April 2009 \ Features \ Builder Profile \ 5 Resonator Builders You Should Meet

5 Resonator Builders You Should Meet

Chris Kies and Adam Moore

A look at Beard Guitars, Crafters of Tennessee, Rayco Resophonics, S.B. MacDonald, and Terraplane Resonator Guitar Co.


Premier Guitar April 2009

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Whether you’re listening to some bluegrass, some old country or the downtrodden Delta blues, the resonator guitar is a key component. In each style, the resonator twangs, chirps and slides in a specific manner to deliver that irreplaceable tone. Initially developed by John Dopyera in the 1920s, the fundamentals of the resonator guitar haven’t changed much over time. How many times do you need to really reinvent the wheel, or in this case, the cone?

Today’s resonator guitars usually harken back to one of two companies: Dobro (a contraction of Dopyera Brothers, but also meaning “good” in the Slovak language) and National. However, to say that new things or ideas haven’t been implemented into the traditional instrument would be a travesty to the current crop of resonator builders. To build upon a legacy, you have to look back before you move forward.

“Essentially,” says Don Young, CEO and President of National Reso-Phonic, “we are building the same guitars now as they did back then. Sure, we have updated technology and newer construction methods, but the core of the instrument still lies in that initial model created by the Dopyera brothers. Young doesn’t see the increasing number of small, independent resonator builders as a threat to his business; instead, he sees a chance for resonators to regain their status as an integral part of several musical styles and genres.

“I’m honored not only to act as a stepping stone for current builders to model after,” says Young, “but also to provide them parts and components to aid their projects. I’m just blessed to be in position where I can work with so many close-knit builders outside my own company, within the greater resonator community. We are just honored to have so many builders put us and Dobro on a pedestal.”

After researching and interacting on several online resonator communities, we gathered a list of resoluthiers and dove head first into the resonator world. We couldn’t include everyone, so we tried to feature builders who would reveal the wide range of developments within that world. So, whether you’re looking for a metal-body resonator (Terraplane), a Dobro-influenced model (Beard), a resonator-electric (S.B. MacDonald), a resonator using Scheerhorn parts (Rayco), or just someone who’s been building resonators since before it was cool (Mark Taylor of Crafters of Tennesee), we’re willing to bet you’ll find one that resonates with you (pun intended).


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Comments

(9 comments) display by
UsernameComment
Dan Wilson
on 07/23/2009
Sorry my comments weren't printed
Jan van Bijnen
on 05/24/2009
Thnaks guys! I just love the article. But I got to add that I'm a dedicated Rayco-player.
DGB
on 04/12/2009
"Five Resonator Builders You Should Meet" and no Tooter Meredith? What the...
Harry Fleishman
on 03/30/2009
I'm disappointed that you didn't highlight any truly visionary luthiers who are reinventing the resonator in musically interesting ways. Larry Pogreba, who built the Blue Aluminum Rambler hubcapped resonator for Bonnie Raitt, deserves your readers attention. I'd love to see you reach further and deeper in your articles. Thanks
J.P. Johnson
on 03/25/2009
Chris' original intent was to do an article on "UNKNOWN" resonator guitar luthiers. He missed his mark by miles. His article included not one... not even one "UNKNOWN".
TomW
on 03/25/2009
The really big, significant changes to the dobro-style guitar can be attributed to two builders (IMO): Tim Scheerhorn and R.Q.Jones.
Dan Marois
on 03/25/2009
I have a fondness for the original. I envy those who can come up with something truly unusual and original within the staid copy-cat me-too industry like guitar-making. I only wish I could support them more concretely; however I'm not that fortunate. Although all the resonators here are beautiful instruments Scott MacDonald's Resonator Electric resonates (no pun intended) particularly well with my sensibilities. Now I can only wish he'll agree to make me one!
DJ
on 03/25/2009
The Dopyeras built guitars without soundwells in the 30's and used spun cones and actions similar to what is being used today. They also experminited with different body sizes. So things other than baffles are pretty much the same.
Jim B.
on 03/19/2009
Most Dobro aficionados would disagree with the opening statement, "the fundamentals of the resonator guitar haven't changed much over time." The Dopyera brothers would really scratch their heads looking at the inside of a Scheerhorn resonator guitar, for example. "Where's the soundwell? What the heck is this baffle? Wow, listen to the difference between this spun cone and our stamped one! Look at the size of this instrument! and the height of the action!"

Even a two paragraph summary of the history of the development of the resonator guitar should give a nod to Tim Scheerhorn for his innovations that many other luthiers have incorporated into their approach to this instrument.



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