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A 200 Preset/Programmable 18 Bit digital multi-effect signal processor, the MicroVerb4 is designed to provide a wide variety of great-sounding, easy-to-use effects for small studios, engineers and performing musicians. more information »
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The XDR1 Foot Pedal Receiver is a component of the Line 6 X2 XDS95 24-Bit Digital Instrument Wireless System.The XDS95 24-Bit Digital Instrument Wireless System from X2 delivers your tone and performance with the sound and feel of a direct wire connection — all at a price that won't break the bank. Features include: 24-bit digital converters yielding 117 dB dynamic range to capture your most expressive performances without the use of companders, five simultaneously compatible channels, frequency response all the way down to 10 Hz for truly thundering lows, TRS 1/4" output for instrument and full-bandwidth or 'tuner out' applications, and a five segment LED display (battery status, link status, audio level and channel).Operating the system is unlike any wireless you've tried before. Simply connect the transmitter to the source via the 1/8" threaded-collar locking connector and the "stomp-box" style receiver to your amplifier, mixer or pedal-board. Then power up making sure the transmitter and receiver are set to the same channel. That's it. You're ready to go! No knobs to adjust and no antennas to loose or break mean you're up and running in approximately the same time it takes to connect a cable. System includes a digital UHF bodypack transmitter, digital UHF 'stomp-box' receiver, instrument cable, users guide and all necessary batteries. more information »
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The Sennheiser SKP 100 G3 Wireless Transmitter adapts G3 wireless technology to a wired world. Imagine taking a wired microphone and turning it into a wireless simply by plugging in the SKP 100 G3 to its XLR port. Maybe you would like to send a signal from a mixing console to a Sennheiser evolution G3 receiver across the room? No problem. Featuring G3 upgrades such as wireless transmitter sync and easy-to-navigate menus, the Sennheiser SKP 100 G3 is ready to literally plug in and play. more information »
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15" woofer. 6" x 15" titanium horn. 600W handling capacity. Speakon and 1/4" inputs. Recessed side handles. Protective grille. Corner guards. more information »
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The Neumann TLM 103 Anniversary Condenser Microphone is an ideal large-diaphragm mic for all professional and semi-professional applications. By utilizing the tried-and-true transformerless circuit found in numerous Neumann microphones, the TLM 103 features very low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced, and provides extraordinary attenuation of signals from the rear.Includes an aluminum mic briefcase and EA-1 elastic suspension mount.Polar patternThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern - used in most recording situations - the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.The capsule has a flat frequency response up to about 5kHz, and above that, a wide, flat 4dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.Electrical featuresWith just 7dB-A/17.5dB CCIR the self-noise level is so low that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138dB without distortion, the TLM 103 provides a dynamic range of 131dB.Operational safetyThe entire internal construction is elastically mounted to attenuate any structure-borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount.The frequency range reaches below 20Hz and thus even very low bass signals are more information »
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Delivers an impressive 450W at 4 ohms (stereo), 900W in mono making it well-suited for larger venues. Features extensive protection circuitry and stereo, parallel, and bridge operation modes. XLR inputs and Speakon and binding post outputs give you plenty more information »
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Features a wide array of legendary Lexicon reverbs and effects including the return of Lexicon s prized Concert Hall reverb. Selectable, reversible reflection patterns, multimode filters, and infinity switches provide additional new capabilities. The CPU- more information »
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Receiver for E03. Offers singers and players a custom listening environment anywhere in the venue. Requires the E03 system to function. more information »
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The safest way to eliminate unwanted noise in your live sound setup is with the ART CleanBOX II. Hum in an audio system is often caused by loop effects which act like antennas. Typically, these loops are connected via grounds, more commonly called "ground loops." These loops can easily pick up a 60Hz (or higher harmonics) hum transmitted by electrical wiring. Here are some common examples of ground loops where the CleanBox II can eliminate the hum: The power ground of a synthesizer, connected to the signal ground of the synth, into a mixer's ground, then into a mixer's power ground. The signal ground of a send effect (reverb, delay) into a mixer, and the connecting power grounds of the mixer and the unit. The power ground of a guitar amplifier, connected to a signal processor which has a second guitar amplifier on the other channel, and then the second guitar amp's power ground.All such common ground loop problems are solved by the ART CleanBox II. more information »
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This package includes: One Nady SP-33 cardioid dynamic mic with a lively full-range response; punchy bass; articulate mids; and detailed, crisp highs. Features an aluminum alloy voice coil, low handling noise, and an ultra-rugged shockproof grille. 50Hz-16kHz frequency range. One die-cast 10" steel-base mic stand with E-Z grip choke and 34" height (extendable to 60"). One 20' long, durable, flexible, black microphone cable with a male XLR/Cannon plug on one end, a female on the other. more information »
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Dual gold layered, low-mass Mylar© diaphragm design. Switchable polar patterns (supercardioid and cardioid). Advanced suspension shock mount. Premium electronic components including Class A transformerless preamplifier circuitry. Gold-plated inte more information »
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The Ashly MQX-2310 is a Dual 31-band graphic equalizer that features two channels of 1/3 octave EQ in a 2-space rack unit. MQX Series EQ's use precision filter design and summing circuitry, with each filter exhibiting true constant "Q" response. The center-detented position of each fader acts as an on/off switch for its filter (to minimize any possible degradation to signal noise levels), ensuring absolutely flat response and high signal-to-noise ratios.Instead of 20mm plastic faders typically used by other manufacturers, Ashly has selected a custom-manufactured 25mm slide fader device. The additional range and accuracy of this component allow it to offer ñ15 dB of boost or cut adjustment on each individual filter (an Ashly exclusive in this class of product), and use every last bit of panel space so that small panel size doesn't compromise resolution.Input and output connections include 1/4" TRS phone jacks, as well as standard locking XLR's. The MQX-2310 also has barrier strip connections. Ashly's servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected directly to ground. The power supply is a universal switching power supply which operates from 90 - 240VAC, 50/60Hz with the power switch located on the rear panel. MQX Series equalizers are covered by an exclusive Five Year Worry Free Warranty.APPLICATIONS: Monitor Systems; Front of House Sound Systems; Installations Requiring Fixed EQ; Recording/Broadcast Studios; DJ Systems more information »
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