November 2008 \ Reviews \ Effects \ Review: Carl Martin Octaswitch

Review: Carl Martin Octaswitch

Jordan Wagner

The Carl Martin Octaswitch brings a measure of organization to a cluttered field of pedals


Premier Guitar November 2008


Carl Martin Octaswitch
If there is one thing that guitar players with a lot of pedals hate, it’s the need to precisely tap dance all over their pedalboard just to produce the sound that they’re after. Having multiple pedals of different shapes and sizes can also create the hazard of mistakenly turning on the wrong effect at the wrong time, due to cramming all of them into the smallest amount of real estate possible. And finally, after years of searching and experimenting, when you’ve filled your pedalboard with every effect you’ve searched for and you’re ready to create that sound you’ve been after for so long, you find that multiple internal buffers in so many circuits is killing the strength of your signal.

The Carl Martin Company aims to help resolve these issues with one of their newest creations: the Octaswitch. At around twenty inches long, the slender board attempts to take the place of your pedal-dancing system completely, by presenting eight conveniently laid-out switches that can be programmed to activate multiple effects at the same time. At the top of the device lies a primary input for your instrument, eight effect send and returns, dual mono outputs (which is a very nice touch), and a switch to activate an internal buffer. Carl Martin decided that since your signal could conceivably be processed, morphed, and mangled by as many as eight effects, it would probably be a good idea to put in an internal buffer circuit to eliminate signal degradation. The sheer size of the device commands some floor space, but if you’re already using a pedalboard that houses as many pedals as the Octaswitch was designed to handle, that doesn’t seem like it would be a huge issue.

The Octaswitch can be powered by an external regulated power supply or by two 9V batteries, which are easily installed in the underside of the unit. Programming the device is extremely simple. Above each switch lies an array of eight mini DIP switches, each wired to their respective loops at the top of the unit. You simply choose the effects that you want to use when the switch is pressed, slide their corresponding switches up, and stomp away. A bright, nicely lit blue LED notifies you of which relay is active.

Being an effects junkie myself, I’ve always dreamed of a device like this, something that’s easy to use, sounds good and is affordable. Gigging musicians can always dream of having giant rack switching systems at their disposal to create the sounds that they’ve always desired, but being able to afford one is a dream entirely of its own. Now with the capability in my hands (or near my feet, rather), I eagerly connected some of my favorite effects to each of the loops: a Z.Vex Ringtone, Electro-Harmonix HOG, Sustain Punch Creamy Dreamer (a Big Muff clone), an old Ibanez FL9 flanger and AD9 analog delay, and a Fulltone OCD. Before setting any of the switches, I set the internal buffer to the off position. The first switch was set to activate only the OCD and the delay, which were set to a standard blues-rock tone with a slight slapback delay. All of the response that I have come to expect from the OCD was there with no noticeable degradation, and the delay was still the same clean, warm echo that I’ve adored since I got the AD9 years ago.

Switching between different programs was very silent with no popping or crackling, which has been an evident problem in a lot of switching relay units in the past. After a certain amount of conservative experimenting, I realized that I had a very versatile tool in front of me, capable of mixing and matching effects in ways that I’ve always been hesitant to try because it would be such a huge pain to duplicate live. I then programmed one of the switches to mix the Ringtone and the HOG with a long delay, which was a really wild sound—almost as if Gary Numan was coming out of my amp. It was really a great feeling to be able to command such a unique, surprising tone with the stomp of a single switch. I can say with certainty that the Octaswitch could completely change the way that you think about your effects.

Buy if...
you want a clean, organized solution to switching multiple effects on and off at once.
Skip if...
you only use a few effects in moderation-- the Octoswitch would probably not be an improvement to your rig.
Rating...
4.5 

MSRP $340 - Carl Martin - carlmartin.com

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Comments

(5 comments) display by
UsernameComment
Casey
on 02/12/2011
I already have 8 boxes at my feet...I'll take the switching rig! I'm tired of dancing
Sterling Cain
on 11/02/2009
Oh drop off you wankers, only pussies need midi, Talented players dont have time or give a stuff about midi or a few pops. Balls out rock an roll doesn't care .
It works fine like it is

Sterling Cain
David
on 01/08/2009
For the money compared to the other similar produts, the Octaswitch interested me quite a lot. After doing research I did not buy one because of the many forum mentions of "popping" when switching high gain rigs. Carl Martin itself in an email I sent them about the issue acknowlgeded the issue. So, what I would still like to know and what the review does not address nor does Andrea Fasloa's comments is does this thing "pop" when switcing HIGH GAIN rigs or not? Carl Martin suggested I purchase their other switching unit the "Combinator 2" which is 30+% more to purchase [and does more feature and benefit wise] but also lacks the feature mentioned by ElKiki - MIDI. HELLO!
Andrea Fasola
on 01/08/2009
I own the octaswitch. I think it is a great idea and it works perfectly well. Plus, I could fit it into my pedalboard with 6 boxes. I couldn't ask for anthing better than it: no signal loss, easy to use and excellent components quality.
ElKiki
on 11/09/2008
Great idea indeed, with midi in it would have been perfect (thus allowing the octaswitch plus all your boxes to stay in a case) to remote-toggle it.
I don't really see myself with a)octoswitch plus 8 boxes on my feet or b)with octoswitch at my feet and a bunch of 18 long cables to run the boxes...



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