 |
SKU: 513MAHSTD
513 stands for 5 pickups and 13 sounds. The 513 Mahogany is an updated version of our original 513 Rosewood Model. It features a mahogany neck, rosewood fretboard, updated electronics and includes our patented pickup system providing 13 modern and vintage sounds utilizing 5 proprietary single coil pickups. Other specifications include a 25 1/4" scale length, a special neck joint, 513 bird inlays and an easy to use integrated electronics control package, which includes volume control, tone control and two blade switches. One blade switch is a 5-way pickup selector, and the other is a 3-way mode switch that allows you to select between the single coil, clear humbucking and heavy humbucking modes. This is one of our most versatile instruments that can go from screaming humbuckers to sparkling single coils with the flick of a 3-way.
Mahogany back
Maple top
25 1/4" Scale length
Mahogany neck
Rosewood fretboard
513 neck Carve
513 Mother of Pearl bird inlay
Tremolo bridge
PRS 14:1 Low Phase II low mass locking tuners
513 Pickup System for the Treble, Middle and Bass pickups
Volume and Tone control, 5-way blade pickup selector, 3-way blade mode selector (heavy humbucking/clear humbucking/single coil more information »
|
|
|
|
|
|
|
|
|
|
|
|
|
SKU: SCJTHINLINE
PRS offered a 300 piece run of a large, full-scale hollowbody guitar. Previously, the SCJ Thinline was only produced in small quantities inside the Private Stock department. This newly offered, limited run model features two different bridge/tailpiece setups, a custom-made Bigsby, as well as a PRS designed ebony/curly maple unit. The model also features a select grade maple top and back, mahogany middle and neck, and a Macassar ebony fingerboard/headstock veneer with gold mother of pearl birds and signature. With a limited run of 300 pieces worldwide, these amazing guitars are bound to go fast. BODY: Maple top and back Mahogany sides NECK: 22 fret mahogany neck Macassar Ebony fretboard Gold Mother of Pearl birds HARDWARE: Custom Bigsby or Ebony tailpiece ELECTRONICS: Archtop treble and bass pickups with covers Volume and tone control with 3-way toggle pickup selector more information »
|
|
|
|
|
|
|
SKU: GS2153050
Recalling the complex tones and harmonics of 50's era amps, the Original Sewell brings you sweet highs and tight lows that surround a warm midrange. The Original Sewell has a smooth tone that was crafted to give an expressive, vocal quality to lead work. Notes bloom and sustain with rich harmonics enhancing your fundamental notes. With EL34 power tubes. more information »
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SKU: Paul's 28
Paul Reed Smith returned to his guitar making roots this winter and created an exclusive set of Private Stock guitars that became known as Paul's 28. As a guitar maker, Paul Smith has spent his career seeking, testing and refining parts, processes and workmanship used to create musical instruments with impeccable quality and aesthetic appeal. Paying tribute to the craft of making fine musical instruments, Paul set out to create 28 very special electric guitars with the sound, feel, care and appeal of the finest violins and vintage guitars ever made. Paul personally picked out all of the woods, re-carved the body to original shop specs, carved the necks by hand, stained, helped finish, leveled frets, spec'd out and approved all of the pickups, and played and adjusted the guitars. Rare woods and materials that have been collected for more than a decade have been used to create these one of a kind instruments.
Paul's 28 guitars feature extraordinarily curly PRS tops (from a tree Paul obtained by trading a Dragon I), an ultra rare ribbon-striped mahogany back that was hand-selected from an entire warehouse of wood, an exotic black rosewood fretboard, a dark Mexican rosewood headstock veneer and solid-shell rippled green Abalone, Paua Heart, and Mammoth Ivory "Celtic Cross" inlays. The multitude of parts and processes that went into the creation of these instruments have been personally refined by Paul over many, many years: the wood drying methods, the color (called "Burnt Gold" - Paul worked on the stain method for the last two years), the very special paper-thin nitrocellulose finish, the pickups (PRS proprietary 1957/2008 pickups made from rare magnet and wire supplies), the nut, the tuning pegs, the frets, the glues...everything. Paul even spent two years researching the materials for the case.
more information »
|
|
|
|
|
|
|
|