April 2009 \ Premier Clinic \ Jazz Guitar Hardball \ Strollin’ with T-Bone Walker, Part 2

Strollin’ with T-Bone Walker, Part 2

Jim Bastian

A look at T-Bone Walker's introductory 12-bar chorus from "I Got a Break Baby"


Premier Guitar April 2009

Welcome to our exploration of T-Bone Walker, part 2. Last month we covered some T-Bone history and ended with some classic T-Bone licks. Today, I have transcribed the introductory 12-bar chorus on “I Got a Break Baby." This is essentially an improvised guitar solo that opens the piece, and there are some fantastic classic T-Bone riffs here! An important early work, T-Bone recorded this in 1942; it’s just as fresh and inspiring today!

T-Bone shows his interest in jazz horn-like phrasing by alternating swing eighth-note phrases with double-time sixteenth note lines. His mastery of the blues scale is apparent, but mixed in are a few jazz-like harmonies, such as leaning on the A natural note at times. Other jazz tendencies include the Charlie Christian-style licks, which use the natural third (C-Eb-E-G-C), using a pure, natural archtop tone with no overdrive, and using syncopated rhythms that are very akin to jazz phrasing (especially the implied hemiola that starts on beat two of measure 5 [F7]).

The chorus immediately following this one starts with a classic double stop (notes Bb and G played together). Continue transcribing that chorus as a great ear-training exercise and to incorporate T-Bone’s vocabulary into your own!


For more on T-Bone, check out:
“I Got a Break Baby” solo on YouTube
Also on YouTube: T-Bone Walker sitting in with Chuck Berry… the “student” honoring his main influence


Jim Bastian
A clinician and jazz educator, Jim Bastian is a ten year veteran of teaching guitar in higher education. Jim holds two masters degrees and has published six jazz studies texts, including the best-selling How to Play Chordal Bebop Lines for Guitar (Jamey Aebersold Jazz). He actively performs on both guitar and bass on the East Coast.

     

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Comments

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Greg Clayton
on 04/01/2009
I saw Bone several times in the late 60's in Montreal and Toronto. He never failed to deliver the goods and he slid those 9th chords all over the place.A few years later I realized that he was using leading chords and mode stepping doing those blues piano minor triad licks. He was one of the hippest I ever saw live.



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