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SKU: GS1875870
VGC, c.1930's, metal string display box with 17 boxes of assorted strings included, display box is bent in several spots, original painted finish is worn, and glass front is long gone, but this is a cool old dealer display. (Miscellaneous Instruments) more information »
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SKU: GS2346857
First seen in 1952 and known as the "Jimmy Reed" or "Howlin' Wolf" guitar. Single cutaway, tone-chambered body with 3-ply curly maple top, arched maple back and maple sides. Parallel bracing produces a raw, gutsy, bluesy sound and limits feedback. Maple neck, bound 20-fret rosewood fingerboard with blocks, ~26" scale, ~1-11/16" bone nut, checkerboard binding, tiger-striped tortoise pickguard, chrome tailpiece and adjustable bridge with individual saddles, vintage-style tuners, trussrod, 2 single coil "Thin Twin" pickups with individual controls and 3-way switch. "Kel-Von-A-Tor" headstock logo. Hardshell case. (Solid Body Electric Guitars) more information »
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SKU: GS1874630
Long, Pete Seeger style, dark-stained maple neck, matching maple rim with Whyte Laydie tone ring, Renaissance head, white-bound ebony fretboard with pearl cloud inlays, fancy peghead inlay, planetary geared tuners, no-knot tailpiece, flat armrest, adjustable truss rod, coordinator rods, chrome hardware. (Open Back Banjos (5-string)) more information »
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SKU: GS2347261
EC, bubinga top, graphite reinforced 5-piece maple/walnut neck-thru-body construction, walnut body wings, satin finish on neck and body, 24-fret pau ferro fingerboard, abalone "C" inlay at 12th fret, 1-13/16" nut width, 2-13/16" width at 24th fret, 35" scale, two Peavey VFL humbucking pickups, 3-band active EQ, gold hardware, patterned graphite peghead overlay, with rectangular thermoplastic OHSC (green lining) (SN:10441665) (Electric Basses) more information »
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SKU: GS1872697
000-size body of mahogany and Italian alpine spruce. The body is shaped like a 14-fret 000 (or OM) guitar, but the neck joins at the 12th fret. This puts the bridge nearer the center of the lower bout for excellent bass response & dynamic range. - Top has tortoise binding, black/white multi-layered top trim, a 28-style rosette, large Delmar tortoise pickguard, ebony pyramid bridge with bone saddle, ebony bridge pins. Modified V-shape neck, solid peghead with Martin Golden Era decal, bone nut, ebony fretboard (1-13/16" at nut, 24.9" scale), long pattern diamond & square inlays (Blake's signature does not appear on the fretboard), Waverly gears with ivoroid buttons. Gloss body finish, satin neck, Geib style case. Inside label signed by Norman Blake and numbered in sequence without total. (Martin Guitars) more information »
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SKU: GS1873903
concert resonator uke with 7" lower bout, 15" scale, maple body and neck, honey-burst finish, 1-3/8" nut width, tortoise-bound top and back, rosewood fretboard meets the body at the 14th fret, dot inlays, tortoise peghead overlay with block "NATIONAL" inscribed in white, 6"resonator cone with sieve coverplate, mechanical friction pegs with black buttons, simple stop bar tailpiece, looks and sounds greatwith shaped hardshell case. (Ukuleles) more information »
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SKU: GS2493018
VGC except top of pickup cover has been removed, (even in this well used condition) when you check out this cool little guitar it's hard to imagine that (when it was built) it was the low end of the food chain of the Fender® guitar line, 3/4 size (22-3/4" scale), desert sand finish, small headstock, 1-piece maple neck dated 10-58, dot markers, 21 frets, 1 single coil pickup, top load bridge, gold anodized pickguard, pots date 25th week of '58, very cool, 1-1/2" nut, with grey 60's Mustang HSC (SN:30316) (Solid Body Electric Guitars) more information »
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SKU: GS2346701
EC except one repaired crack on the bass side, ~13-9/16" lower bout, 1-7/8" nut width, ~3" to 3-5/8" body depth, ~25" scale, Brazilian rosewood sides & back, ivoroid-bound spruce top with b-w side purfling, fancy abalone trim on top border and around soundhole (with multiple wood purflings bordering the abalone), ivoroid-bound ebony fretboard with some fancy pearl inlays, ebony bridge with pearl cloverleaf inlays on ends, 12-fret neck, slotted headstock with pearl inlays, 3-in-a-line engraved tuners with ivoroid buttons, made in Chicago by the Larson Bros., exceptional condition (some pick wear on the top and the one side crack, fine finish checking throughout - they don't come very much cleaner than this), on consignment, with HSC (SN:39338) (Flat-top Guitars) more information »
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SKU: GS2369724
VG-EC except some stable top sinkage (appears to have been dried out some in the past but is now properly humidified and stable), D-size, gloss natural finish, spruce top with scalloped braces, rosewood sides and 3-piece back, 14-fret mahogany neck, white-bound 20-fret ebony fingerboard with pearl dot inlays, 1-11/16" nut width, 25.4" scale, ebony bridge, black pickguard, 3 ring rosette, white-bound body with herringbone top trim, dual zipper back strips, rosewood headstock overlay, chrome locking tuners, strap button installed in heel, rich, deep tone, ding in back of neck behind 10th fret area, with black thermoplastic OHSC (blue lining) (SN:506590) (Martin Guitars) more information »
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SKU: GS1873466
Features a mid-depth cutaway body with a laminated spruce top and modified X-bracing. Inlaid abalone rosette, gold tuning machines, Ovation slimline pickup with OP4BT preamp, less case. Available in many finishes. Colors in stock may vary. (Flat-top Guitars) more information »
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SKU: GS1874403
Get started today with this great package! Includes a Squier Affinity series J-bass, and a Fender Rumble 15 bass amp, as well as a gig bag, tuner, strap, cable, stereo headphones and an instructional DVD! Available in black, metallic red, and metallic blue finishes. (Electric Basses) more information »
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SKU: GS1872896
The MT-CT is an automatic, accurate and convenient floor unit that is housed in a sealed, corrosion resistant metal chassis that is built to last for years. Featuring an incredibly bright LED and proprietary silent circuitry which means no signal drop or loss when placed in the signal path between your instrument and amplifier. The noiseless mute function allows for quick and silent tuning without signal bleed, so all you have to do is step, tune, and get back to business! (Effects) more information »
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SKU: GS1873058
A true bypass boutique style pedal that adds nothing but pristine horsepower to your signal with no added noise or unwanted fuzz. When used as a lead boost, your parts jump out front with no change in your standard tone; when used in a rhythm application, your tone becomes more focused and alive. Allows up to 25db of boost without adding gain; acts as a db cut as well. Tone knob allows bass or treble boost; useful for electric and acoustic guitar. (Effects) more information »
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SKU: GS1872611
EC, F-style, f-holes, hand-carved solid woods, highly flamed maple back and sides, spruce top, flamed maple binding top and back, maple neck, abalone dot-inlaid ebony fingerboard, adjustable ebony bridge, heavy cast tailpiece, spirit varnish finish with thin lacquer topcoat in rich dark sunburst, crafted in Asia, on consignment, good sound, with rectangular cordura nylon covered suspension-fit hard foam case and certificate of authenticity dated 10/07/08 (SN:3781) (Mandolin Family Instruments) more information »
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SKU: GS2489632
EC+, "faded maple" finish on carved maple top, cherry finish on mahogany body and mahogany neck, rosewood fretboard, full size trapezoid inlays, 22 frets, 2 humbucking pickups, stop bar tailpiece, Nashvile tune-o-matic bridge, vintage style tuners with keystone buttons, chrome hardware, 1-11/16" nut, 24-3/4" scale, with OHSC (one broken latch), on consignment (SN:017780653) (Solid Body Electric Guitars) more information »
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