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Providing eight pristine discrete channels of Focusrite Class A mic pre and compression, the OctoPre routes directly to any digital audio workstation via eight standard analog outputs, or via a choice of two optional 24-bit, 96kHz A/D converters. The new more information »
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Bass reflex, floor wedge cab design. 2-way system with 12" woofer, 1" diaphragm HF horn, 300W/600W program/peak power handling, 125dB max SPL, and 65Hz -20kHz frequency range. more information »
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With the MXL Desktop Recording Kit, it only takes a few easy steps and your favorite software to start recording directly to your computer. This universal toolkit provides professional-sounding music and speech recordings into your PC. Includes a self-powered large-diaphragm condenser microphone, desktop stand, XLR mic cable, XLR to 1/8" cable adapter, 1/8" to 1/4" adapter, and recording guide. more information »
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The Shure UR24D/BETA58 Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/BETA58 Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with Beta 58A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds more information »
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AKG's Legendary 1" Edge-Terminated Large Diaphragm Sound. Outstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise). Roadworthy Design. Integrated Suspension to reduce mechanical Noise. Switchable 20 dB Attenuation Pad and Low Cut Switch. more information »
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Continuous Presence Rise Enhances Sound Quality. True Condenser Design. Transformerless Output. Small, Unobtrusive Profile. Includes Stand Clamp, Windscreen, and Zippered Vinyl Pouch. more information »
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The most affordable system that's equipped to handle a large band with ease. more information »
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The Pro VLA by ART is a tube driven Vactrol-based Compressor/Leveling amplifier designed to excel in any professional audio application, including tracking, mixing, mastering, live sound or broadcast situations. By using an opto-electronic design, (as opposed to a more typical VCA driven level detection circuit) the Pro VLA II allows more compression to be added to an audio source with a more natural, musical sounding output and virtually transparent dynamic leveling. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro VLA II tube compressor the ideal dynamic control device for critical studio and live sound applications.These are the differences between the Pro VLA and the Pro VLA II:1. Enhanced Link mode In link mode, CH1 output control acts as a master output level and CH2 becomes a Balance control. This optimizes the Pro VLA II for use as a mastering processor.2. Active balanced outputs. The old VLA has balanced outputs that have 6dB more gain than when using them in the unbalanced mode. This shows up as an error when using the VU meter to compare the input and output level.3. LED output meter. a. Always monitors the output level allowing the user to view Both input and output levels at the same time. b. LED meter indicates both average level plus Peak hold.4. Attack and Release knobs vs. switches. The Old VLA compressor has switches that allow the user to adjust the attack time between "Fast" (~1mSec) and "Normal" (~10mSec). The release switch can be set to "normal" (200mSec) and "Auto" (program dependant, but rather long an average). a. Attack time as ranges from .25mSec to 50mSec b. Release time ranges from 0.15Sec to 3Sec. (This is program dependant at shorter release rates). c. Improved detector that lowers low frequency distortion at fast release rates.5. Improved package a. Rounded front panel machined to countersink all knobs and level meters. b. Re-enforced ears. c. Led lit swit more information »
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The Sennheiser ew 500-965 G3 Wireless Transmitter is the proper replacement If your transmitter is lost, stolen, or somehow broken. This handheld transmitter features ultra-reliable performance and professional features like 32 frequency presets per range. While the G3 wireless technology is impressive, the real star of this combination is clearly the true condenser Sennheiser evolution 965 microphone. The uniquely resonant and distortion-free sound of the large diaphragm dual-capsule microphone makes the singing voice an authentic and intimate experience for any audience. Switch the versatile Sennheiser 965 capsule between cardioid and supercardioid patterns for miking a wide variety of styles. more information »
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A solid, reliable High-SPL studio microphone built for both live recording and reinforcement, the ADK S-7B is a professional transformer-less FET cardioid condenser microphone with a distinctly brilliant sound coloration. Includes piano-black wooden jewel more information »
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The Shure PGX2/BETA58 Wireless Handheld Transmitter is comprised of the PGX2 transmitter fitted with the Beta 58 Supercardioid microphone cartridge. The Shure PGX2 transmitter features a multi-function status LED (power, lockout, mute and low battery), automatic transmitter setup, power and mute switch, and has an operating range of 300 ft. It operates on two "AA" size batteries. The Beta 58A microphone accentuates the warmth and clarity of lead and backup vocals. Its supercardioid design provides maximum isolation from other onstage sounds. Shure professional audio products deliver legendary sound quality, stage-proven durability and hassle-free setup for worry-free performance. more information »
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