September 2009 \ Features \ Builder Profile \ 5 Pre-CBS-Inspired Bass Builders You Should Meet

5 Pre-CBS-Inspired Bass Builders You Should Meet

Kevin Borden

Five builders who pay tribute to timeless vintage Fender basses: Jimmy Coppolo, Mike Lull, Bill Nash, Rudy Pensa & Matt Brewster


Premier Guitar September 2009

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Just the words vintage or pre-CBS Fender bass put smiles on the faces of bass players the world over. Whenever I hear those words, I anticipate sonic nirvana. I expect a bass that plays insanely well after a proper setup and allows my muscle memory to play it without having to look at my hands. I demand CGF (cool guy factor) with any bass I own, and the old-school Fender is the champ. When it comes to practical ownership and use of these instruments, however, there are three issues facing the working musician. The first is value: some of these basses are worth five digits, and a $50 gig just doesn’t warrant using it. The second is affordability: quite frankly, even before the economy tanked the cost of these basses was getting out of reach for the first-time buyer. Third is abuse and wear: the finish on my trusty ‘58 P-Bass is wearing very thin, and it’s throwing off lacquer splinters on the neck. Because of these concerns, players are looking for affordable, world-class instruments to either emulate the look and feel of a 40- or 50-year-old bass, or an instrument that’s a little more versatile than their current vintage bass. I recently had the opportunity to speak with and visit some builders who’ve set out to meet that demand, and I got to learn about their journeys. While all share a similar passion, each is a little bit different in terms of their objectives.

For relic’d emulations—newly made basses that capture the look and vibe of a 40-year-old, well used bass—I spoke to Matt Brewster of Rust Guitars and Bill Nash of Nash Guitars. Rust just nails the beat-to-death hot rod vibe (listening recently to a cat playing one through a B15, I would have sworn it was a ’64 J-Bass). Bill Nash’s product line captures the vibey, old-school look of a well-used vintage bass and is very nicely priced.

We’ll also hear from builders making modern interpretations—basses that capture the old-school essence but come in a minty-new modern package. Mike Lull Custom Basses captures the old-school essence and features, but has engineered niceties to provide more modern tone and playability. Pensa Custom basses are vintage influenced, but modern works of art. These basses have an old-school feel in a modern package, and Rudy Pensa is one of the godfathers of modern emulation of vintage of basses. Jimmy Coppolo of Alleva-Coppolo offers a complete array of modern vintage basses with some nicely engineered interpretations.

Start off with Jimmy Coppolo of Alleva-Coppolo...

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Comments

(13 comments) display by
UsernameComment
Kobe Parma
on 11/25/2012
Matt is Tha Best
Michael
on 05/21/2012
Nice article. What about John Suhr? This guy has been making some of the most resonant, alive sounding pre-cbs-inspired basses for years and he's totally under the radar by all accounts. Somebody give this man his props..
Jimmy Mc
on 09/12/2010
I have Alleva-Coppolo P bass # B0015 and I will just say this: I traded back an original '63 Fender P I bought from him to get it.
Ara Ghajanian
on 08/30/2010
Anyone with even the slightest of doubts about the quality of Jimmy Coppolo's instruments has obviously never played one. I own the Burgundy Mist KBP-4 at the bottom left of this web page and it is by far the best P bass I have ever played. The level of craftsmanship is as high as you could find anywhere. I personally believe that Jimmy is not a mere builder, but an artist. Each one of his instruments speaks of a level of integrity that is so rare these days in any industry. One thing though, don't bash his or anyone else's work until you've played one first hand.
Jimmy Coppolo
on 05/08/2010
This should help answer Toms post. I'll start with this: I am a builder and that's why I am called one. If you read the article in full I think you would agree with me. You may have looked over the fact that I cut my own necks and bodies, I even make my own pickups. If you are not clear, unsure or have any doubts about what I do, you (or anybody else for that matter) have an open invitation to stop by my shop where I will personally give you a tour and show that not only do I build all my parts but I build them just like they did back at that old Pre-CBS factory. Hope this was helpful, hope to see you soon. Jimmy Coppolo Alleva-Coppolo Basses & Guitars
Dave Pantaleone
on 03/29/2010
Matt is making a fantastic guitar... I'm really digging his work. I like his approach and appreciate the workmanship in his guitars... Not to mention he is a good dude, I have my eye on two guitars so making a decision will be hard. Dave from MetalPedals.com
Tom
on 03/18/2010
Sad. They only finish and put parts together... why should they be called "builders"?
Jupiter One
on 09/22/2009
Love the bass, Matt! I take it to bed with me every night... but, not in THAT way. Appreciate the hard work. Pat D - Jupiter One www.jupiterone.com
Peter Van Wagner
on 09/04/2009
Matt Brewster has my favorite guitar store in NYC (30th Street Guitars) and his knowledge of and love for vintage instruments is great. It's no surprise to me that Premier Guitar has discovered and featured his instruments for this article.
Dan P
on 08/27/2009
Bill Nash makes a great instrument at a great price..I have two..my 57 P Bass is my main bass since I purchased it two years ago...the Dimarzios sound great and the weight of the instrument is perfect..



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