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SKU: GS19912
Solid Mahogany body
Premium Nitrocellulose Finish
Extended Neck Joint
Rosewood Fretboard
496R Hot Ceramic Pickup in the Neck
500T Super Ceramic in the Bridge
Tune-o-matic Bridge
Stopbar Tailpiece
Item Number: 786 more information »
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SKU: GS17030
Divine reverb for mere mortals Down from the heavens comes the Holy Grail, a compact digital reverb guitar pedal. Priced so low thou shalt not covet thy neighbor's reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn't tell the difference. Next, get lost in the lush spaciousness of the Hall reverb and ask yourself, "How did they fit Notre Dame into such a small package?" Finally, reach enlightenment with the haunting Flerb.
Item Number: 2468 more information »
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SKU: GS16043
Body: Alder
Fingerboard: Rosewood
Neck: Maple
Finish: Black
Special Features: Lightwave Optical Pickup Sistem, Gigbag Included
Item Number: 2381
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SKU: GS16069
Top: 5A Quilt Maple
Body: Swamp Ash
Fingerboard: Rosewood
Neck: Maple
Finish: Caramel Burst
Special Features: Chrome h/w, Hipshot bridge, Basslines S/C Jazz pickups, 18v Bartolini NTMB preamp
Optional Cream Tolex Case: Add $149.99
Item Number: 2335 more information »
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SKU: GS15866
Body: Poplar
Fingerboard: Maple
Neck: Maple
Finish: Tranlucent Black
Special Features: Alnico V magnet Vintage-Style Humbucker (Bridge), And Single Coil (Neck), Custom I-line Inlays, Pearloid White Pickguard
Item Number: 1650 more information »
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SKU: GS18084
Always thinking of the fat-stringed brethren, we had to make a 3-channel, programmable, rig-in-a-box for bassists who can’t get enough of a great thing. Like the TRI-A.C. for guitar, you get three hot tones right at your toetips. The all-analog circuitry features the same controls as its single channel predecessor: Drive, Bass, Treble, Presence, Blend and Level. Digital only in its programmability, you just tweak the knobs until you find a tone, double-tap on a footswitch, and it’s saved in that channel. It’s that simple. Three of your faves -- to go!
ADDITIONAL FEATURES
-Build your Bass Driver DI into a live rig with a Bass Power Engine 60, and run through the PA for extra power.
-Boldly go live with just your Bass Driver DI straight into the PA.
-Bounce into any studio with a Programmable Bass Driver DI and plug directly into the board.
-While larger than our other SansAmp pedals, the Programmable Bass Driver DI still fits into a gig bag.
-Actual size is 7.25”L x 5”W x 2”H.
-Even with its roadworthy all-metal construction, each unit weighs in at a mere 25oz.
-Operable with a 9V alkaline battery or optional Tech 21 DC2 power supply, and it is also phantom powerable.
Item Number: 1914 more information »
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SKU: GS17845
The Mjm Britbender is a classic sounding Fuzz. This pedal is a must for players seeking the late sixties British rock sound. Using three hand selected germaniums, this pedal has a long compressed sustain to it wih an edgey voicing great for solo work. Especially sweet sounding with humbuckers or dark sounding pick up's, though works great with single coil pu's s well.
Controls are VOLUME, FUZZ (the updated BritBender also has TONE)
Item Number: 591 more information »
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SKU: GS10824
* Top: Solid Sitka Spruce Top
* Back: Solid Mahogany
* Body: Concert w/ Soft Cutaway
* Fingerboard: Rosewood
* Finish: Natural Gloss
* Special Features: Fishman IV Pickups, Tortoise Binding, Gold Hardware, Dot Inlays
* Logo Backpack Case Included
Item Number: 1744
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SKU: GS17843
If you are seeking a silicon fuzz with a huge amount of gain and volume, this pedal can deliver the goods, plenty of singing sustain on tap and loud! Though a silicon unit, it is easily capable of sounding suprisingly warm and dynamic... smooth. The tone knob is very responsive starting off very dark and menacing to sharper, more pronounced edge fully clockwise.
Item Number: 2062 more information »
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SKU: GS10990
The Freedom produces 45 watts from a pair of 6L6's in a single 1x12 combo. The interactive tone controls allow the Jazz player to cover sounds ranging from classic "Arch-top" jazz guitar sounds to more modern tones.
Control Panel:
Bright Switch: A three position bright switch, which in conjunction with the treble control allows the player to tune the treble frequencies to better match the type of guitar and pickup position used. The middle position is “off”. The lower switch setting is a little brighter, while the higher setting is very bright. This can be just the thing to add life and sparkle to a dark neck pickup.
Volume: Controls the overall volume/gain of the amplifier
Treble: Adjusts the amount of high frequencies
Middle: Adjusts the amount of mid frequencies. Unlike a standard mid control, this control is very interactive with the other two tone controls. The range of the control can adjust the tones from clean and hollow to thick and meaty.
Bass: Adjusts the amount of low-end frequencies
Reverb: Adjusts the amount of the reverb signal
Back Panel:
Fuse: 3 Amp fuse
Bias pot and test points: See biasing instructions
Speaker jacks: 4 and 8 ohm. The internal speaker is 8 ohm. If you would like to use an extension speaker cab, please disconnect the internal speaker
The preamp tube next to the power tubes comes stock with a 12AT7/ECC81 preamp tube. This can be changed out to a 12AX7/ECC83 tube for the player looking for more power amp break up.
Item Number: FREEDOM
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SKU: GS17027
This external "whammy" pedal and a momentary surface mounted Exp button allows for real-time access and manipulation of all of the HOG’s expression modes. A new level of performance interaction.
Allows remote access to the HOG Guitar Synth
Item Number: 2465 more information »
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SKU: GS19794
This is the perfect preamp pedal. The "Crackle Okay" volume knob is a negative-feedback control styled after classic 60's recording console inputs. (They crackled when adjusted too.) Most vintage guitars suffer from steadily deteriorating magnets in their pickups, since permanent magnets aren't really forever. The Super Hard-On's input impedance is so high (>5 Meg) that it refuses any current flow from your pickup... maintaining the most magnetic field around each string, so you can hear exactly what your pickup sounded like the day it came off the winder.
The ouput level can exceed 8 volts peak, and when it finally distorts, the wave is shaped like triode overload, not fuzz. It's so transparent no one will be able to tell you're using a pedal. Perfect for making the most of a classic amp and guitar, because it simply makes your guitar bigger and pushes the amp harder, causing natural overload. When cranked, it sounds much louder than a fuzz or distortion under stage conditions. Like all Z. Vex designs, current flow is low in this circuit (less than 2mA), enhancing battery life. The circuit board is hand-cut and soldered with the critical component, a BS-170 mosfet transistor, placed in a socket for easy user replacement should it be necessary. The box is hand-drilled using no petro lubricants, degreased with natural ethyl alchohol, and hand painted so that every box is unique. Knobs are Harry Davies, made with the same molds they've used since the fifties. Each effect is hand dated and signed by Zachary Vex.
"Free Shipping offer does not apply to Z.Vex pedals"
Item Number: 620 more information »
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