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The Breed is recommended for the neck position on bolt-on trem guitars and bridge position on set-neck fixed-bridge instruments. more information »
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The P-94 is a unique combination that provides the best of both worlds, the classic Gibson P-90 sound in a traditional humbucker-size housing. Replacing a humbucker with the P-94 requires no routing or other damaging modifications to the guitar. more information »
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The Scorcher is an entry-level rail pickup that has a powerful ceramic magnet and intense coil windings to drive amps harder than a stock guitar pickup. The Scorcher's 2 coils cancel any annoying 60-cycle hum. more information »
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SKU: GS1873400
The M300 is a complete replacement adjustable ebony bridge for archtop mandolins. The piezo-ceramic element is embedded in the bridge base and wired to a 1/4" carpenter jack, which attaches to the side of the mandolin body. These are passive pickups, so performance is greatly improved by using with a preamp / EQ. Installation requires that bridge base be fit to the top, so professional installation is very highly recommended. (Pickups For Acoustic Instruments) more information »
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SKU: GS20369
These are humbuckers in size and shape, and they are quiet, but the sound is pure single coil. Built like a P-90, the P-92 has flat Alnico magnets underneath the pickup, with adjustable pole pieces. It's fat but still has clear, bright wound strings. Available in 8,000, 9,000, or 10,000 turns. Covered only, in black, nickel or gold. more information »
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Although Eric Johnson is best known as a Strat player, he has always played humbucker-equipped guitars as well. After getting a new 1959 Les Paul re-issue, Eric asked us if it could be made to sound like an old Gretsch Country Gentleman guitar. We said, " more information »
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Sidemount preamp with 4-band EQ and a chromatic tuner that's great for open tunings. more information »
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Dean Markley West Coast Series Tahoe XM Instant Mount Soundhole Guitar Pickup Standard more information »
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The Shadow SH 1990 Bridge Pickup fits acoustic guitars with a standard bridge slot width of 2.3 mm (3/16"). Includes piezo pickup with incorporated saddle, endpin jack, 3.5 mm mini plug (for connecting the pickup to the endpin jack) and an extra saddle to adjust the height of the low E-string. more information »
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The EMG-81 is a high-output pickup designed especially for the lead guitarist. The 81 is at its best for high volume overdrive and amps with a master volume. Whether you're playing power rock 'n' roll, or overdriving your amp, there's a razor sharp attack, and incredible sustain for brilliant soloing. If you're looking for exceptional qualities in a rock pickup, the EMG-81 is the one.Distortion during lead passages is consistent, sustain is long and the breakup fades smoothly. The ceramic magnet in combination with wide aperture steel poles lend a quick attack but the tone stays nice and fat at the same time. Perfect if you're the only guitarist in the band, and need to switch from rhythm to lead and still keep the band moving. Another great thing about the EMG-81 is it's quiet. If you're playing at really high gain the last thing you need is noise. more information »
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Have you ever wondered what a Fifties humbucker sounded like when it was new, before the magnet weakened and beer got poured on it? This is the sound: no gimmicks, just clean, open tone with enough top end for sparkle and low end for warmth. The best word more information »
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With scorching riffs and remarkable stage presence, Zakk Wylde has earned his reputation as heavy metal's premier lead guitarist. From Ozzy Osbourne, Pride and Glory, and now Black Label Society, Zakk has always used EMG active pickups. The Zakk Wylde model features the EMG-85 and EMG-81, as used on his signature bull's-eye Les Paul guitar.EMG-85 Although the EMG-85 pickup has more measurable output than the 81, its frequency response and string interface are different. The 85 uses two Alnico magnet-loaded coils with a wide aperture to maintain a beefy low end and a fatter top end. Because of a more natural tone, it works great as a rhythm and blues pickup because it has loads of output but isn't muddy. It's a perfect choice as a rhythm pickup in combination with an 81 in the bridge.The midrange has great definition and doesn't get foggy or muddy in the rhythm position. The EMG-85 works best if you like the natural distortion that comes from overdriving the front end of your amp. Under any condition, the humbucker responds accurately to your technique.EMG-81 The EMG-81 pickup is a high-output pickup designed especially for the lead guitarist. The 81 is at its best for high volume overdrive and amps with a master volume. Whether you're playing power rock 'n' roll, or overdriving your amp, there's a razor sharp attack, and incredible sustain for brilliant soloing. If you're looking for exceptional qualities in a rock pickup, the EMG-81 is the one.Distortion during lead passages is consistent, sustain is long and the breakup fades smoothly. The ceramic magnet in combination with wide aperture steel poles lend a quick attack but the tone stays nice and fat at the same time. Perfect if you're the only guitarist in the band, and need to switch from rhythm to lead and still keep the band moving. Another great thing about the EMG-81 humbucker is it's quiet. If you're playing at really high gain the last thing you need is n more information »
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A completely balanced coil configuration produces great harmonics and a high output with just the right blend of sustain and distortion. 4-conductor Trembucker spacing. more information »
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The Barstow Passive pickup provides fantastically accurate acoustical reproduction, great tonal qualities, even string balance, and extremely easy installation. After the simple installation, the only reminder of this amazing pickup is the golden tone and more information »
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