| Results For: | Gear Type: P.A. & Sound Reinforcement
Gear Type: Miscellaneous
|  |
Filter:
|
Ideal for kick drums, bass amps, tubas, etc. Exceptionally clean reproduction. Cardioid pickup pattern. Frequency response: 20Hz-18kHz. Rugged construction for road use. more information »
|
|
|
|
|
|
|
The stylish new desk gets its looks from the highly successful and popular MH3 and MH4 touring sound consoles. The Soundcraft LX7ii 32-Channel Mixer includes a new frame, module ID graphics and end-cheeks, making the LX7ii system not only easy to use but the envy of professionals everywhere. Electronically, the LX7ii gains a new Soundcraft mic-preamp and EQ section, both designed by Soundcraft founder and electronics wizard Graham Blyth. The new 4-band EQ with swept mid sections is based on the highly acclaimed EQ in the new MH3 and MH4 touring consoles. The GB30 mic pres on the LX7ii mixer possess much of the quality and precision of the mic pres used on Soundcraft's biggest touring desk, while still being cost sensitive.The GB30 EQ gives a steeper than usual slope on the fixed LF and HF sections, removing unwanted mid-frequency "mush" and delivering a clearer sound. It is a cost-effective design that brings high-end EQ into an affordable mixing console for the first time.Other standard features of the RW5676 LX7ii include 32 mono inputs and 4 stereo inputs/returns with 4 groups, main stereo output and a dedicated mono output for centre clusters. There are direct outputs on the first 16 inputs suitable for multitrack recording, and 6 auxes providing flexibility for effects and foldback. The LX7ii mixes to 7 outputs—4 subgroups, plus the main Left, Right and Center (Mono) mix outputs. This mixer continues the tradition of the highly successful original LX7 in its applications in live performance PA, installed systems in churches, theaters and any similar application where a compact-sized console needs to provide a large number of inputs and maximum output capability. Both recording and live applications are easily satisfied with the Soundcraft LX7ii 32-Channel Mixer. more information »
|
|
|
|
|
|
|
The EV PolarChoice Satellite is a free-standing gooseneck style microphone, firmly anchored in place by its elegantly designed base. This low-profile foundation hides PolarChoice Satellite's most powerful feature <## mdash ##> space for a wireless transmitter. Turn the base overto reveal the specially designed compartment for housing a Telex or Electro-Voice bodypack transmitter. Connect the microphone to the bodypack, set-up the wireless channel, and place PC Satellite anywhere an easy-to-use microphone is required. No longer do you have to cut holes in tables, run long cables, or compromise the architectural integrity of an installation. With the PolarChoice Satellite, anything is possible. The PC-Satellite features an EV PolarChoice multi-pattern microphone. The multi-pattern versatility of the PolarChoice microphone makes it a true "problem solver". With one non-directional and 3 directional polar patterns available, the PolarChoice microphone is ideal for virtually any installation. The PC-Satellite also includes a switchable high pass filter that greatly reduces any vibration induced noise pick-up. Available in three gooseneck lengths: 18", 12" or 5" more information »
|
|
|
|
|
|
|
The ULTRA-DI DI20 is an innovative active 2-channel DI-box/splitter that takes the signal directly from an unbalanced high-impedance outputlike an electric guitarand feeds it directly into a mixing console or recorder. It is ideally suited to augment the more information »
|
|
|
|
|
|
|
The SP12M is a two-way floor monitor speaker system comprised of a 12" Black Widow spider-frame BWX woofer with a Kevlar/carbon fiber-impregnated cone and an enclosure made from nine-ply Baltic birch. The thoroughly braced cabinet is covered with a durable black carpet and provided with a heavy duty perforated steel grille with a dark grey powder coating. An SA-1 stand mount adapter is built in for side-fill or PA use.Made in the USA. more information »
|
|
|
|
|
|
|
The EL8X Distressor from Empirical Labs is an automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio applications. Basically, the compressor electronically controls the volume of just about any source in a very pleasing, and "musical" manner - adding fullness, intelligibility, and especially in the Distressor's case - excitement. This type of device is often called a "limiter" or "compressor" by audio professionals and its most probable uses will be in recording studios, live sound situations, movie sound production, and radio broadcast production.Unlike most analog compressor/limiters the Distressor is a digitally controlled audio device and actually incorporates several products into one by utilizing digital controls to switch totally different circuits in and out. Years of beta testing and redesign went into the Distressor as will be the case with all Empirical Labs products.Besides offering a wide range of control and unique features, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This "warmth" or vintage sound has become an important issue in the last 15 years, as the super clear and linear digital technology does very little (or nothing) to soften "harsh" sounds nor emphasize the bass frequencies in music sources. Older analog tape, vinyl records and tube equipment on the other hand, could not be prevented from coloring the sound, often to the frustration of recording engineers. However, many people have now realized that this coloring can be extremely pleasant and "musical". The current digital technology is often referred to as "cold" and "brittle" among other terms, although we prefer the term "unforgiving" to describe the negative side of the "linearity". The Distressor compressor offers several modes that color the signal, even without compression (or gain control). These more information »
|
|
|
|
|
|
|
Industrial strength mixing and iPod playback for the modern digital studio. more information »
|
|
|
|
|
|
|
The Audio Technica ATW-251 Freeway VHF Guitar Wireless System is designed to provide reliable performance, easy setup and clear, natural sound quality. The Freeway Wireless Microphone System includes the ATW-R250 receiver and the ATW-T201 body-pack transmitter on a specific crystal-controlled frequency. A novel dipole antenna system on the receiver improves operation by providing a ground element in addition to the usual signal element.ATW-R250 receiver The ATW-R250 receiver includes a space-saving switching power supply that automatically adapts to changes in mains voltage. Unlike bulky linear power supplies, this switching power supply is lightweight and compact; it uses only a single outlet space. ATW-T201 UniPak body-pack transmitter The versatile ATW-T201 UniPak body-pack transmitter has both a high-impedance input for instruments, and a low-impedance input with bias connection for use with dynamic and electret condenser microphones. The ATW-T201 uses internal 9-volt batteries and has an Off/Standby/On switch, input Trim (level) adjustment, and battery-save switch. more information »
|
|
|
|
|
|
|
The Audix VX10 is a professional vocal condenser microphone designed to raise performance standards in the areas of live sound and broadcast applications. more information »
|
|
|
|
|
|
|
The ultracompact Behringer Shark DSP110 is a 24-bit multipurpose signal processor that functions as a pro-quality ULN mic preamp with +48V phantom power. It's a feedback destroyer, a delay line for loudspeaker time alignment, a user-friendly yet effective compressor/limiter, and a noise gate with "learn" mode. 24-bit A/D/A converters and professional connectivity round out the Behringer Shark DSP110 package. more information »
|
|
|
|
|
|
|
|
|
WA 120:. Noise reduction Companding circuitry. Powerful 20W audio output. Built-in echo/reverb, 1/4" unbalanced input jacks. Record out. Treble and bass controls External AC adapter or internal battery power(8 alkaline or rechargeable D batterie more information »
|
|
|
|
|
|
|
20 mixer input channels. 16 mic inputs. 12 mono line inputs + and 4 stereo line inputs. 12 insert I/O. Phantom power switch (+48V). 3-band mid sweep EQ (ch. 1-8). 3-band EQ (Ch 9/10-15/16). 6 buses (Stereo & 4 groups). 4 Aux sends. 2 stereo Aux r more information »
|
|
|
|
|
|
|
The Xenyx 1622FX has 16 inputs and 2 Aux sends for each channel. Additionally, 2 subgroups with separate outputs have been incorporated for routing flexibility. Behringer's innovative Xenyx mixers provide the home recordist and club musician with pristine sound quality and cutting-edge features for very little outlay. The Xenyx Mic Preamp approaches the sound quality, transparency, headroom, and even the dynamic range of boutique-style, standalone mic preamps. Behringer's neo-classic "British EQ" brings back the warmth and musicality of those 60s and 70s mega-console desks that made music history. The Xenyx FX mixers incorporate a new studio-grade 24-bit FX processor wth 100 real-world and awesome effect presets. Comes with a USB/audio interface for direct plug & play connectivity to your Windows or Mac computer. more information »
|
|
|
|
|
|
|
The Powerpod 1860 Plus Powered Mixer is a Powered Mixer is a 10-channel (8 mono mic/line, 2 stereo) live sound board with 400W per channel at 4 ohms. Channels 1-8 feature mic/line inputs, phantom power, and -18dB low-cut filters. All channels have muting, channel solo and PFL with metering, inserts, aux level, effect level and pan. Onboard DSP provides 16 32/40-bit effects with parameter control. An assignable 7-band graphic EQ provides additional control. Master section controls include faders for effects, Aux 1 and 2, mono monitor level, and summed mains L/R. Comprehensive I/O includes RCA inputs, record outputs, aux and FX sends and returns, control room, and unbalanced main L/R and mono outputs. Comes with mic, mic cable, and speaker cables. more information »
|
|
|
|
|
|
|