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The Nady SCM 900 Condenser Mic has the quality for even the most demanding digital recording use. The hand-tooled brass microphone capsule features an ultrathin (3 micron), 1" gold-sputtered Mylar diaphragm. The FET preamp offers natural reproduction. Cardioid pattern, internal shockmount construction, gold-plated XLR jack, 30Hz-16kHz frequency response, -6dB@100Hz low cut filter, 125dB SPL handling, and 76dB S/N ratio. 48V phantom power required. more information »
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The result of great engineering, the MXL 990 Ribbon mic excels in the most demanding recording applications. It can be used to enhance string and woodwind instruments, along with mellow, edgy vocals and overly bright horns. more information »
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The Audio Technica ATW-702 UHF Handheld Wireless System includes the ATW-R700 receiver, the ATW-T702 handheld unidirectional dynamic microphone/transmitter, and the AT8456a Quiet-Flex stand clamp. The ATW-702 UHF Handheld wireless system delivers professional features and sound quality unheard of in its class. This easy-to-use wireless microphone system feature eight selectable frequency-coordinated channels, diversity operation for increased range/reliability, manual and automatic frequency scanning, Tone Lock squelch and more. The ATW-702 wireless system provides a choice of eight PLL synthesized UHF frequencies in the 542-561 MHz band (TV channels 26-29). For multiple-mic applications as many as eight systems may be used together. ATW-R700 Receiver The ATW-R700 receiver features diversity reception. Logic circuitry monitors reception, selecting the superior signal from two antennas, providing better sound quality and reducing the possibility of interference and dropouts. Soft-touch controls provide convenient access to selection of operating frequency and automatic scanning, while an LED display indicates selected channel and scanning operation. The ATW-R700 receiver also features a sophisticated Tone Lock tone squelch system that opens the receiver's audio output only when a 700 Series transmitter is detected, reducing the possibility of interference.ATW-T702 handheld transmitter The ATW-T702 handheld dynamic microphone/transmitter features a rugged dynamic unidirectional element designed for professional live-sound venues. The ATW-T702 uses two 1.5V AA batteries for economical operation and wide availability and also features a multicolor Power/Mute/Battery indicator. Includes AT8456a Quiet-Flex stand clamp for A-T handheld wireless transmitters, with 5/8"-27 threads. more information »
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Sleek, low profile design. Frequency agile, microprocessor controlled transmitter. IR link to SLX receiver for automatic frequency. synchronization. Programmable frequency Group/Channel display. Programmable mute function. Operates on two AA batteri more information »
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The Audix ADX218 Podium Microphone is a condenser microphone designed for podiums, presentations, meetings, and teleconferences. The Audix ADX218 Podium Mic has a 20"-long gooseneck. Known for its clarity, excellent sound quality, and ease of operation, the Audix ADX218 Podium Mic has the ability to accurately capture and reproduce vocals from a comfortable distance.The Audix ADX218 has a uniformly controlled cardioid polar pattern, helping to isolate the person speaking from other ambient noise in the room or on the stage. It's also available in a hypercardioid polar pattern for tighter pickup control. With a wide frequency range of 40Hz–18kHz, the Audix ADX218 microphone provides natural sound with exceptional transient response.The Audix ADX218 mic has an integrated preamp circuit built into the base of the XLR and may be mounted permanently via the supplied flange mount or with an optional base with an internal shockmount (not included). Manufactured with very high standards and tight tolerances, the Audix ADX218 Podium Micrphone has a machined brass body, a field-replaceable capsule, and a variety of optional accessories. The Audix ADX218 Podium Mic operates on phantom power of 9–52 volts and has a non-reflective black matte finish. more information »
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The Electro-Voice N/D468 is a supercardioid pattern dynamic microphone designed specifically for miking horns, drums, and acoustic or electric guitars to perfection. The pivoting head design ensures perfect placement. Advanced capsule design ensured a smooth and accurate response, even in the highest SPL situation. 3-year warranty. Frequency response: (near) 30Hz-22kHz, (far) 60Hz-22kHz. Sensitivity: -51dB @ 1.0kHz. more information »
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The Tube-Tech EQ 1AM is the mastering version of the version of the Tube-Tech EQ 1A. Whether you're adding overall sheen and polish to a final mic, smoothing out harsh vocals and instruments, or just going for some power and punch, the EQ 1AM provides the exactly results you'd expect from a world-class EQ, and does it effortlessly. Built for mastering, the EQ 1M features stepped rotary switches for accuracy and parameter recall. Tube-Tech EQ 1AM Full Range Equalizer, First Take: One-channel, all-tube based parametric equalizer High- and low-cut filters 25kHz cut for anti-aliasing filters High- and low-cut shelving EQ sections and three overlapping bands with stepped rotary controls for gain and bandwidthAll-Tube Based Parametric EQ The EQ 1AM has seven EQ sections that can be switched in and out, including high- and low-cut, high and low shelving, and three overlapping bands ranging from 40Hz to 20kHz. Except for the power supply, the EQ unit is all-tube based. Both the input and output stages have fully floating transformers for superior electronic isolation, which results in noise-free, ground-loop immune operation. All voltages (with the exception of the anode voltage at the output stage) are DC stabilized, since any variation in the DC energy when combined with the musical signal would cause distortion. Put simply, the EQ 1AM's DC-stabilized circuits keep the EQ bands free of any unwanted artifacts. EQ is smooth and distortion-free. High- and Low-Cut Filters The cut filters are designed with unity gain amplifiers. This is significant since they don't load down the source or draw any current. Therefore, they drive the load as if it were a perfect voltage source. They also eliminate distortion due to overload, crosstalk, and other electromagnetic interference. The low- and high-cut sections include a frequency switch with a choice of six frequencies, a slope switch and an in/out switch. Both the low- and hi-cut filters offer a choice of six freque more information »
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The Beringer EUROPOWER EP1500 Power Amp features such high-quality components as toroidal transformers and ultrareliable Toshiba/Fairchild high-power transistors. This Behringer amp is equipped with independent channel limiters and selectable low-cut filters (30 or 50Hz), an efficient cooling system, XLR and 1/4" TRS inputs, and Speakon plus binding post outputs. Capable of parallel and bridged mono operation. 2x700W @ 2 ohms; 1400W @ 4 ohms bridged. more information »
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The Audio Technica ATM250 hypercardioid dynamic microphone is tailored for kick drum, percussion, brass and other highly dynamic instruments. Equipped with a neodymium magnet and a tight hypercardioid polar pattern. Includes a professional isolation clamp more information »
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The JBL EON515 is a 15-inch, two-way, powered, portable speaker system. Capable of reproducing full bandwidth sound at high levels it offers the additional utility of a 3 channel built-in mixer. The EON515 speaker is comprised of a 15" Differential Drive woofer, a 1" neodymium high frequency compression driver coupled to a 100° H by 60° V waveguide. Both components are driven by the discrete channels of a 450 W Crown Class-D integrated power amplifier. The input section contains all crossover functions, protection, and audio mixer functionality. The mixer offers XLR or 1/4-inch TRS phone jack compatibility. Selectable input sensitivities allow a broad range of devices to be properly matched. A unique mix/loop signal low router provides opportunities for daisy chaining or gigging with the built-in mixer only. Pre-engineered system EQs allow for matching the settings to the actual source material. In the "cut" position maximum level can be achieved for speech reproduction by reducing need to reinforce the lower frequencies. This is also a typical setting when using the PA speaker system as a floor monitor, reducing low frequency build-up that occurs naturally when placed on a floor. The "flat" setting is ideal for live music and the "boost" for reproducing low level pre-recorded music, delivering extra low and high frequency energy. The signal present and limit lights indicate performance status. JBL included an additional switch that kills the illuminated logo in theater applications. more information »
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250 watt Passport Deluxe complete PA system with remarkable clarity and truly impressive imaging. If you are serious about the sound of your performance, you owe it to yourself to use one. This 6 Channel, 250 watt stereo powered mixer includes two custom more information »
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Greatest gain-before-feedback concert vocal mic! Dynamic supercardioid pattern customized for live vocal performance. more information »
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24 inputs and 4 aux sends for each channel, 4 subgroups with separate outputs, 10 mic preamps, and 4 multi-functional stereo aux returns with flexible routing. 24-bit FX processor with 100 presets. more information »
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Dramatically reduced net weight. Latest generation of high speed, wide-bandwidth output devices. Twin-tunnel cooling with back-to-front air flow. Dual, rear-mounted, continuous variable-speed fans. Balanced male and female XLR inputs with switch-confi more information »
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