February 2009 \ Reviews \ Effects \ Line 6 M13 Stompbox Modeler Review

Line 6 M13 Stompbox Modeler Review

Michael Ross

Line 6's M13 brings modeling to the pedalboard with great flexibility and versatility.


Premier Guitar February 2009

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Each effect family has a corresponding color: green for delays, orange for reverbs, pink for filters, blue for modulation, and off-white for distortion, compression and volume. The LED display background turns this color when an effect family is selected, so I could instantly tell which type of effect was in play. Pushing down the first control knob selected the family, and turning it selected the effect. Once selected, the other five knobs controlled the parameters. But Line 6 goes further, once an effect is programmed to a foot switch, a light just above the switch glows in the appropriate family color—dimly when in bypass, and brightly when selected. This way, I never stepped on a fuzz when I meant to call up a chorus.

The M13 was obviously designed by players, not pencil pushers. It is relatively intuitive, but downloading the advanced manual is recommended, as the device can operate on a number of levels from simple to complex, depending on your needs.

I have a few things on my wish list for the next generation. Having “Volume” as an effect that can be run by an expression pedal, and programmed into different places in the chain for each Scene is fine, but it would also be great to have a global volume option that didn’t require relinquishing one of your four effects slots to control it. The workaround I used involved placing a volume pedal in the effects loop, then programming the loop between effects slots 2 and 3. That way, I could globally place all my ambient effects (reverbs and delays) in 3 and 4—post volume control. Speaking of the effects loop, though it too can be programmed to be at different points in different Scenes, you can’t program it to turn on and off. This means that any effects in the loop must be turned on and off independently.

The Final Mojo
These are small points however when weighed against the wealth of great-sounding effects, routing flexibility, easy tweaking, and looping possibilities of the M13. If you are looking for a way to meld stompbox convenience and multi-effects control, check the Stompbox Modeler out post-haste.
Buy if...
you want an all-in-one pedalboard with extreme versatility and amazing looping powers.
Skip if...
you hate modeling.
Rating...
4.5

MSRP $699.99 Street $499.99 - Line 6 - line6.com

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Comments

(17 comments) display by
UsernameComment
SKULL
on 02/20/2013
I need one so somebody give me theirs for free you rich assoles !
J. Rogers
on 10/03/2011
Actually, it is "Beck and Call" ref. http://public.wsu.edu/~brians/errors/bec kon.html
Richard Boale
on 08/18/2011
Note to Michael Ross (author): The term is "beckon call" as when "beckoning to summon someone or something", in this case presets on the M13. "Beck and call"...what's that? Call Jeff Beck up or something? Rick
line6sux
on 07/04/2011
I am done with line 6, TWICE RELIED ON THEM FOR PAID CONCERTS AND THEY LET ME DOWN! WITH THEIR CHEAP ASS POWER SUPPLY!
Stimptilly
on 03/27/2011
@ Oranim LOL, sorry dude you have no idea what this unit is even for. @ Tommii Sonic You can using the scenes function you can switch as many fx on and off as you like with only one click per scene. @ Esteban Yes you can switch channels on your amp with this unit using the midi control function. Thats one of the main points of this unit!!Check your local forum for your amp type to get help on how to. This is not for plugging into your stereo or your headphones amp kids. It not for practising in your bedroom It supposed to sit in the loop section of a decent tube amp With the distortions sitting in the pre section using the 4 cable method. It's for working musicians who need to clean up there pedal board on stage. Line 6 actually make some great sought after FX. Look at the old pedal line up . But if you dont actually know how to use them properly in the first place. Well of course they are going to sound like shit. That's YOUR fault, not line 6's
Esteban
on 06/09/2010
I would like the M13 had a footswich conector to chance the chanel in the amp
Oranim
on 02/03/2010
Needs a headphone jack for practicing at night!
57STATES
on 12/15/2009
THE AC ADAPTOR IS CHEEZY! IT WILL BREAK, THEN SHORT YOUR BOARD! WHAT WERE THEY THINKING BY NOT GIVING AN ESPENSIVE BOARTD A GOOD POWER SUPPLY, THE WIRE IS THE SIZE OF A HAIR STRAND! MINE BROKE AND MY BOARD SHOT THIS WOULD BE A GREAT UNIT IF THEY DIDN;T SKIMP ON THE AC ADAPTOR!
luis
on 08/10/2009
I want to know if you change a scene... can you get it back to the original???? I mean.... you put the scene number six and you try to change it but you don like the way it goes..... can you come back to the original scene????
AxeMan
on 08/04/2009
Awesome unit. Everyone goes on about the delays but overall it's such a useful effects 'system'. I mean you can have the same set of effects that you will likely use during a show but route them differently (have 12 different scenes if you want!) and have all the settings different and it's a snap to flick between them. Try doing that with a bunch of vintage pedals live! Plus Line 6 are adding stuff (like wah) and refining the level issues etc as we speak (woh MASSIVE issue - just adjust the levels when you selected them...dude do you think Boss etc adjusts their pedals just for you straight out of the box? Man the wingers!! Get a life!). Also the distortions rock. Who says they suck? They kick arse but you naturally have to muck around with them JUST like regular pedals to tailor the sound to your amp and guitar. Sounds great in front of my valve amp and POD 1.0. So glad I bought it.



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