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The AT-MX351 Automatic 5-channel Smartmixer is ideal for meetings, seminars, teleconferencing, worship services, courtroom proceedings, radio and TV broadcasting and A/V applications. All switching is under microprocessor control with proprietary algorithms for instant, seamless operation. The sound mixer has an individual priority pre-select switch for each mic/line channel that allows choice of one-channel-at-a-time operation, all active, or any mix of moderator override. The last microphone on stays on so that ambient sound is never muted. Plus, any number of SmartMixers can be linked to create a system for large multi-mic installations. The priority control system extends throughout the entire chain. more information »
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All the mic processing tools you need in one box. Its preamp and 5 processors can be used independently or in any combination. The preamp has a wide-ranging input gain control, switchable 48V phantom power, and an 80Hz high-pass filter. OverEasy© com more information »
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Team the Gemini GSM-3250 PA Speaker with any Germini amp to form the core of a great budget PA system. The GSM-3250 speaker offers 300W RMS and 1200W peak power handling, 2x 15" woofers, a 15" x 5" horn, and 4x 3" piezo tweeters. The Gemini GSM-3250 provides great sound and great power handling without breaking the bank. This Gemini PA speaker in a wood cabinet also boasts push button connectors as well as dual 1/4" input jacks for easy connections. For performers requiring a cost-effective PA speaker, the Gemini GSM-3250 is a great choice. more information »
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The SF-12 stereo coincident ribbon microphone from Royer combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.The Royer SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1/3 milligram and producing superb transient response. The two ribbon transducers are magnet/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12 ribbon mic's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled "Upper" and "Lower," for the upper and lower capsules of the microphone (when held vertically).Recording with the SF-12 The SF-12 is uncanny for creating 'you-are-there' stereo recordings that capture not only the instrument being recorded, but, depending on positioning, the acoustic environment as well. If you pay careful attention to the sound of an instrument or ensemble in the recording environment, you will likely find a place where it sounds best to you. Position the SF-12 mic in that place and you will capture that sound.The Royer SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you'd like to capture the meat of the kit but with more more information »
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The TC Helicon VoiceLive Vocal Floor Processor puts all the vocal tools you love and use in one dedicated box engineered for live music performance. Powerful EQ, compression, and delay are combined with rich reverb, harmony, correction, and doubling algorithms from TC-Helicon.4 unique harmony logic algorithms can add harmonies generated from your lead voice or can be used by a backup singer to create a multivoice back-up ensemble. Each of the 4 harmony voice parts use the Hybrid Shifting algorithm. This superior pitch-shifting algorithm is combined with a voice-trained pitch-detection algorithm and human-modeled naturalization parameters to create natural-sounding harmonies.The automatic pitch correction is the most transparent available. With factory and custom scales the Correct block can fix intonation problems in any musical style. Amount, Attack and a 200-cent window control make natural pitch correction easy to achieve.The VoiceLive contains the VOSTM Limiter-an optical limiter optimized for voice. Its analog architecture ensures you'll never distort the mic input and maintain premium sound quality.8 footswitches and 4 control modes make VoiceLive easy to use in your performance. A user footswitch is assignable to TAP Tempo (for delay), Harmony Hold, and other useful parameters. You can also use an expression pedal to sweep through assignable modifiers.The bottom plate is constructed using a powder-coated steel-plate with anti-skid rubber matting. Controls are recessed and reinforced by double aluminum construction. more information »
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A rugged, well built, PA package that gives you more for your money! It includes a rugged, Phonic 620 Plus 200W 6-Channel powered mixer with DSP, and two Phonic S710 10" 2-way speakers. more information »
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The Model 522 is a dynamic base station microphone designed especially for radio communications, paging, and dispatching systems. Its cardioid (unidirectional) pickup pattern suppresses unwanted background noise - the type of noise generated by other dispatchers working nearby, by ventilating equipment, or by office machines in the same area. The mic also eliminates or reduces feedback in public address paging applications. more information »
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The Aviom Button and Knob repair kit contains replacements for all the buttons and knobs on the Aviom A-16II Personal Mixer and the A-16CS Control Surface. Replacing a lost button or knob is simple, straightforward, and requires no special technical skill. more information »
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The AS-HSD is an inconspicuous headset that is comfortable and offers great on-stage performance. Features a unidirectional pattern element and an AKG style screw on connector. Includes case. more information »
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In honor of the 10th anniversary of the release of the renowned VT-737SP Tube Channel Strip Avalon has produced a special "Blackface" model. The VT-737SP features a combination of TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU metering in a 2U space. The VT737SP Anniversary is identical in terms of circuitry, the only difference being cosmetic; the front panel is matt-black and the original orange LEDs have been replaced with cool blue ones. PREAMPLIFIER The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs.OPTO-COMPRESSON The opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path.SWEEP-EQUALIZER AND OUTPU more information »
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The Audix Fusion Series 6-Piece Drum Mic Pack gives you mics that are at home on the road or in the studio. Built to withstand the rigors of live stage applications, with the sound quality required for successful use in the studio. Includes three F10 snare/tom mics, one F12 kick/floor tom mic, two F15 overhead mic (for hi-hat, cymbals, goody table, and acoustic instruments) plus two clips. more information »
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The new AKG C 414 B-XLS Condenser Microphone has undergone numerous refinements to reach its current version. The AKG C 414 has been a studio workhorse for many years. It now has a vastly improved capsule shockmount and switching. 1" diaphragm. 5 switchable polar patterns: omnidirectional, wide cardioid, cardioid, hypercardioid, and figure 8. 2-color LEDs indicate polar pattern and output overload. 3 switchable bass cut filters and 3 pre-attenuation pads with LEDs for quick reference. 20Hz to 20kHz frequency range. Signal to noise ratio of 88dB, A-weighted. Ideal for accurate, beautifully detailed reproduction of any acoustic instrument. Includes H 85 professional shockmount/stand adapter, PF 80 external pop filter, W 414 X external windscreen, and flight case. Requires phantom power. more information »
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PG58 Dynamic Vocal Microphone. Cartridge includes a neodymium magnet for high output level.. Internal shock mount for reduced handling noise.. Durable metal construction.. On/off switch for onstage control. Hardened steel mesh ball grille that resist more information »
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The Yamaha n8 is a digital mixing console with an analog-like mixing interface that boasts ease of operation for professional-quality recording and mix-down. Connecting a computer to the mixer's IEEE 1394 FireWire port enables you to configure an ideal recording environment with seamless integration into Cubase 4.The mixer can handle up to 8 channel inputs, mixing them to stereo outputs and the 16 in/out FireWire connection to record them in a digital audio workstation (DAW). Each monaural input jack features an XLR jack with a phantom power supply and a newly developed compressor that adopts Sweet Spot Morphing technology with various compressor presets. One input supports Hi-Z input for direct connection of an electric guitar or bass. All input channels feature a full 3-band (high/mid/low) equalizer and share a built-in digital reverb.With Cubase AI 4 a special version of Cubase 4 is included in the package so that you are ready to plug in and record.The Yamaha n8 Digital Mixing Studio is a mixing console with an analog-like mixing interface that boasts ease of operation for professional-quality recording and mixdown. Connecting a computer to the mixer's IEEE 1394 port enables you to configure an ideal recording environment with seamless integration into Cubase 4.The mixer can handle up to 12 analog channel inputs, mixing them to stereo outputs and the 16 in/out FireWire connection to record them in a digital audio workstation (DAW). Each monaural input jack features an XLR jack with a phantom power supply and a newly developed compressor that adopts Sweet Spot Morphing technology with various compressor presets. One input supports Hi-Z input for direct connection of an electric guitar or bass. All input channels feature a full 3-band (high/mid/low) equalizer and share a built-in digital reverb.For monitoring purposes you can connect three monitoring speakers (each stereo) to the mixer. If a computer is connected to the n8, you can monitor the sound from C more information »
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