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SKU: GS61142
Stevenson Guitars are built with extreme attention to detail. The neck on this beauty is incredible. You must see and play this guitar to appreciate what a work of art it truly is. Specs: Body-alder. Neck-maple, maple fretboard with 22 Dunlop 6105 frets. Hardware-Gotoh Kluson style tuners, Gotoh 3 saddle compensated bridge. Pickups-Lollar Tele set. more information »
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SKU: GS60979
Gritty, bright and hot, these will cut through the smokiest of clubs night after night.
The Irish Tour single coil set comes with flat profile Alnico V magnets and extra winds of 42 guage plain enamel wire to really drive the front end of your amp hard.
Reverse wound, reverse polarity middle pickup as standard for hum cancelling in position 2 and 4 of a 5 way switch, this set is powerful yet articulate and extremely versatile with bags of single coil character. Traditional cloth 'push back' cable and fully wax potted to prevent microphonic feedback.
Available with optional vintage stagger hand bevelled magnet, original stock polarity middle pickup and all sets come complete with covers. Technical Specifications:
DC: 7.65/6.5/6.5k calibrated*. Magnet: Alnico V flat profile.
Options: Vintage stagger hand bevelled magnets, choice of pickup covers. more information »
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SKU: GS61092
BJF design high gain distortion pedal.
Hand-made in Finland premium quality distortion pedal.
MRD is a high-gain distortion pedal, which was modelled after the 80's style compressed gain sounds. It is extremely easy (and lot of fun) to play, because its texture is adjusted to give clarity and definition also at heavy distortion. Gain range allows also low distortion sounds as well as stacking with other pedals, where an overdrive (preferably MP LGW) can pre-drive MRD for extreme and highly focused sounds. To get these gain levels with their impressive signal to noise ratio, they didn't use any noise gate or expander. Instead, they used special amplifier techniques and extreme low noise amplifier stages, which result in a natural decay and a rather high current consumption for a distortion pedal in view of battery operation.
MRD has that 80's sound many have longed for but never got before at such low noise levels and versatility. The Presence control was designed to control the upper more information »
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SKU: GS61074
This innovative 'multi-tool' should be found in every serious guitar players' kit, as a solution to many possible situations. As a straight output power attenuator, the Loadbox can handle a continuous 120 watts at any of 7 output levels with unparalleled clarity and without loss of tone. The user also has the choice of various outputs to channel the attenuated signal through…single or multiple cabinets (depending on impedance), padded or non-padded direct outputs, a transformer balanced XLR DI output and line output for PA/Recording which both share voicing switches for microphone placement and cabinet style. The Loadbox can also be used as a straight transformer balanced DI, or to convert almost any amp into a headphone amp for rehearsing. Whether recording, performing or rehearsing, let your amp run at its fattest juiciest and loudest level.and use the Loadbox to tame the output to a user friendly volume. The LB120 Loadbox II is available in a 4, 8 or 16ohm version. more information »
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SKU: GS61077
The Koch Twintone II is a gigging guitarists dream. Its compact size and relative light weight, disguise the power, versatility and ease of use this amplifier has to offer. Two EL34 Power Tubes supply 50 watts of power.; more than enough to drive any of the Koch extension speakers.A well defined Clean channel makes way for the new low gain Overdrive channel and the high gain Overdrive+, and takes the user from a pristine clean sound through exciting ‘crunch’ tones to saturated overdrive with infinite sustain. The new Gain knob is a powerful feature combining Drive (OD) and Gain Boost in one knob. This guarantees well dimensioned boost in every position of the knob when switching from OD-OD+. The Bright Clean guitar input trims the mids somewhat for humbucking pickups and makes sure the pure tone of the Twintone II is available for all types of guitar pickups. The built in Power Soak allows the amp to be run at a full 50 watts, 25 watts or 0 watts for headphone and/or recording pu more information »
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SKU: GS60960
This is an incredibly versatile overdrive/distortion pedal. It has three modes to switch between two overdrive sounds and one distortion sound. Then to make it even more adjustable, the pedal has 5 knobs of controls. 5 KNOBS! What was that expression...he who has the most knobs..." more information »
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SKU: GS61177
The Sole-Mate has a single output and is fully compatible with any guitar amp on the market today, yesterday or in the future. From surf to jazz and everything in-between, no other reverb comes close. Those who have a one input amp and want the sparkling reverb effect that the original Reverbamate is famous for can now claim that awesome reverb tone for their very own. In addition, the Sole-Mate sports status indicators for power and effect, and comes in a variety of coverings to complement or match just about any amp. The Sole-Mate is a true bypass effect and is fully buffered against loading, meaning you get your true guitar sound unaltered at the output, no rolled off highs or changes in level -- just the way you want it. The Reverbamate Sole-Mate operates on 120VAC or 220VAC, appropriate adaptor included. more information »
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SKU: GS61136
The Vintage Southerner is Santa Cruz\' short scale (24 3/4\") slope shoulder dreadnought offering. It is the sound sought after for Texas fiddle style backup. It has also been a huge hit with Blues players and anyone in love with the old short scale Gibson dreadnoughts. This includes fingerstyle blues players and singer/songwriters, backup rhythm players, oldtime players and many more. If you have been impressed by some of the old vintage short- scale slope shoulders of the past such as a Southern Jumbo or J-45, you\'ll be blown away by this guitar.The bracing is double tapered for a warm complex tone with incredible power, focus, and dynamic range.
Top: Sitka Spruce top, violin top purfling, tobacco sunburst, ivoroid top binding and rosette.
Body: Genuine mahogany sides and back, ivoroid binding, translucent tobacco brown finish on sides and back.
Neck: Genuine mahogany, translucent tobacco brown finish, Ebony fingerboard bound in black, Mother Of Pearl "doppler" style position dots, more information »
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SKU: GS61020
Eastman Guitars are known to be the absolute BEST value for the money when choosing a jazz guitar. They are hand-built using the finest materials and electronics available. This AR910 CE is gorgeous to play and sounds huge. You will not want to put this guitar down. The AR910 CE has a 17" body with Kent Armstrong pickup. It comes with an awesome molded plastic case. more information »
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SKU: GS61040
Hard Truckers 2 x 12 Tone Tubbies Hemp speakers, bamboo cabinet with maple trim, and a birch protective cover that attaches with magnets. This cab has a very warm sound and really brings out the subtleties of clean playing, while tearing it up on the dirty sounds. There really is a difference that is obvious when playing this cab over any other we've heard. more information »
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SKU: GS60967
Analog Man is known as one of the finest effects manufacturers and modifiers. This Mini Chorus is true bypass and based on the Clone Chorus by Electro-Harmonix, considered by many to be one of the best pedals ever made. These also have more shielding, less jumpers, and no volume drop when the pedal is switched ON. more information »
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SKU: GS60965
Analog Man is known as one of the finest effects manufacturers and modifiers. This Mini Chorus is true bypass and based on the Clone Chorus by Electro-Harmonix, considered by many to be one of the best pedals ever made. These also have more shielding, less jumpers, and no volume drop when the pedal is switched ON.
The Analog Man Mini Chorus uses New Old Stock (NOS) Panasonic MN3007 chips, not the cheaper low voltage MN3207 that most others use. The 3007 chip was used in the original pedals in the late 1970s and 1980s and allows higher levels and less noise without clipping your signal. more information »
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SKU: GS61172
This is the amp John Mayer is using live. If you've heard his tone, you'll appreciate what you get from this amp. Plug in and you will be blown away. The Custom Reverb Signature V2 is here! It has a more refined eq section, with greater range and a contour control in place of the presence control that will give players a way to instantly compensate for dark or bright rooms, humbuckers/single coils, etc. Straight up; it's flat. Counterclockwise; it decreases highs and accentuates the low end. Clockwise; it increases hi end. In addition, special transformers designed especially for Two-Rock are used. more information »
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SKU: GS61164
Just leave it on! - most players say. It is hard to believe, that this delay pedal is digital. It gives the warmth of all-tube echo and also cool digital delay in studio quality. All with the convenience of one pedal. We heard the hype but had never tried this delay until we received it. We were blown away! Seriously, delay pedals do not get any better than this. more information »
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