
 |
SKU: GS16744
3 selectable types of noise reduction: Hiss, Mid, and Full. Bites down on hiss and hum but lets all of your music shine through. Intelligent design provides dual high and low adaptive filters, opens at lightning speed, introduces no extra distortion, and lets you control the sensitivity of the gate's threshold. Hardwire bypass with footswitch; and slim, tough stompbox housing. more information »
|
|
|
|
|
|

 |
SKU: GS16642
It does what no other compact pedal has done before: shifting (basic or intelligent), harmonies, de-tuning, and a variety of whammy-type tremolo arm effects. Simple knob-based controls. Can be used with an optional expression pedal to shift pitch in real time. more information »
|
|
|
|
|
|

 |
SKU: GS16723
Three time Bass Player Magazine's "Player of the year" Victor Wooten knows a thing or two about playing bass. Victor has been using EMG's since he got his first Fodera bass years ago. Victor plainly states that EMG Pickups have helped him achieve his tone and refine his technique. The EMG-PJ combines the EMG-P and a single EMG-LJ unit in a complete assembly giving you improved flexibility for new dimensions of sound. The PJ enables a wide range of tone blends from your bass. The EMG-P has a full complement of low register power. The EMG-LJ provides a full midrange and extended high frequency response for a well defined attack. Used separately, or in combination, they offer a flexible selection of bass tones, accommodating both new and traditional bass playing styles. The result is pure capability; the capacity to produce everything from tight slap funk to smooth Motown groove, all with a sound that'll set you apart. The PJ comes with a prewired control set that includes dual volume controls, master tone control, battery clip and output jack.
more information »
|
|
|
|
|
|

 |
SKU: GS16783
A unique manufacturing process taught to PRS by Ted McCarty, combined with a vintage alnico magnet and special nickel silver cover give the McCarty it's fat tone and warm, silvery treble. The bridge position has a few more turns on the coils to balance it with the neck position pickup. 2 Wire conductor with additional coil tap wire for 3 way toggle with tap.
more information »
|
|
|
|
|
|

 |
SKU: GS16710
The EMG-81 is a high output pickup designed especially for the lead guitarist. The EMG-81 is at its best for high volume overdrive. It has become the choice for metal and extreme players alike, Kirk Hammett from Metallica and Kerry King of Slayer to name only two. Distortion during lead passages is consistent, sustain is long and the breakup fades smoothly. The ceramic magnet in combination with wide aperture steel poles lend a quick attack but the tone stays nice and fat at the same time. If you're looking for exceptional qualities in a high output pickup, the EMG-81 is the one.
more information »
|
|
|
|
|
|

 |
SKU: GS16634
The secret is a dual-stage distortion circuit with an added Gain Boost, plus Bottom and Tone controls for crushing distortion with massive low end. If new-school metal is your thing, this is your pedal. more information »
|
|
|
|
|
|

 |
SKU: GS16728
The EMG-T is our two pickup replacement system for Telecaster* guitars. Designed with Alnico magnets, the EMG-T puts the EMG fullness and broad bandwidth into the Telecaster that it never had. The rhythm pickup (EMG-FT) is undoubtedly the best pickup we make. All the elements are in the right proportion; magnet choice, coil size, amount of turns, and good luck have given the EMG-FT the sweetest sound of any EMG. Each of the EMG-T Pickups are fully noiseless without the typical hum, buzz or microphonic squeal. [+]
more information »
|
|
|
|
|
|

 |
SKU: GS16778
Stock on Custom 22s and Standard 22s. Carlos Santana’s new favorite treble pickup. The cover and months of tweaking have resulted in a pickup with McCarty like tones and a little more output to cover more styles. 3 wire conductor for 3 way toggle w tap or for rotary set up on PRS 5 way
more information »
|
|
|
|
|
|

 |
SKU: GS16720
The Bass pickup of choice since it was developed. The EMG-P, like all the original EMG's, went through a redesign in 1979. The original "Embossed EMG Logo" model made everybody sit up and listen. The pre-79 models are still used by players like Lee Sklar and Alphonso Johnson. More than just a few have gravitated to the EMG-P for stage performance and studio recording. The EMG-P uses short, squat coils that have very little resistance and plenty of inductance. Because the coils are not in series like the passive types, there's about twice as much low end as a passive pickup. Ceramic magnets are used to add clarity. Countless pros use it because they find it has a natural presence, powerful lows, punchy midrange, and superior definition. The EMG-P features hum-free noiseless operation with an even timbred response. The P design was adapted for Ned Steinberger and became the EMG-SS (Steinberger Sound) used exclusively on the Steinberger Headless Bass. In order to make the composite bass sound more natural, we added steel poles for warmth and midrange. In addition to the standard EMG-P Pickup, the EMG-P5 and EMG-P6 are available for use in five and six string basses respectively.
more information »
|
|
|
|
|
|

|
SKU: DROP TOP
| The Drop Top features a beautiful piece of book matched flame or quilted maple, koa or walnut that is actually bent (or "dropped") over a tonewood body-back to create the same comfortable forearm contour of our other models.
As a result of this design, we've chosen a body top thickness of 3/16 of an inch, which actually enhances and richens the sonic character of the instrument. The result is a guitar that not only plays effortlessly, is extremely comfortable, and sounds amazing but is so darn good looking that if you don't dress well it just may upstage you.
Model -
Drop Top
Body Finish -
Jack's Blue Burst with Binding
Body Wood -
Quilted Maple Top on Alder
Neck Wood -
Hard Rock Maple, Rosewood Fretboard
Neck Finish -
Matching Headstock, Satin Back
Nutwidth -
1 11/16 in
Frets -
Medium
Back Shape -
Happy Medium
Hardware -
Chrome
Bridge -
Vintage Tremolo
Pickguard -
Pickups -
SC1 SC1 HF3
Switching -
5 Way, Add Bridge, VA Boost
Strings -
.010-.046 Elixir strings
Comments -
BFTS
more information »
|
|
|
|
|
|

 |
SKU: GS16647
Gives you the warm, smooth distortion of an overdriven tube amp, without blurring the nuances of your picking technique. Provides tone control for precise adjustments. more information »
|
|
|
|
|
|

 |
SKU: GS16635
Dual-gain circuits scream with super-long sustain and seething distortion. High/Low shelving EQ plus mid-band Parametric EQ; separate Level and Distortion knobs. Durable housing. more information »
|
|
|
|
|
|

 |
SKU: GS16775
Stock on Custom 22s and Standard 22s. Carlos Santana’s new favorite treble pickup. The nickel cover and months of tweaking have resulted in a pickup with McCarty like tones and a little more output to cover more styles.3 wire conductor for 3 way toggle w tap or for rotary set up on PRS 5 way more information »
|
|
|
|
|
|

 |
SKU: GS16808
The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to the 50Hz, the GEB-7 is great for adding depth and bottom end.
50Hz to 10kHz frequency range specifically designed for bass
Full range response, even for five- and six-string basses
Can be used as a "boost" or "cut" pedal using the level control knob
AC adaptor or 9V battery operation
Five year warranty
more information »
|
|
|
|
|
|

 |
SKU: GS16653
Lets you balance the overall output level to get consistent, stable-sounding bass lines across the wide dynamic range of the instrument. For fine-tuning, there's a threshold level control, as well as a ratio parameter that gives you much more flexibility in limiter level adjustment. To add more clarity, power, and presence, use the enhance control for a punchy sound that cuts. more information »
|
|
|
|
|
|