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The RDE S1 Pro Vocal Condenser Mic is a professional-quality microphone, specifically designed for live vocal performance. It employs a true condenser transducer for optimal sound reproduction. The frequency response is tailored to ensure clear vocals while reducing handling noise. The unidirectional (super cardioid) pickup pattern limits background noise and reduces the susceptibility to feedback. The 5-piece mesh head provides filtering of breath, wind, and plosive noises while not interfering with the RDE S1's sensitivity or frequency response. The hardened mesh head also protects the precision condenser transducer from airborne contaminants and possible impact during performance and transit.The ergonomic design of the S1 also makes it extremely comfortable to hold and control during performance. The S1 mic requires P48V phantom supply and will work with most professional mixing consoles that incorporate this standard. The high-level output of the S1 is electronically balanced to reduce loss over long cable runs with the additional benefit of high-level rejection of electromagnetic interference. more information »
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Designed to complement the widely acclaimed Drawmer 1960 Mic Pre-Amp Vacuum Tube Compressor, the 1961 Vacuum Tube Equalizer combines low noise circuitry with no fewer than twelve active tube stages to provide two channels of exceptional equalization possessing unique 'personality'. Rather than employ a continuously variable resistor as a means of frequency control, the 1961 utilizes the same rotary 'step' switching system used in vintage designs . This enables the component values for each frequency band to be optimized for uncompromising performance across the entire audio spectrum and also makes setting up more accurate, particularly when treating stereo signals. The design of the 1961 allows the user to control the amount of 'warmth' by deciding how hard to drive the tubes giving a sound as 'clean' as the best discrete solid state designs or as 'hot' as the 'hottest' classic tube designs. The 1961 and 1960 Can be 'interlinked' to provide, in effect, a two channel vacuum tube mixing console, - the perfect mastering or post audio 'sweetening' tool. Facilities available on the 1961 include: Input level A variable input level of -20dB to +20dB ensures compatibility with a wide range of input source material and enables the user to optimize signal level and drive the tubes 'soft' or 'hot' as required. LED bargraph displays give a clear indication of the input signal level.High Pass Filter A variable 12dB/Octave roll-off filter adjustable from - 15Hz to 500Hz section enables the user to remove unwanted low frequencies and sub-sonic noise.Equalization Each channel of the 1961 has four main equalizer sections with six carefully chosen overlapping frequencies and a separate tube stage for increased harmonic clarity. Each section also includes variable band width from 0.3 Octave to 3 Octaves and +18dB of Cut and Boost. BASS frequencies (Hz) 20, 32, 50, 80, 125, 200_LO-MID frequencies (Hz) 100,1 more information »
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Large-diaphragm condenser mic with 1" diaphragm. Mic capsule is based on the popular V63M. Mic is battery powered; does not require phantom power. Integrates seamlessly with the entire range of recording environments. Kit includes mic, XLR cable, more information »
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The EV Cobalt 7 dynamic mic performs in high-volume situations without feeding back, and its low handling noise keeps it under control when things get rowdy. more information »
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Two M4000S dynamic microphones for the price of one. Frequency responses tailored for crystal-clear vocal reproduction. Unidirectional pattern for feedback rejection and focused pick up. All-metal design for years of trouble-free use. Convenient on/of more information »
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With the Remote Control, the talkback mic preamp is assignable to stereo masters 1 and 2, mono outputs 1 - 12, and the balanced intercom/slate output. Connects up to 500 feet with a standard CAT5e cable. FOR USE WITH MIX BACK (MB) ONLY. more information »
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The PAA3 for Phonics is a highly accurate handheld audio analyzer that gives sound engineers a rich array of sound analysis tools. Features include 31-band real time spectrum analysis, RT60, SPL and line meter, internal generator, EQ setting program, micr more information »
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Featuring Audio-Technica's UniLine line cardioid element with a tightly focused 90° acceptance angle, the U857QU quick-mount gooseneck condenser microphone is designed to plug directly into a panel- or desk-mounted XLRF-type connector; it is 19.17" long. Its ultra-flexible, robust gooseneck permits easy adjustment into desired shape while resisting inadvertent repositioning. Featuring UniGuard innovations that offer unsurpassed immunity from radio frequency interference. The U857QU is a phantom-powered podium microphone with an 80 Hz low-cut UniSteep filter that reduces pickup of low-frequency ambient noise. more information »
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Tuck N' Roll 4-Channel, 200-Watt, PA Mixer. 200 Watts Output Power. 4-Channels each with XLR Mic and 1/2-inch Mic/Line Inputs. Each Channel provides Volume, Tone and Reverb Controls. Master Controls: Volume, Low, Mid, High, Reverb, Tape/CD Volume. more information »
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The Behringer B1520 Pro Eurolive Professional Series 15" 2-Way speaker cab features a beefy 15" long-excursion woofer and 1-3/4" titanium driver capable of handling 400W/800W program/peak power handling while delivering robust sound pressure levels. A wide 50Hz-18kHz frequency range ensures solid bottom end and brilliant, natural highs. 50° x 50° dispersion. Crossover frequency of 2.5kHz. Rugged construction with steel grille. Rotatable design for mains or floor monitor use. 35mm socket for pole mounting. Neutrik Speakon connectors. 15-3/5"W x 25-1/8"H x 16"D. 52 lbs. more information »
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This economical, omnidirectional, subminiature, condenser Lavalier mic is designed for general speech applications where visual unobtrusiveness is desirable. The Shure WL93 Lavalier Microphone comes with a mounting block with attached tie bar, a sew-on mounting bracket, and a windscreen to minimize wind noise. It also includes a cable terminated with a 4-pin mini connector which plugs directly into a Shure wireless body-pack transmitter. 50Hz-20kHz. Requires phantom power. more information »
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Clean power with unmatched economy. 150W RMS per side @ 4 ohms, 100W RMS per channel @ 8 ohms, and 300W RMS mono. more information »
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