| Results For: | Gear Type: P.A. & Sound Reinforcement Gear Type: Miscellaneous
|  |
Filter:

|
The Squier 4-Channel PA System is just what you need for small gigs and jam sessions. Features a 4-channel, 80W mixer with spring reverb, and 2 2-way speaker cabs housing a 10" woofer and horn that handle 120W program and 240W peak power. Cabs are a trapezoidal design with metal corners, polemount sockets, full metal grilles, and black vinyl covering. more information »
|
|
|
|
|
|

|
The Audix M1255, a miniaturized condenser microphone with a fully integrated preamp and detachable cable, is designed with a very high sensitivity for distance miking. more information »
|
|
|
|
|
|
|
|

|
The QSC K10 10" powered loudspeaker, featuring its revolutionary 1000W power module, delivers the high-quality amplification, HF driver, and low-frequency driver of the K-Series speakers, offering ~90° conical coverage and 129dB peak output, low frequencies extending to ~56Hz. The K10 offers exceptional power and performance from an extremely compact system, and it can also be used as an ultra low-profile, horizontal wedge or side fill. QSC's K10 PA speaker features a 1-3/4" HF device in its 2-way enclosure. The primary differentiator in K-series speakers is the resulting output dispersion—the K8 being the widest at 105° and the K12 the narrowest at 75°. This radical approach is achievable due to a process called Directivity Matched Transition (DMT). DMT allows QSC to take advantage of a fundamental law of acoustics: smaller diameter woofers have wider coverage patterns than larger ones. The K Series matches the HF device to the LF dispersion, allowing for the smoothest and flattest frequency response possible across the entire sound field. Add to this advanced DSP processing and an enclosure molded from ABS—a material far more rugged and sonically pleasing than conventional plastics—and the K Series delivers exceptional performance in this category of loudspeakers. Several proprietary QSC DSP technologies are incorporated into the K Series. One such technology is Digital Extension and Excursion Processing (DEEP). DEEP allows each of the K Series models to deliver levels of low-frequency extension previously impossible in enclosures of this size. Intrinsic Correction, first featured in QSC line-array technology, use dozens of spatially averaged measurements mapped to the processor to deliver smooth and accurate reproduction across the entire sound field.Preventing amplifier clipping or overload is QSC's proprietary GuardRail technology. GuardRail closely monitors the input voltage and controls the amplifier output stag more information »
|
|
|
|
|
|

|
DigiTech Vocalist Live 4 is a harmony processor that features an onboard mixer and footswitches for easy use by singing guitarists. Vocalist Live 4 also features breakthrough musIQ technology to make it more intelligent. A surprising number of songs fool other harmony pedals because these songs just don't work with a single key/scale setting. In fact, any song that has the same note sung over 2 different chords (for example, a C sung in the melody over a C maj / F maj chord sequence) is going to confound conventional harmonizing devices.Vocalist Live 4's musIQ technology allows it to directly analyze the output of any electric or pre-amplified acoustic guitar (no special MIDI guitars or hex-outputs needed). Then it generates the correct vocal harmony. For example, if you're singing an A over the chords that are generally found in the key of G, Vocalist will harmonize with a C. But, if you then play an A major, Vocalist will shift to the C# because like any good harmony singer, it listens to the guitar! With musIQ, forget about the technology-just sing and play! Skip complicated programming and having to analyze each song chord-by-chord; just⦠1. Plug in your microphone and guitar; 2. Pick a 3rd or 5th-above or below harmony preset; 3. Sing and play — when you want harmony, just step on the footswitch!Patent-pending musIQ technology combines new note detection algorithms with state-of-the-art harmony generation. The Note Detection section analyzes complex guitar waveforms and determines which notes in each chord are critical to accurate harmony. This information is then fed to an advanced harmony engine that creates harmonies consistent with both the singer's melody and the underlying guitar accompaniment.This totally new, musically-intelligent hybrid of traditional chordal and scalic harmony modes means that Vocalist Live 4 musIQ harmonies stay true to not only the overall key and song scale, but also localized variations due t more information »
|
|
|
|
|
|

|
The headworn Crown CM-311AE microphone is designed to meet the most demanding touring sound applications. The CM-311AE mic has an electret condenser capsule to provide full, clear and distortion-free sound. This is a cardioid-pattern mic, for use in situations where directionality is important, but gain-before-feedback is less critical. The mic is unterminated so you can use it with the wireless mic transmitter of your choice. more information »
|
|
|
|
|
|
|
|

|
Capture, mix, and monitor your sound accurately and with power. This package includes: 1 EUROPOWER PMP2000 Powered Mixer 2 ultra-compact B212XL 12" 800W Passive Titanium PA Speakers 2 XM8500 Microphones 2 Lo-Z Microphone Cables more information »
|
|
|
|
|
|

|
The Ashly Proteo 4.24GS allows for the installation of multiple channel graphic equalizers where tamperproof, sound shaping equalization is required. Easily control and program the 4.24GS from the 4.24G Main Unit, 4.24RD Remote Control, with a MIDI controller, or with Ashly's exclusive Protea System Software running on a PC. The Protea 4.24GS is housed in an all-steel, 2RU chassis, and has two independent channels of fully programmable 28-band graphic EQ with with limiter, high- and low-pass filter, and time delay functions.Each channel allows for 28 bands of 1/3-octave, ISO centered, constant Q filters, ranging from 31Hz to 16kHz. High and low pass filters are 24dB/octave adjustable from 20Hz to 10.6kHz and 33Hz to 20kHz, respectively. Time delay is adjustable up to 1.364 seconds. Other features include 24-bit A/D-D/A conversion, 24-bit/100MHz digital processing, RS-232, and MIDI interface, linkable channels, +6dB/-infinity master gain, and 128 preset locations. The 4.24GS displays individual channel numbers with 7-segment displays. Discrete LEDs indicate signal present and signal clip levels. Rear-panel connections include balanced XLR and 1/4" ins/outs for each channel, RS-232, MIDI In, Out/Thru, and Ashly's exclusive digital remote control protocol via two standard XLR connectors. more information »
|
|
|
|
|
|

|
The BBE DS26 loudspeaker management system features 2 inputs and 6 outputs with 5-band parametric EQ on each output. Outputs all feature crossover filters, selectable high and low shelving filters, and fully featured limiter and delay circuits. Full metering is provided for inputs and outputs, with mute and access buttons allowing quick set up and gain adjustment. Other features include a choice of 12, 18, or 24dB/octave roll-off and Butterworth, Bessel, or Linkwitz-Riley responses. Independent control of each high and low pass filter allows asymmetric crossover bands to be created. The DS26 can also be controlled from a PC via its RS232 connection. Along with XLR input/output connectors, DS26 has selectable line voltages between 90 and 250 VAC for global use. more information »
|
|
|
|
|
|

|
These Yamaha BR15 15" 2-Way Speaker Cabs can really punch out bass and everything else. Easy-to-handle audio speakers feature computerized, high-precision, environmentally friendly woodworking; large steel handles; corner protectors; built-in pole sockets; and balanced acoustic design. Tight, punchy lows come from Bass Reflex technology while crisp (not brittle) HF response is generated by new titanium drivers with 90 degree by 40 degree nonresonant horns. Integral protection circuitry and 3-year warranties mean they'll never let you down. more information »
|
|
|
|
|
|

|
The Telefunken M 80 microphone is a durable and versatile dynamic mic. Its directional pickup pattern and wide frequency response yield a blend of functionality, isolation, and—most importantly—tone. It is sonically open, requiring little or no EQing to get it to fit into the mix. Minimal proximity effect gives it a smooth, balanced tone that is not too boomy or big.The M 80 mic combines a low-mass voice coil with a super-thin Mylar membrane and a high-quality step-up output transformer from AMI/TAB-Funkenwerk. Its extremely rugged design allows it to withstand sserious abuse, and its black rubberized finish, recessed Telefunken badge, and chromed-head grille give it a classic Telefunken look.In use, the Telefunken M 80 microphone exhibits superior feedback rejection in a live environment. On vocals, it's clear and controlled, capturing the nuances of a performance with great detail while keeping sibilance and handling noise to a minimum. On drums, the Telefunken M 80 is tight, punchy, and open, with emphasis on the initial attack. Guitars bloom with richness and clarity, and percussion cuts with ease. more information »
|
|
|
|
|
|
|
|

|
2-way bi-amplified, optimized Active loudspeaker system. High-output, titanium dome compression driver. 10" Neodymium long-throw low frequency transducer. 165W class-D, Fast Recovery LF amp / 30W HF amp. Ultra-wide, smooth dispersion via HF waveg more information »
|
|
|
|
|
|
|
|
|