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SKU: GS1873801
Innovative onboard pickup/mic/EQ/preamp/tuner system for acoustic guitar, fits 1/8" saddle widths. Pickup is the Prefix under-saddle element, mic is on a long gooseneck to allow for best placement within the guitar body, both are wired through an onboard preamp-EQ to shape and blend the signals, output can be either mono or stereo, preamp module also incorporates a fully chromatic electronic tuner. Very effective and versatile design. Professional installation is very highly recommended as the processor module mounts in the side of the guitar. (Pickups For Acoustic Instruments) more information »
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SKU: GS16719
Also available as a separate unit, the EMG-LJ is the longer of the two pickups in the EMG-J Set and is usually located in the bridge position. The EMG-LJ has a full bodied sound that adds new dimensions to your bass playing. Featuring a very low ratio of resistance to inductance that increases the low frequency response, the EMG-LJ still maintains the narrow aperture for that typical Jazz Bass tone.
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SKU: GS16781
Stock on Custom 24s and Standard 24s. Originally meaning Hot, Fat and Screams, the HFS is a powerful pickup with a balance of aggression, clear highs, strong midrange, and strong bass. Works well when coil tapped. 3 wire conductor for use in 5 way rotary or 3 way with push pull coil tap. Pickup has ZEBRA Bobbins.
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SKU: GS16711
Although the EMG-85 has more measurable output than the 81, its frequency response and string interface are different. The 85 uses two Alnico magnet loaded coils with a wide aperture to maintain a beefy lowend and a fatter top end. Because of a more natural tone, it works great as a rhythm and blues pickup because it has loads of output but isn't muddy. Itís a perfect choice as a rhythm pickup in combination with an 81 in the bridge, which is the same pickup combination used by Zakk Wylde.
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SKU: GS36217
Generator Set - TRH2 Cut through the mix and demand to be heard! A full-blooded, harmonically rich neck pickup delivers rock and blues tones with power to spare, while the high-output bridge pickup can take you from bluesy rock to screaming solos. Rolling off the volume knob reveals great, useable clean tones. Features: DC Resistance: 8.0k (neck), 16k (bridge), Available in black or zebra, or with highly polished gold or silver covers. Magnets: Alnico V more information »
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Created for Steve Vai, it's designed for maximum impact and power to get a tight, aggressive, loud sound. Incorporates a patented dual-resonance coil configuration that senses more harmonic overtones than ordinary humbuckers. more information »
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SKU: GS20339
More power, longer sustain, and faster grind than Fralin's normal humbuckers. Wound with smaller 43 gauge wire (42 gauge is normal) from 12.5K to 13.5K with Alnico 4 magnets. The smaller wire allows more turns to fit on the bobbin, increasing the output another 5-10% over stock. Don't be confused by the numbers, a jump from 8K to 12K doesn’t indicate a 50% increase in output - the smaller wire of the 12K pickup has a higher resistance per foot, so the numbers get skewed. These are a notch up from Fralin's normal PAFs, they will push the amp harder, but they're not super-overwound like some of the offerings from Duncan and DiMarzio.
Vintage Guitar Magazine compared Lindy's humbuckers to Tom Holmes humbuckers and Gibson PAFs (both old and new - '63 humbuckers; '78 reissue PAFs; and '57 Classic and Classic Plus PAFs), and had this to say:
"All of these pickups are pretty cool, and each has it's own personality. The old Gibsons were great for reference, but believe it or not the panel preferred most of the new pickups to the old ones. This may sound unbelievable, but the opinions of the panel were very consistent and differences in the pickups were very substantial. This is what we heard..."
"Grand Prize: Lindy Fralin PAF in a unanimous decision. This pickup had the most output, most character, and most pleasant compression. It has smooth response and great overdriven tones. Biggest and smoothest, hands down. This was the obvious favorite. Double fat!"
As with all pickups, more turns of wire gives more power, thicker mids, and less highs. When ordering a set, we recommend a stronger bridge pickup (for instance, 12.5K neck / 13.5K bridge).
All models are designed to be hum-canceling when the tapped humbucker is combined with a Strat RWRP middle (Single-Single-Hum or Hum-Single-Hum). We order all our Fralin humbuckers with 4-conductor leads so they can be tapped.
Available in black, zebra, or with nickel or gold covers. more information »
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Joins the EMG-81 with a pair of EMG-S single-coil pickups. All built around ceramic magnets for the tightest, most more information »
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The DiMarzio DP102 X2N Pickup is DiMarzio's highest gain pickup, designed to push tube amps into total overdrive. Twin wide-bar pole pieces give the X2N pickup a nasty, dangerous look. Single-coil and series-parallel modes are especially effective with the DiMarzio DP102 X2N pickup. more information »
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The Five-Two utilizes sand cast Alnico 5 magnets on the 3 low strings. This adds more definition and punch to the bottom end. Alnico 2 magnets on the 3 high strings give a warm and smooth top end without sacrificing that great Stratÿ "quack." The Five-Two answers Strat players' complaints that their low strings sound too mushy while their high strings are too bright. more information »
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4-conductor versatility with coil-splitting capability. Regular or F spacing. more information »
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This set of Seymour Duncan Blackouts AHB-1 deliver their full payload of power, output, and aggression in both the bridge and neck position. Just leave the jumper unattached in the neck position for a double-whammy Blackouts assault with midrange punch, t more information »
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It's not difficult to make a vintage single-coil pickup that's clean and bright, but not so easy if you also want the high strings to sound sweet above the 12th fret. The True Velvet was designed to make this happen by tuning the coil to a frequency range more information »
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