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The Fender Custom Classic V Neck Stratocaster features a thin-finished select alder body and a lightly figured, "V"-shaped maple neck and a maple fingerboard, with 22 medium-jumbo frets, and Fender Deluxe machine heads. The Classic Strat V Neck is loaded more information »
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Tough, paintable exterior coating. Cast-frame 18" woofers. Frequency response of 30Hz-2kHz (-10dB). 600W program handling/1,200W peak. Sensitivity: 96dB. 22"W x 32"H x 25"D each. 71 lbs. each. more information »
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Bridge: Chaos internal bridge. Scale: 35" five string. Construction: bolt-on. Pickups: Two Rockfield humbuckers. Electronics: Aguilar OBP-3 pre-amp. Controls: 3-Band EQ with volume and five-way switch. Body: paulownia. Top: burled maple or quilt maple. Fretboard: rosewood or maple. Nut: synthetic. more information »
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Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 Line + Gradient Condenser Microphone provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations. more information »
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Upgraded transformers. 6550 power tubes. 120W. 2 Channels. 3-band EQ on each channel. Overall volume control. Global presence control. Active effects loop. Ohm and voltage selectors. Line out. Manual channel switch. more information »
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SKU: GS1958904
•Alder Body
•Flame Maple Top
•Set Maple Neck
•Rosewood Fingerboard
•String Thru
•Sperzel Tuning Keys
•Floating DBZ Emblem
•Nickel Hardware
•Colors/Graphic: Violin Amber, Tobacco Fade, Old Natural, Vintage Cherryburst more information »
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Includes a bodypack transmitter, ME3 headworn microphone, and a rackmountable receiver.When Sennheiser evolutionized the world of performance wireless microphones with the original evolution series, they introduced startling new technology and innovative design. Now, they are again pushing the limits of performance, audio quality, ruggedness and ease of use. They've redesigned the evolution series from the inside out for G2 with features such as much smaller body packs, larger backlit LCD displays, AutoScan function on all receivers, 36MHz switching bandwidth, and the most intuitive user interfaces available.For increased flexibility and power, the 300 Series is an excellent choice. It gives you eight switchable presets (reprogrammable to any of the 1440 available frequencies), peak-hold level and battery meter status indicators, and variable-level balanced XLR and unbalanced TS 1/4" connectors. In addition, an alphanumeric name can be assigned to the receiver. more information »
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The Ibanez Artcore AF95 Electric Guitar is a true full-hollow body guitar (no soundblock) with an ACH1 humbucker at the neck and an ACH2 at the bridge. Ibanez combines all that with an arched flamed maple top to give you smooth, hefty tone. Bound rosewood fretboard with 22 large frets, bound top, and bound f-holes provide lush looks accented by the sunburst pickguard that matches the body and mother-of-pearl/abalone block inlays. Flamed maple back and sides, set mahogany neck, and gold hardware. more information »
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The Neumann KM 184 Small Diaphram Cardioid Microphone has become the classic high-quality miniature microphone. The pressure gradient transducer used in the KM 184 features very smooth frequency response not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz (which brings out the sizzle in cymbals), a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances.With the same transformerless circuitry as is used in the KM 100 system, the KM 184 has excellent technical specifications. Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The KM 184 mic will operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output is balanced and phantom (48V) powered.The KM 184 is a good economical alternative choice for users looking for a high-quality miniature microphone. You don't have to give up the electroacoustic features you expect from a Neumann microphone! more information »
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With the MF-103 Phaser you can get swirling, shimmering, vibrating effects- Fill up a whole stage from one sound source and even create brand new sonic textures. This is easily the soupiest, sauciest and most versatile Phaser ever produced.
The MF-103 is also a direct descendant of the original Moog modular synthesizers and can be used with almost any instrument. It contains two compete modular functions: a 6 or 12-stage phaser with resonance control and wide range LFO with amount control.
Adjustable parameters are Sweep frequency, Resonance, LFO Rate and LFO Amount. All can be controlled by the great feeling knobs that beg to be tweaked (can't just picture ripe old Bob doing this to your pedal?) as well as external expression pedals. Panel switches select range of LFO Rate and 6 or 12 stage phasing. 1/4 jacks are provided for audio input and outputs, pedal/control inputs, LFO out and auxiliary sweep input for bi-phase effects. more information »
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This sonic destroyer features an extended maple neck, fast and friendly rosewood fretboard, traditional split and single-coil pickups, and black hardware to give it an edgy vibe. more information »
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Gibson Custom Michael Bloomfield Aged 1959 Les Paul Standard Electric Guitar Bloomfield Burst more information »
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Recreated from Elvis' personal collection of Gibson super jumbos, the Super Dove is a gorgeous ebony J-200 that was originally customized for Elvis with special mother of pearl king's crowns.Gold Grover Rotomatic Tuners Grover's original Rotomatic tuners are an engineering marvel, with style and performance exactly suited for the Super Dove. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gearbox provides smooth and accurate tuning stability.Crown Peghead Logo Gibson put the first crown peghead logo on an ES-300 back in 1940, and it has graced the headstocks of many legendary Gibson guitars ever since, including today's Super Dove Acoustic Electric Guitar. Over the years, it has also been called a "thistle" because of the group of flowering plants with the sharp prickles, though Gibson has preferred to call it a "crown."Body Tonewoods (back, sides and top) The top of the Gibson Super Dove Guitar is made from beautiful AAA-grade Sitka spruce, while the back and sides are constructed from AAA-grade Eastern curly maple, giving the Super Dove all the deep, rich tone, clarity and presence expected from a Gibson Super Jumbo. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson's guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with "the most durable, elastic, and sonorous qualities," and today's guitars from Gibson Acoustic are no different.Tapered Dovetail Neck Joint This Gibson guitar's dovetail neck joint is one of the oldest—and best—ways of securely joini more information »
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