technologies that provide all-new production power. You now have extraordinary recreations of classic compression and EQ units from the 70s, simulations of several legendary analog open-reel tape decks, a complete suite of unmatched REV-X reverb effects, a sur more information »
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UR4D Dual Channel Diversity Receiver . 2400 Selectable Frequencies Across 60 MHz Bandwidth. Track Tuning Filtering Technology. Up to 60 Preset Compatible Systems/Band (140 w/Multiple Bands, Region Dependent). Networked Automatic Frequency Selection. more information »
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This Electro-Voice Cobalt 7 microphone pack offers an affordable miking solution for clubs, houses of worship, outdoor venues, or just about anywhere. It comes complete with six dynamic mics, six tripod boom mic stands, and six XLR mic cables. 6 Cobalt 7 Microphones 6 Tripod Boom Microphone Stands 6 20-ft. Male XLR to Female XLR Microphone Cables EV Cobalt 7 Mics The EV Cobalt 7 Microphones perform in high-volume situations without feeding back. They have low handling noise, which keeps them under control when things get rowdy. Excellent for stage or studio use, the versatility of these Electro-Voice Mics makes them valuable in any situation.Mic Stands The six tripod boom microphone stands safely and securely maintain the position you set for your microphones to capture the perfect sound—in the studio or during live performance. Stands feature die-cast metal clutches and nonskid legs that keep them where you set them. Their booms adjust from 1" - 23". Height adjusts 40" - 67".Microphone Cables The six 20-ft. mic cables have male XLR to female XLR connectors. They are flexible, durable, and have a black finish. more information »
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A Tube Condenser with the warmth, presence, and clarity of the original classic. It combines studio versatility and a price that is phenomenally affordable. more information »
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