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The CS Series is the global standard bearer for workhorse reliability. These amps have benefitted from Peavey's most popular audio innovations, including exclusive DDT compression/anticlipping protection. Circuitry protects against shorts, improper loads, abrupt turn-on levels, high temperatures, and subsonic frequencies that could damage loudspeakers. All CS power amps include toroidal power transistors for lighter weight and increased power. more information »
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Perfect for close placement. Mic stand mount sockets. Dual ferro-fluid 5" drivers. 200W handling. Volume control knobs. Dual 1/4" I/O jacks for daisy chaining. more information »
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The L1 Model II system delivers wide horizontal sound coverage and smooth tonal balance—across the stage and throughout the room. It includes the improved Cylindrical Radiator speaker with a stand that folds to be more portable, a B1 bass module, plus cables, power cord, and carrying bags for the various components.Like the original award-winning Bose L1 system, the L1 Model II is an all-in-one innovation that replaces conventional monitors, mixers and PA speakers. It's packed with proprietary Bose technologies designed to improve your amplified sound.The system's breakthrough Cylindrical Radiator loudspeaker produces wide, uniform sound coverage—onstage and throughout an audience of up to several hundred—with little drop off in volume and tone.The Bose L1 Model II system features Articulated Array speaker technology for even greater tonal balance. The loudspeaker's 24 vertically mounted drivers are precisely angled to create clearer highs and more consistent tone in the room. Even people off to the sides enjoy well-balanced, detailed sound.Deep bass from small enclosures L1 Model II systems come with one B1 bass module to ensure more accurate amplification of lower notes for most voices and instruments—including guitars, keyboards and various horns. A double bass package is recommended for bass guitars, kick drums and DJs.The B1 bass module is considerably lighter and smaller than conventional bass bins required for the same performance. Power up to two bass modules on a single power stand. Add two more bass modules to the system with an optional PackLite extended bass package.Lighter and more compact L1 Model II systems are Bose's lightest, most compact live amplification systems—with four retractable legs on the power stand for easy setup and breakdown. The power stand also has a simplified control section; the single line-level input can be used with instruments, mics, mixers, laptops, MP3 players or DVD systems.Th more information »
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The Universal Audio 6176 Channel Strip gives you the classic sound of the legendary 610 Modular Console. Advances in digital recording technology are providing users with tremendous power and flexibility for increasingly less money. All too often, however, the audio quality of these systems is limited by their input stages. Many users who demand the power and flexibility of today's recording technology find themselves yearning for the warmth and tone of yesteryear's hand-built analog circuitry. Now with the release of the 6176, Universal Audio combines their highly acclaimed 610 tube microphone preamp with their legendary 1176LN compressor to create the ultimate single-channel signal path for everything from vocals to vibraphones. more information »
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SKU: GS2346867
VG-EC except for several repaired cracks and scratches, Hawaiian version of L-00 converted for standard play (lowered nut, etc.), 14-3/4" lower bout, 3-7/16" to 4-3/8" body depth, 12 fret V-shaped mahogany neck, sunburst finished spruce top, dark stained mahogany back and sides, 19 fret rosewood fingerboard with pearl dot inlays, rosewood bridge with slanted and compensated bone saddle, firestripe tortoise plastic pickguard, white-bound body, black headstock with large white silkscreened "Gibson" logo, 3-on-a-plate open gear tuners with white buttons, w-b-w soundhole rosette, ~24-7/8" scale, 1-29/32" nut width, replacement bone nut, L.R. Baggs I-Beam Active system installed, on consignment, with thermoplastic HSC (black lining) (SN:DG-5413) (Flat-top Guitars) more information »
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The Ashly XR-2001 is a Stereo 3-Way, Mono 4/5-Way crossover based upon a powerful state-variable filter circuit, which guarantees that two adjacent frequency band outputs always remain in phase. The XR-2001 crossover offers a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. It also includes a 200:1 tuning range, output mute switch, and both TRS and XLR connectors. Like other Ashly products, this crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields.Response Control; an Ashly Exclusive... This control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point". This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or "Linkwitz-Riley" response through the crossover region, set the Response control to "6". This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past "6" to best suit your needs.The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby h more information »
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24 Bit A/D - D/A Audio Resolution. 24 Bit/100 MHz (x2) Digital Signal. Processing. Four 28-Band 1/3 Octave Channels of EQ. Programmable Compressor/Limiter. Programmable Delay up to 1.364 Seconds. Programmable High and Low Pass Filters. Balanced XLR more information »
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You'll love the freedom you get with the Shure ULXS14 Wireless Instrument System. The system includes a ULXS receiver, bodypack transmitter, and mini 4-pin connector instrument cable that links the transmitter to a guitar or bass. It delivers affordable, frequency-agile UHF wireless, giving you clear channels and strong transmission so you can concentrate on your music. The receiver's automatic frequency selection scans for open channels. Ultrawide UHF band agility operates across multiple TV channels for clear operation anywhere. Shure microprocessor-controlled Predictive Diversity anticipates and avoids sound dropouts. A multifunction LCD display indicates group and channel settings, current UHF TV channel, and remaining transmitter battery power. LED indicators confirm RF reception and level, as well as transmitter audio level. Transmitter has a backlit LCD display, provides extended 8-hour battery life, and an operating range up to 300 feet. more information »
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SKU: GS2480245
New, but a factory second due to a minor cosmetic flaw (ding on top). Concert resonator uke with 7-1/16" lower bout, 15" scale, wonderful nickel-plated brass body with etched Hawaiian scenes on front and back, etched side band and engraved accents on the top, back & sides, mahogany neck, 1-3/8" nut width, ivoroid-bound ebony fretboard meets the body at the 14th fret, diamond inlays, black peghead overlay with block "NATIONAL" inscribed in white, 6" resonator cone with sieve coverplate, includes shaped wooden hardshell case. Sweet deal that is rarely available from National. (Ukuleles) more information »
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The AMT TA2W - Sennheiser is a low profile double condenser microphone system designed to work with Sennheiser Wireless Systems. The first microphone attaches to the bell of the musical instrument, the top or over the keys microphone is suspended in a 4 point isolation ring reducing valve, key, click, and handling noise. The second microphone is placed in front of the bell of the microphone. Both TA2W microphones are on goosenecks for optimal placement. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive.The AMT interface lets the artist use AMT microphones with most Sennheiser wireless transmitters. In most cases the interface will eliminate the beltpack that has come with your microphone system. The AMT Interface will replace the belt pack and can be fastened using velcro to the belt pack of whichever wireless system that you are using. With the AMT Interface, the microphone can plug directly into the interface which then plugs directly into most major brand wireless units. Requires phantom power. more information »
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The phantom-powered U857Q is designed to plug directly into a panel or desk-mounted XLRF-type connector. 14.37" long. It features a small-diameter gooseneck that adjusts easily to any position. It is a cardioid condenser microphone and offers unsurpassed immunity from radio frequency interference thanks to Audio-Technica's UniGuard technology. Self-contained electronics, phantom-power, plus an 80Hz low-cut UniSteep filter to reduce pickup of low-frequency ambient noise make it easy to use. It also accepts interchangeable elements, available optionally in cardioid, hypercardioid, omni, and UniLine line cardioid polar patterns. more information »
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SKU: GS2347054
Full-sized OM shaped, satin finished body. Solid Sitka Spruce top, laminated mahogany back and sides. Scalloped, pre-war style braces, black binding, b-w-b rosette, dot position markers, rosewood "belly" bridge and rosewood fingerboard with 14 frets to the body. ~25.5" scale length, ~1-11/16" nut width, dovetail neck joint, dual-action truss rod, chrome tuners. Gigbag included. Made in Korea, set-up and inspected in Bend, Oregon. (Flat-top Guitars) more information »
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The Audio-Technica AEW-4315 Artist Elite Wireless System includes the AEW-R4100 receiver, AEW-T1000 Unipak transmitter, and the AEW-T6100 Hypercardioid Dynamic microphone/transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the AEW-4316 from the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. more information »
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