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SKU: GS16722
The EMG-P5J is just like a PJ set, but it's sized for 5-string bass instead of a 4-string. Combining the EMG-P and a single EMG-LJ unit in a complete assembly, the EMG-PJ gives you improved flexibility for new dimensions of sound. The EMG-P has a full complement of low register power and The EMG-LJ provides a full midrange and extended high frequency response for a well defined attack. Used separately, or in combination, they offer a flexible selection of bass tones, accommodating both new and traditional bass playing styles. The result is pure capability; the capacity to produce everything from tight slap funk to smooth Motown groove, all with a sound that'll set you apart.
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SKU: GS16622
Creates the full range of stereo chorus effects, from grunge to warm vintage sounds. Turn the Rate control to max for a vibrato effect. more information »
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SKU: GS16792
Stock neck position pickup on Custom 24s and Standard 24s and CE 24. Round, fat tone to complement the HFS. Classic alnico pickup tone. Works well when coil tapped. 3 wire conductor for use in 5 way rotary or 3 way with push pull coil tap. With Gold pole pieces
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SKU: GS16718
Kirk is truly the soloist of the decade and the KH21 is the tool. This system is a simple EMG-81/81 combination wired straight up with two volumes and a master tone. Lean and mean. Kirk first visited EMG back in the early 80's when Metallica was a local group on the rise. At that time Kirk was playing a Strat* equipped with an S/S/81 that we originally released as the KH20. Since then, Kirk has left the S's and club playing behind and moved to EMG-81's and the arenas. Now it's the KH21. The sheer volume and amount of sound coming from the Metallica stage is incredible. The demands made on every piece of gear are extreme, it's no wonder Kirk has come to rely on EMG. The KH21 features a pearl laminate pickguard complimented with black dome knobs. Kirkís earlier system, the KH20, is still around but now you can choose to add any EMG Accessory and put together a system of your own.
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SKU: GS16740
Can be set to produce low volume controllable distortion, increased to achieve a warm tube overdrive. Maxed out it produces an extreme fuzz with long sustain. more information »
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SKU: GS16730
With scorching riffs and remarkable stage presence, Zakk Wylde has earned his reputation as heavy metal's premier lead guitarist. From Ozzy Osbourne, Pride and Glory, and now Black Label Society, Zakk has always used EMG Active Pickups. The Zakk Wylde model features the EMG-85 and EMG-81, as used on his signature bullseye Les Paul.
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SKU: NS24CE-LTD
Taylor's rosewood laminate NS24 LTDs feature a cedar top, which is normally only available at the NS72/74 level. The Nylon Series has always been about making nylon?s distinctive tonal palette more accessible to steel-string players through slimmer, familiar-feeling Taylor necks, and these are affordably priced enough to justify as a non-primary guitar that can diversify a player's six-string tool box. For guitarists who've always wanted to learn a little Brazilian music, explore some Latin jazz, or master a classical piece, these nylons offer a fun and musically inspiring option. This Model is ordered with a cutaway, and comes with Taylor?s ES-N? electronics.
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SKU: GS16806
All the grind you need to sustain you.
From screaming loud to whisper soft, the Boss DS-1 Distortion Pedal can faithfully reproduce the dynamics of your playing style. Level and distortion controls give you complete command of the amount of signal processing. Tone knob lets you tailor EQ right on the unit. The Boss DS-1 Distortion Pedal is a tough stomp box that can take whatever your boot can dish out. Includes 5-year warranty.
Boss DS-1 Distortion Pedal Features:
Tone, level, and distortion knobs on face
Super-tough construction
Lets your true guitar tone shine through
Sometimes you need a soft, clean, pure tone to express your musical vision. The REST of the time, you need the DS-1. Put it in the cart!
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SKU: GS16623
The versatile CH-1 produces the swirling chorus sounds heard on many rock, jazz, country, funk, and other popular music recordings. more information »
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SKU: GS16776
Stock on Custom 22s and Standard 22s. Carlos Santana’s new favorite treble pickup. The cover and months of tweaking have resulted in a pickup with McCarty like tones and a little more output to cover more styles. 3 wire conductor for 3 way toggle w tap or for rotary set up on PRS 5 way
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SKU: GS16648
Classic tremolo pedal creates real vintage tremolo guitar sounds and variations. Built-in wave knob lets you alter the LFO waveform from triangle to square, for a wider range of tremolo variations. Rate knob is a sweepable high-speed LFO control, allowing greater control over tremolo speed. more information »
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SKU: GS16796
Ships stock in the PRS GUITARS Modern Eagle model. a low output pickup that has a superb creamy tone with just enough midrange to cut through, warm full and clear, This pickup is built using a scuffed nickel cover and gold screws. And the special harness wire allows for coil tap capability.
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SKU: GS16788
A unique manufacturing process taught to PRS by Ted McCarty, combined with a vintage alnico magnet and special nickel silver cover give the McCarty it's fat tone and warm, silvery treble. The bridge position has a few more turns on the coils to balance it with the neck position pickup. 2 Wire conductor with additional coil tap wire for 3 way toggle with tap. With gold Cover
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SKU: GS16803
Stock on Santana II’s. On many occasions Carlos Santana has taken guitars out of our shipping room and used them in concert that evening. This is the pickup that he originally came to rely upon and continues to be his favorite bass pickup.
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SKU: GS16715
Sweeping harmonic overtones and clarity, the EMG-J has a full bodied sound that adds new dimensions to your bass playing. The EMG-J Pickups have a very low ratio of resistance to inductance that increases the low frequency response yet the EMG-J still maintains the narrow aperture for that typical Jazz Bass tone. Instead of the side by side Pole pieces the EMG-J uses a single-pole crescent shaped magnetic field to complement the radiused fingerboard. So whether you play fretted or fretless bass, you'll get incredible sound yet retain that traditional tone.
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