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SKU: GS1841156
ALL SOLID WOOD - Traditional pineapple body shape. Mahogany top, back, sides and neck, 12 fret rosewood fingerboard, rosewood bridge, nice soundhole rosette, nickel friction pegs with white buttons, pearl dot inlays, gloss finish, Aquila strings. The perfect uke for "Paddlin' Madeline Home," by the way. Made in China. (Ukuleles) more information »
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GT Convertible FET Condenser Mic has a shock mounted GT Hyper Cardoid capsure and warm FET circuitry to give it low noise and high quality sonics. The Convertible is perfect for all occasions; a stage mic for vocals or guitars with clarity and detail far more information »
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On-Stage Stands Hex-Base Studio Boom Stand. Patented Hex-Base with removable casters provides stability and mobility. Three Section vertical shaft adjusts from 40"-82". 40-tooth boom clutch adjusts boom angle and locks securely. 82" Boo more information »
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1/3 octave, 31-band, constant Q equalizer. 2 rack space, all-steel chassis. Shielded internal power supply. Balanced XLR and 1/4" I/O. Low cut filter at 50Hz with a 12dB/octave slope.. more information »
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With its Neodymium magnetic structure to provide greater output level and lighter weight, the Beyerdynamic TG-X 60 has emerged as a firm favorite with vocalists, providing a superb level of purity within a well defined hypercardioid response pattern. At just 217g the TG-X 60 handles like a dream and its performance assures its status as a Beyerdynamic classic. more information »
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Designed for use as a monitor or PA cab, its LF driver produces massive bottom end without boominess while the 1" neodymium compression tweeter smoothly reproduces high frequencies. With 500W program handling, 70Hz-19kHz frequency response, 8-ohm operation, and a 130dB peak SPL, this unit will get the job done. The low-profile cab accepts third-party stand adapters for pole mounting, has a foam-backed steel grille, and dual Neutrik connectors. 18"W x 21"H x 24-3/5"D. 55 lbs. more information »
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The 1969 Mercenary Edition, derived from a collaboration between two of the audio industry's most established names, Drawmer (UK) and Mercenary Audio (USA), Fletcher - Producer/Engineer, Mercenary Audio incorporates new tube circuits designed to add warmth to mic/line signals, and the instrument (DI) pre-amp has its own tube stage enabling classic overdrive effects when inserting guitar, bass and other instruments. Retaining the concept of twin mic pre-amps, the 1969 uses Burr-Brown'op amps for a silkier sound - and a phase reverse switch available in instrument, mic and line modes increases versatility. The 1969 employs true stereo link operation with channel one's threshold, attack and release controls becoming master to both channels. Stereo link also offers a BIG position which retains bass frequencies by rolling off the detection signal at 100 Hz minimizing undesirable pumping during compression. Output gain make-up can be independently controlled on each channel. more information »
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2 speakers. 15" woofer for punchy bass. 7" x 15" horn with overload protector. Specially voiced internal crossover provides superb separation of frequencies. Recessed handle. 1-3/8" polemount. more information »
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Solid steel male and female threaded ends. Flexible neck is made from interlocking rolled metal. more information »
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Up to 8 compatible systems. 1/4" and XLR output. Internal antenna diversity. LED indicates signal strength. more information »
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Kustom PA KPM8420T Powered Mixer. Dual 200W amps assignable to monitors or mains. 8 channels with mic preamps. 8 balanced XLR inputs and 40V phantom power. 8 line inputs, 2 with instrument-ready preamps-20dB pad and 3-band EQ on all channels. 2 indep more information »
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Elegant and simple, the Sabine Phantom Mic Rider is a real breakthrough in microphone accessories. The key is phantom-powered DSP-a first in the industry. Your DSP processing is now customizable and physically located at each microphone. Think of the applications for custom microphone equalization: retrofit every podium mic at your church, school, boardroom, or teleconferencing center. Get one on every mic you specify from now on!The Phantom Mic Rider delivers benefits for everyone involved with your sound system. Whether they are loud talkers or meek mumblers, all your presenters will appreciate the consistent sound quality and managed gain provided by the Sabine Phantom. The technicians will love the fast and easy installation and setup, and they can leave the microphone unattended, knowing the adaptive functions of the Phantom will take care of feedback, gain, and clarity. The Phantom even turns the mic off when no one is in front of it using the included, detachable infrared sensor. The audience will appreciate the clear sound and increased intelligibility, and your accounting department will love the price.Getting a Phantom Mic Rider is like having an engineer in every microphone who manages the gain, drops in parametric filters to kill feedback, tweaks the EQ when the speaker gets too close, edits out the plosive sounds without affecting the audio, and turns the mic off if no one is near it. With all these features in one small package, all for such a great price, you can afford to put one on every mic in your system.Installing and setting up your Sabine Phantom is extraordinarily easy. Just insert the Phantom between the mic's base (or podium if the mic is flush mounted) and the connector on your gooseneck mic. The installation is done. The controls (hidden beneath the security cover) will allow you to make a few adjustments to customize the Phantom for each situation. Set the Phantom for your microphone's sensitivity, then set your FBX filters and tw more information »
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Small enough to fit in a gig bag, the Vocalist VL3D from DigiTech analyzes your voice and through exclusive MusicIQ Technology, will add the most musically correct harmonies. It has gender control for proper backing, real-time pitch correction, 5 user-def more information »
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