| Results For: | Gear Type: P.A. & Sound Reinforcement
Gear Type: Miscellaneous
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The Daking Mic Pre One is a free-standing single-channel preamplifier that uses the same circuitry found in Daking's 4-channel Mic-Pre IV, a favorite among top producers and engineers such as Butch Vig (Nirvana, Green Day, Smashing Pumpkins), David Pensado (Mary J Blige, Beyonce, Brian McKnight), and both Chris and Tom Lord-Alge (who haven't they mixed?). Built in the tradition of the great console manufacturers such as Neve and API, Daking preamps feature bulletproof construction and marvelous sound, reminiscent of the coveted classic pres. While sharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the Mic Pre One adds a unique variable high-pass filter and comes in a freestanding 'DI-style' steel enclosure, ensuring both durability and immunity from noise. Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1/4" front panel Hi-Z instrument input, all utilizing relays with gold bi-furcated contacts. Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain between 25dB and 70dB.A 20-segment LED bargraph display provides accurate metering. Another LED signifies when power is supplied to the Mic-Pre One. Rear-panel connections include a transformer-isolated input for a microphone, plus line outputs on 1/4" jack and XLR. more information »
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The Red 7 Microphone Preamp from Focusrite employs a superb mic preamp with a dual-range mic gain pot for precise control. Phantom power and phase reverse are also provided. Line input is electronically balanced with continuously variable gain. An output fader offers +6dB to infinite attenuation. A full dynamics section, optimized for vocals includes a versatile compressor characterized by low noise and distortion, and transparent natural sound even when heavy compression is applied. A swept high-pass filter allows treatment for rumble, bass lift, and proximity effect. A de-esser/exciter stage can be switched to provide frequency selective de-essing or excitation. more information »
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This wireless system comes with the Audio-Technica ATW-R3100 receiver and ATW-T310 UniPak transmitter.With automatic frequency scanning to find and set the best available channel, 200 selectable UHF channels, true diversity protection from RF hits and dropouts, and soft-touch controls, the 3000 Series wireless delivers truly professional performance. The versatile UniPak body-pack transmitter features a secure 4-pin locking connector compatible with a wide range of microphones, as well as guitar cables. A 3-position sliding cover on the transmitter's control panel prevents accidental shutoff or channel-switching. more information »
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The supercardioid capsule in the Sennheiser ew 145 G3 Wireless System captures more of the sound you want while rejecting off-axis noise. This makes the mic very resistant to feedback as well as a great choice for those working with loud stage volume levels. The included soundcheck mode on the wireless receiver makes it possible to check the RF signal strength and audio levels continuously. Also, the G3 sync function wirelessly links the transmitter with the receiver with a simple push of a button. Lastly, the Sennheiser true diversity receiver has a built-in 5-band equalizer which completes this professional sound package.The Sennheiser ew 145 G3 Supercardioid wireless system includes an EM 100 G3 rackmount receiver, SKM 100-845 G3 handheld transmitter (dynamic, supercardioid), MZQ 1 microphone clip, NT 2 power supply unit, 2 antennas, 2 stacking elements, and 2 "AA" batteries. more information »
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SKU: GS1623620
Thought by some to be THE ultimate vintage speaker, this Jensen P12Q could only be found in the best Pre CBS Fenders and other high quality amps from the 50's and 60's. Big, warm, full tone, great harmonics and smooth highs. The Serial number on it is 220525 which indicates it was made in the mid 1960's.
CALL 203-740-8889 OR ORDER ONLINE more information »
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The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source. Includes a more information »
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ULXP4 Wireless Diversity Receiver. Automatic Frequency Selection with group scan function. Over 1400 selectable frequencies. Predictive Diversity. 5-segment transmitted audio signal strength meter. 5-segment RF meter. 3-segment transmitter battery f more information »
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The EP84 is the latest multichannel microphone preamplifier from SM Pro Audio. Packed with quality features and connectivity options, this sturdy 2RU rack-mountable unit is designed to provide studio users with 8 channels of clean and accurate microphone preamplification. The EP84 is an excellent front end for computer audio systems, stand-alone hard disk recorders, or just about any other analog or digital workstation.With all the functionality of a top line preamplifier, the EP84 features independent variable gain control, -20dB pad, phase reverse, low cut filters, 48v Phantom power, and insert points on each of the eight (8) channels.Each mic-pre provides some 60dB of gain with a massive 23db of maximum output. Eight (8) ADAT format channel outputs can be added to the EP84 via installation of the optional PR8IIA ADAT output module. With this simple user installed option, the EP84 integrates superbly into today's digital studio environments without a hitch. Great for connection to the latest ADAT compatible audio interfaces, the EP84 expands your recording possibilities — you can even mic up the whole band! Note: The analog outputs (both +4dB XLR & -10dB TS) and the digital ADAT ouput (when fitted with the PR8IIA output module) operate simultaneously. more information »
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This EtherSound output card allows 8 channels of audio over Ethernet, providing effective connectivity for large studios, post production installs, and live sound engineers using the Focusrite Liquid4Pre EtherSound. more information »
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2-way enclosure. 12" driver. 2" tweeter with titanium diaphragm. Frequency response: (-10dB) 60Hz-16kHz. 350W program handling/700W peak. Sensitivity: 97dB. 17"W x 25"H x 13"D. 43 lbs.. more information »
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The BBE DS26 loudspeaker management system features 2 inputs and 6 outputs with 5-band parametric EQ on each output. Outputs all feature crossover filters, selectable high and low shelving filters, and fully featured limiter and delay circuits. Full metering is provided for inputs and outputs, with mute and access buttons allowing quick set up and gain adjustment. Other features include a choice of 12, 18, or 24dB/octave roll-off and Butterworth, Bessel, or Linkwitz-Riley responses. Independent control of each high and low pass filter allows asymmetric crossover bands to be created. The DS26 can also be controlled from a PC via its RS232 connection. Along with XLR input/output connectors, DS26 has selectable line voltages between 90 and 250 VAC for global use. more information »
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Dynamic mic with studio-quality detail and clarity. Cardioid pattern with excellent off-axis rejection. Unique double swivel-mounted design for ideal positioning. Great for vocals or instruments. Innovative visual design. more information »
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The Shure PG48 microphone pack and stand includes two Shure PG48 Dynamic Vocal Microphone 3-packs, six 20' Lo-Z Microphone cables, and six Tripod Boom Microphone Stands.PG48 Dynamic Vocal Microphone Engineered to be easy to operate, the Shure PG48 mic lets you capture the imagination of your audience so you can get your message across. Just as artists, visionaries and social leaders across generations and around the world have done with Shure products for more than 75 years. The Shure PG48 microphone has a tailored frequency response that is smooth, extended and is tuned specifically for vocal applications The Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides and is less susceptible to feedback. The dynamic cartridge has a simple, rugged coil and handles extreme volume levels without distortion. Lo-Z Microphone cable This Lo-Z Microphone 20' cable is durable, flexible, and black. It features XLR connectors - male plug on one end, female on the other. Tripod Boom Microphone Stand This Tripod Boom Microphone Stand safely and securely maintains the position you set for your microphone to capture the perfect sound - in the studio or during live performance. Stand features die-cast metal clutches and non-skid legs that keep the stand where you set it. Boom adjusts from 1" - 23". Height adjusts 40" - 67". more information »
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The Mackie CFX12 mkII Mixer is designed to make mixing live performances simpler. The mkII upgrades include sleek gray cosmetics, ergonomic knobs, and impact-resistant rubber sides. This live sound mixer features Mackie-designed mic preamps, logarithmic-taper 60mm faders, 9-band phase-accurate graphic equalizer, 32-bit EMAC digital effects processor with 16 effects, 4-bus design, 2 pre/post aux sends, internal/external effects sends, and a host of great features for live sound, including 48V phantom power and 12V BNC lamp socket. more information »
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