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SKU: GS61037
If you've ever heard Joe Bonamassa you've heard a Gigliotti guitar. This is an absolutely beautiful work of art that sounds as good as it looks. The tone is huge coming out of the two Voodoo humbuckers - very thick and smooth. It has a great feeling fat neck with sustain that goes on forever. Gigliotti Guitars are destined to become classics and this is really the best time to get your hands on one. Comes with a western tooled G&G case. Specs. Body: mahogany. Neck: mahogany/profile..7.25/9.5 fatback
neck; rosewood fret board. Frets: 6150. Tuners: Klusen chrome. Bridge: Gotoh chrome. Color: black trans burst. Pickups: PAF 59 Voodoo's {not potted in wax}. Nut: hand carved bone 1/11/16 or 1650. Top: stainless steel. Pots: CTS 500 k. Side jack; electro socket. Custom case: by G&G Western tool. more information »
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SKU: GS61095
This pedal is a must for players seeking the late sixties British rock sound. Using three hand selected germaniums, this pedal has a long compressed sustain to it wih an edgey voicing great for solo work. Especially sweet sounding with humbuckers or dark sounding pick up's, though works great as well with single coil pu's. more information »
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SKU: GS61078
This pickup is identical to the Soap Bar Style P-90 but with a dog ear mount. Perfect vintage-style single coil. Scatter wound for extended frequency response. Alnico 5 magnets provide wide dynamic range, increase amp tone response to picking pressure. Growling mids at higher volumes and cleaner tone at lower volume. more information »
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SKU: GS60956
The is a65-Marquee Club 35 watt (4xEL84, 2x12AX7, 1x Cascode 12AX7, 1xGZ34 or 5U4). Truly one of the best amps you will ever have the honor of playing through. more information »
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SKU: GS61000
All the way down to the original glass Mullard OC44 transistor, the "Dyna-Ranger" is a 5 range version of the favorite single germanium transistor treble booster from England used by an array of players from Eric Clapton and David Gilmore to Tony Iommi and Brian May. Going from position 1 to 5, the "Dyna-Ranger" covers all tones from the traditional treble booster to more in the middle "woman tones" to thick and lower Sabbath tones. It is THE perfect sounding boost/drive pedal. more information »
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SKU: GS61011
The New Duesenberg Cat embodies all of the classic styles of Duesenberg with each aspect of this guitar showing their commitment to quality. The DDC is a new line of hollow-body guitars with the classic double cut-away look and feel. The already classic sound of Duesenberg has engulfed this Cat and it seems to be ready to get out of its cage. Making this Cat complete is our custom pickups tying it together with their DP90 up front. The only thing this Cat needs is a playmate. more information »
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SKU: GS61098
This unit delivers a dynamic touch responsive octave effect at the lowest setting to midway of the boost knob, fully clockwise its capabilities extend to an all out psychendelic fuzz with excellent sustain capabilities... this type of pedal takes a little more experimenting to incorporate in ones sound but well worth the effort once achieved... a unique sounding unit to say the least! more information »
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SKU: GS61120
Since its release in 1998, the RMC1 has gained the reputation as one of the best wah pedals in the world. Based on the most requested hot-rod mods Geoffrey Teese has done over the years, this hand built wah delivers more sweep range than mass produced wahs. Besides the increased range, the RMC1 produces a more musical sweep with a repositioned sweet spot, richer mids, and a stronger low end than any chrome-top wah on the market today. Also, the wet output signal of the RMC1 is boosted to keep your sound from getting lost in the crowd like other wahs. Just like all RMC wahs, the RMC1 is designed and built by Geoffrey Teese and includes licensed fuzz-friendly technology, true-bypass, easily adjustable rocker tension, and AC adapter jack, and is covered by the Real McCoy Custom limited one year warranty. The RMC1 is tuned primarily for single coil pickups or bass guitar. If you use humbuckers, they strongly suggest you consider another model, as the RMC1 can sound muddy with some high more information »
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SKU: GS61002
This amp has to be heard to be believed. All the hype you've heard is completely justified. Check out the who's who of artists that have paid for these babies - it would take three pages to list them all! This is truly one of the best amps on the planet.
37 Watt, Class AB1/A. (4)6V6 GT. Tube Rectified. 2 Discreet Channels with Reverb. Push/Pull Mid/Gain boost. Half Power Switch (drops output down to 18 watts). 2x12 Fixed baffle cabinet. more information »
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SKU: GS61145
We can barely keep these amps in stock. This is one of the finest amps you will ever play. It may look small, but it has some serious volume and incredible tone. Best of all, it goes to 11. Really. We've had some people in the store call this "the greatest amp in the world." It has the most beautiful tone and would look amazing in any living room. The perfect gigging amp. And there's nothing like the smell of the lacquer... more information »
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SKU: GS61155
The TT-3 Tremolo is a musical instrument effects unit that produces a classical tremolo effect, an amplitude modulation controlled by a sinusoidal low frequency wave. Speed and depth of the modulation, as well as the output level are continiously adjustable. more information »
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SKU: GS61027
Especially well suited for High Gain amplifiers or passive pick-ups where microphonics can be a challenge. The best cable we offer. We have Evidence Audio special order these cables with the Neutrik Silent Plug. This plug has a spring-loaded switch that automatically shorts (shuts off) the cable when you pull it out of your guitar. What this means is you can switch guitars on the fly with no popping or damage to your amp - just pull it out while your blasting away and watch your friends be amazed! more information »
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SKU: GS61137
Lefties don't have to settle anymore! Here is a super quality hand-built guitar from Stevenson Guitars, one of Canada's finest guitar builders. Stevenson Guitars are built with extreme attention to detail. Specs: Body-alder. Neck-maple, madgascar rosewood fretboard with 22 Dunop 6105 frets. Hardware-Sperzel tuners, Gotoh 1055 trem. Pickups-Custom wound Stevenson humbucker, 3 custom wound Stevenson hum cancelling single coils. more information »
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SKU: GS60983
Renowned vintage sound, warm, rich and sweet with outstanding clarity and harmonic detail.
The Stormy Monday humbucker is completely hand-crafted to the highest standards and with the finest quality components all backed by a lifetime guarantee. Original plain enamel wire, Alnico II or IV magnet, nickel silver baseplate and cover, supplied with braided two conductor wiring and double wax potted to prevent microphonic feedback.
Every effort has been made, right down to individually scatterwinding each coil by hand, to create the best sounding pickup possible. Suitable for bridge or neck position and available with four
conductor wiring for series or parallel switching. Wound, made and played the traditional way-by hand! Technical Specifications:
DC: 7.4k*. Magnet: Alnico II or Alnico IV.
Wiring: Braided Two Conductor.
Covers: Gold or Nickel Silver as standard.
Options: Also available in calibrated sets as Black or Zebra Coils more information »
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SKU: GS60970
Unlike a pedal like a Tube Screamer, which will always sound good if the right chip and other parts are installed correctly, a fuzzface is a very finicky circuit. The transistors used in a fuzzface make all the difference in tone, feel, and amount of fuzz/cleanliness. Germanium transistors were the first type of transistors generally available, starting in the early 1960s. They are not very stable or easy to manufacture consistently. Since silicon transistors took over from germanium, almost nobody makes germaniums anymore, and the few that are made just don\'t do the trick in a fuzzface circuit. Each transistor used in a fuzzface needs to be tested for several parameters including gain, leakage, noise, and tone to make a great sounding fuzz. These transistors are just not available in any decent quantity. For these reasons, no big company can, or usually even tries to, make a classic fuzzface that sounds good. It\'s too much of a hassle. more information »
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