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SKU: GS16525
Steve Carrs newest amplifier inspires visions of a classic cabinet design from a time long ago, but within the chassis of the Mercury you'll discover an inspiring and truly innovative circuit (along with utterly remarkable tone.) While it is true that your friends, band mates and family members will admire the Mercury for its good looks and 'polite' power rating, Mercury owners seem to cherish our newest amp for many other practical reasons. The exclusive power attenuating circuit Long before the birth of Carr Amplifiers, Steve Carr spent years playing, repairing, modifying and intently listening to classic guitar amps. The Rambler was one of hisy earliest signature designs, and today it is still one of the most popular models. Why? It's no accident that the Rambler succeeds in delivering classic American 'deluxe' tone with dramatically expanded clean headroom, solid bass response and the option of 28 watt pentode or 14 watt triode operation. The Rambler simply reflects my desire to improve and refine the original concept of an appropriately powered 1x12 club amp with reverb and tremolo. Rambler owners describe their amps as being warm, full and round, with a surprisingly high threshold of clean tone, (which also makes the Rambler uniquely suited to virtually any overdrive pedal ever built). The Rambler is considered by many to be the quintessential club amp, voiced to meet the needs of virtually any player.
• Class A cathode bias 6L6 output stage
• Zero feedback
• Single channel with reverb and tremolo
• Pentode-Triode power switch
• 28 watts pentode
• 14 watts triode
Tube complement:
From right to left looking at the back of the amp
• V1 - 12AX7EH - first and second gain stage
• V2 - 12AT7WA - reverb drive
• V3 - 12AX7WA - reverb return and mix stage stage
• V4 - 12AX7EH - phase inverter and tremolo
• V5, V6 - Pair matched 6L6GC Svetlana - power tubes
Controls:
Volume, Treble, Middle, Bass, Reverb, Depth, Speed (tremolo), Triode/Pentode switch
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SKU: GS16674
The RP200 combines the tones of twelve vintage and modern amps with 28 fully programmable, studio-quality effects and an expression pedal that lets you control them in real time. Up to twelve effects can be used at once, and each effect includes up to three adjustable parameters. A six-character alphanumeric display and three know-matrix based user interfaces make editing simple and straightforward. Comes ready to use with forty great factory presets, and includes forty presets for custom creations. Also includes a rhythm trainer, chromatic tuner, and has a Jam-a-Long jack. 24-bit A/D-D/A sound quality. more information »
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SKU: GS16619
Gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new 'humanizer" effect that can simulate human vowel sounds. A bass input even provides a variety of funky wah sounds for bass guitar. An EXP mode allows wah control via optional expression pedal. more information »
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SKU: GS16636
Effectively eliminates noise and hum of the input signal while preserving the original sound's tonality. Natural attack and envelope remain unaffected by suppression of the noise components. more information »
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SKU: GS16668
The first polyphonic octave effect designed to use your GK Pickup with 13-pin output, this pedal lets you assign different octaves to individual strings for simulated guitar/bass combos or mind-snapping solo effects. Extremely realistic acoustic guitar simulations. Simple knob-based controls. more information »
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SKU: GS16547
FUCHS LUCKY 7 GUITAR HEAD in BLACK, 7 watts- 2 12AX7 Pre amp tubes with a single EL 34 Tube, 1 channels, 1 Gain 1 Bass 1 Mid and 1 HIgh. Sounds like a Classic Rock Vintage Marshall. more information »
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SKU: GS16751
Drive A cranks distortion that's rich with even harmonics in the AC-30® manner. Distortion is dynamically controlled by the input level so that you influence the harmonics ratio by how hard you pick. Drive A/B puts out distortion loaded with odd harmonics in the Fender®/Marshall mode. Drive A's signal path runs into Drive A/B's creating electronic multiplication for a cascading effect. The interaction of the drives with the tone control gives you infinite variations so you can go from clean boost to filthy fuzz. Aside from the output knobs for the 2 drives, there are tone and level controls. Uses 9V battery or optional power supply. more information »
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SKU: 105771
PRS GUITARS, STANDARD-24 SATIN SERIES VINTAGE CHERRY, Abalone Birds, Solid one piece Mahogany body, STANDARD Neck Carve, Tremolo, HFS and Vintage Bass pickups, Nickel, 3-way switching #105771 more information »
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SKU: GS16663
A pre-amp DI that makes sense for a lot of bass players because it makes ordinary gear sound fantastic! Exclusive Tube Amplifier Emulation circuitry delivers the warmth, presence, and punch of a souped-up bass system, and it gets monster overdrive sounds, too. Includes an XLR out for DI and a parallel 1/4" out for running an unaffected signal to your stage amp. Has Presence, Drive, Level, and Blend controls; active Bass and Treble EQ. Can use phantom power, 9V battery, or optional DC power supply. Highly recommended by our bass guys. more information »
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SKU: 2007.0117
TAYLOR GUITARS- 210-6 STRING
Type/Shape 6-String Dreadnought
Back & Sides Sapele
Top Sitka Spruce
Soundhole Rosette Wood Fiber
Neck Tropical American Mahogany
Fretboard Ebony
Fretboard Inlay Pearloid Dots
Headstock Overlay Ebony
Binding Black Plastic
Bridge Ebony
Nut & Saddle Tusq
Tuning Machines Enclosed, Die-Cast Chrome Plated
Strings Elixir® Medium Gauge Strings with NANOWEB® Coating
Scale Length 25 1/2 Inches
Neck Width at Nut 1 11/16 Inches
Number of Frets 20
Bracing Scalloped, X-Brace
Finish Varnish
Cutaway None
Electronics None
Body Width 16 Inches
Body Depth 4 5/8 Inches
Body Length 20 Inches
Overall Length 41 Inches
Case Taylor Hardshell
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SKU: 2007.0109
TAYLOR GUITARS- 410CE-6 STRING, with expression syetem
Type/Shape 6-String Dreadnought
Back & Sides Ovangkol
Top Sitka Spruce
Soundhole Rosette Wood Fiber
Neck Tropical American Mahogany
Fretboard Ebony
Fretboard Inlay Large Pearl Dots
Headstock Overlay Indian Rosewood
Binding White Fiber
Bridge Ebony
Nut & Saddle Tusq
Tuning Machines Chrome-plated Taylor Tuners
Strings Elixir® Medium Gauge Strings with NANOWEB® Coating
Scale Length 24 7/8 Inches
Neck Width at Nut 1 3/4 Inches
Number of Frets 20
Bracing Scalloped, X-Brace
Finish Satin with Gloss Top
Cutaway Venetian
Electronics Taylor Expression System™
Body Width 16 Inches
Body Depth 4 5/8 Inches
Body Length 20 Inches
Overall Length 41 Inches
Case Taylor Hardshell
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