April 2008 \ Education Center \ Premier Clinic - Rock \ Premier Clinic: Rock

Premier Clinic: Rock

Premier Guitar April 2008
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Southern Jam Solo
from Jeff Scheetz’ Rock Solid

Southern rock solos always have is a strong melody – think of all the great southern rock solos that you can hum or sing (“Freebird,” anyone). Much of their melodic posture can be attributed to the major pentatonic scale. Just as many country players use this to great advantage, so do the southern rebels. Check out solos on any Skynyrd, Molly Hatchet or Duane Allman tune and you will hear it.

“Southern Jam” is actually in the key of G major, even though the tone center is C and the solo centers around what appears to be a D major pentatonic scale at the seventh fret. But if you glance over the changes, you’ll notice that the chords move from D to C, indicating that a D Mixolydian would be more appropriate by giving us the C note. The other chords – D, G and Bm – can all be taken care of with the standard D major pentatonic.

This solo starts out with a whole step bend on the third string while keeping the top two notes stationary, effectively bending up to a D chord. Something to watch for is when playing tremolo-equipped guitars the top two notes will go flat. Try pushing down on the bridge with your right hand palm while bending, to effectively counteracting the added tension of the bend. Although it requires a good ear, it can become a useful addition to your bag of tricks with a little practice. It also explains why so many country pickers who rely on these types of bends use stationary bridges!

The rake adds a nice mix of texture and attitude and sets up for the following bend on the G string at the ninth fret nicely. Measure 3 is a combination of a slide and hammer-on followed by a whole step bend and a change up to the 14th fret in the next measure. These two positions will handle most of the lead chores here. Keep an eye out for the decidedly southern-sounding pull-offs over the Bm each time it comes around, and have fun!
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Commentary

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The Kirbster
on 04/02/2008
Best of both worlds would be to learn the details of what you're dong-the keys, the modes-THEN play it with feeling & a little imagination!
JarJar Wanks
on 03/29/2008
Yeah Ed, I'm jealous. I get the impression you're one of those super talented guys who can do the feel thing naturally. Not me. My brain is wired different. I gotta learn the roadmap first.
Thermality
on 03/14/2008
Dude (Big Ed), a player has to learn the language before he can express himself effectively. I guess we could take the cave man approach to guitar -- Look, Mongo jump up down and grin, he happy -- but I'd rather have the tools and know-how to be a little more eloquent than that. And besides, there's plenty of feeling in this lesson's solo, if you have ears to hear it. I know it's tough, but try to keep up, okay?

Oh, I forgot to add --

!!!
Big Ed
on 03/14/2008
What happened to Playing from the heart!!!

Doesn't anyone feel things anymore???

It's like having to play by the rules It's in this key and it's this mode!!!!

How about it's a happy tune or a sad tune and let's try to interpret our feelings through the guitar!!!!



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