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Deep Cuts - August 2014 - Ex. 4

If you can’t figure out how to play Joe Bonamassa’s solo from “Blues Deluxe,” don’t worry. Neither can Chris Shiflett. But it all changes when Shifty sits down with Bonamassa for this special episode of Shred With Shifty. No surprise that both of them reach for their Les Pauls, and Bonamassa even reveals why he switched from Strats to Gibsons in the early 2000s.

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Dave Pomeroy and a few of his best friends.

Photo by Jim McGuire

Organized labor has shaped the music we love, and Nashville Musicians Association president Dave Pomeroy believes musicians still need a fair deal.

“There’s always something to do in Nashville,” grins Dave Pomeroy. For Pomeroy, this is especially true. He’s the president of the Nashville Musicians Association (NMA), the city’s branch, or “local,” of the American Federation of Musicians (also known as AFM Local 257). The AFM is the largest musicians’ union in North America, representing around 70,000 music workers through more than 240 locals across the continent.

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This $500 solidbody may look like a no-frills machine, but it’s a rock-solid player with features that elevate it above most guitars in its price category.

A flat-out bargain. Great vibrato system. Excellent fretwork. Fast playability.

Some midrange clutter in the output at wide-open volumes.

$499

PRS SE CE 24 Standard Satin
prsguitars.com

4.5
4.5
5
5

PRS makes some of the best affordable electric guitars in the world. They also have a talent for making those instruments look expensive. They achieve this trick thanks to quality control standards and practices that better most companies at the accessible end of the price spectrum. But PRS also built their reputation on immaculately crafted and very exclusive guitars. And once that association is burned into the collective consciousness of the guitar playing public—and you figure out a way to cop high-end design cues in down-market versions—well, you can make an inexpensive guitar seem very expensive, indeed.

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