April 2009 \ Features \ Trem Wars: The Whammy Arms Race

Trem Wars: The Whammy Arms Race

Gerry Ganaden

We take a look at the history of the whammy, from Bigsby to Fender, Floyd Rose and Kahler. A look at the origins of each major type of trem, and what each offers your playing.


Premier Guitar April 2009

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Whammy bar technology has evolved significantly from the electric guitar’s golden era to today’s ever-changing design innovations. Because of this, guitarists have been able to warble and divebomb single notes and add some shimmer to chords. There have been many designs throughout history and there are just as many being made today, but the most historically significant ones are the ones we’ll look at here: the Bigsby, Fender, Floyd Rose and Kahler tremolos. Each of these has pushed the evolution of the vibrato-ed note, while being very distinct in design, functionality, performance and practicality. Each has its own characteristics, which dictate how much wham you put in your whammy.

Before we continue, though, it should be pointed out that the wiggle stick has been historically misnamed. The term tremolo is defined as a rhythmic fluctuation of volume, whereas vibrato is a fluctuation in pitch. Technically, the contraptions being discussed here achieve vibrato; but Fender, being the most influential guitar manufacturer on the planet, named their design a tremolo. From the inception of their vibrato bridge, the term tremolo is the most widely accepted name for this particular guitar part.

Vibrato technique by hand has always been an acquired art. It’s an emotive expression of a note or chords executed by the fretting hand. It can be performed subtly or in the extreme. Tremolos give us the mechanical assistance to create vibrato in a completely different way.

One of the earliest examples of a tremolo bridge was made by acoustic harp-guitar luthier Joseph Bohmann at the turn of the twentieth century. Mounted to the bridge of the guitar, it looks like a handle with a ball grip at the tip. It has been argued that this was a hand rest. However, many who have played a Bohmann guitar report that slight downward pressure on this handle causes a flexing of the acoustic top, which creates a vibrato effect on notes and chords. It wasn’t until the late 1940s that the industrial revolution would spur the creation of a steel tremolo that was easier to use.

Hit page 2 for a look at the one that started it all: Bigsby...


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Comments

(12 comments) display by
UsernameComment
denise moxon
on 01/13/2011
hi dose anyone know how i can get the gretch pink penguin sent to the uk custom shop wont ship it the sad lot against the rule. thanks mrs moxon xxx
Ian Perge
on 07/10/2010
Very nice choice of the photo for the Floyd Rose example - Jackson's Phil Collen PC1 Signature Model is a top-of-the-line "SuperStrat" with their 3A+ Maple tops and Mahogany backs (and Limited Edition versions with Koa and other exotic woods) and Sustainiac Driver. However, as a Bassist I feel it should be noted that Kahler is by far the largest and most known of the "Bass Tremolo" subset of whammies. While the Bass TransTrem, a few other small builders, and even Bigsbys installed on basses have been seen the Kahler 2410 has been *THE* defacto standard for a Bass Tremolo System since it was developed. As a Bassist who has plans for a custom "Effects Bass" based around a Kahler Tremolo and Bass Sustainiac Driver I feel I must represent for Victor Wooten, Les Claypool, and all the non-famous bassists that have Kahlers installed on their instruments (and we don't have to worry about a Locking Nut for tuning stability - hell, even a Graphite Nut and Locking Tuners aren't even "necessary" although a nice backup for 99+% stability. :D
LINK AVENTURINI
on 04/17/2009
BOB SHADE OF HALLMARK GUITARS HAS PUT THEM ALL TO SHAME WITH HIS VIBRAMUTE STYLED WHAMMY.
SteveM
on 04/15/2009
The Steinberger Transtrem is made by someone else. I think it's FR.
Reeves
on 04/06/2009
The Steinberger Transtrem, and the Trem fitted to the Parker fly are the best ones I have ever used.
cyberman
on 04/05/2009
An update: Kahler has been working on a couple "Floyd Killers" (Not to be mistaken w/ their earlier tremolo called "The Killer") which're ball-bearing-based fulcrum tremolos w/ guitarist/inventor Geoffrey McCabe. From what I've heard, those should be available about June or so (Around the time of Summer NAMM. After these're released, they also plan on coming out w/ a 7-string version sometime next year. As I've stated in a YouTube video I did about the subject, combine these w/ one of Earvana's soon-to-be-released Floyd Rose Nuts [A 7-string version of which, also, will be available next year] & you've pretty much got The Ultimate Setup! In fact, Seymour Duncan tried one of the Kahler/McCabe tremolos at a NAMM show a few years back & he said that it's pretty much THE ABSOLUTE BEST improvement/advancement in tremolo design that he's seen in 55 years! That should SAY something, coming from him!). Well, that's about all for now, & until later, happy whammying! Cya!
DocScott
on 03/29/2009
The PRS, although quite well done, is basically another version of the Fender 6-screw but is more precise. It's more beefy in both its saddles (solid brass) and the sustain block underneath. It's design has it as sensitive as the Floyd and the strings do not have to be modified by cutting ball ends off. This leads to quick string replacement but since it also floats, a string breakage sends the guitar immediately out of tune. The arm retention design it also excellent and adjustable for friction. There are trem-stop devices available to render it a down-only trem to prevent the out-of-tune condition upon string breakage. I would not own a PRS without their trem as the sustain is fantastic and without it, well there's minimal tradeoff and maximum benefit with it!
bill
on 03/24/2009
Save that anger for the stage...
Dan Marois
on 03/20/2009
All I want for Christmas is a Gretsch Pink Penguin!
Dan Marois
on 03/20/2009
"Technically, the contraptions being discussed here achieve vibrato; but Fender, being the most influential guitar manufacturer on the planet, named their design a tremolo. From the inception of their vibrato bridge, the term tremolo is the most widely accepted name for this particular guitar part." That's because most humans are sheep. If everybody else had used the proper terminology Fender would have ended up looking foolish and probably would have fallen in line with the rest.



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