April 2010 \ Reviews \ Acoustics \ Martin OMC-16OGTE Acoustic Guitar Review

Martin OMC-16OGTE Acoustic Guitar Review

Gayla Drake Paul

Martin's OMC-16OGTE acoustic uses Roland COSM modeling for a stage-ready guitar


Premier Guitar April 2010

(2 of 2)

Here’s basically what it’s about: pickups are handy but mostly don’t sound that great, and almost never sound like the real deal. In order to add what’s missing back into the pickup signal, Roland created this cool algorithm that simulates the body sound and gives you that breath and richness that most pickups aren’t able to capture. I would say they’re 75 percent successful, and that’s really good. The preamp has several built-in reverbs and three different body models that you can edit to taste. The 7-band EQ is easy to use and very responsive. I plugged into my trusty Baggs Core 1 Reference Monitor, and as I heard the harbingers of feedback stirring, I pressed the Anti-Feedback button and the feedback was instantly busted and my tone was intact. That right there is worth its weight in gold.

The Body knob is the heart of the modeling part, and dialing from left to right is quite an adventure. I found straight-up to around one o’clock to be the most musical positions, and preferred model 2 out of the three defaults. The preamp also has a tuner that is super easy to read and remarkably quick to respond. Batteries are housed in a chamber in the side of the lower bout, so they’re easy to access—gotta love that.

Shut up and play the damn thing
Acoustically, it’s a decent sounding guitar, though I wasn’t blown away by the tone. It’s bright and snappy, and as I said before, plays like buttah. There isn’t anything this guitar won’t let you do. It is a pro-level guitar that requires no compromise from a player, at least none that I could find, and I took it for a pretty wild ride. I can’t imagine any player hitting the wall with this guitar. It just wants to play.

Plugged in, you get to play with the EQ and the models, almost like painting with the tone. You can make it sound as rich and full and vibrant as you want, or snarky and raw, or sizzling and poppy. It’s kind of like a video game for your ears. In a recording studio, this could be very useful mixed with a mic’d signal to bloom up into a mix, smash your way through it, or dance on top of it. It’s a true stage-ready axe, light and comfortable, perfectly playable and versatile as it gets.

The Final Mojo
I wish the acoustic sound was a little more irresistible, but that’s not what this guitar is about. It’s about walking out on a stage and kicking ass, and it does that extremely well. It’s also a guitar you can feel good about, from its solid made-in-America pedigree to its sustainable mojo.
Buy if...
you need a stage-ready guitar that will let you play anything your heart desires.
Skip if...
you just want to cuddle on the couch with a heart-meltingly gorgeous sounding playmate.
Rating...


Street $1650 - Martin Guitar - martinguitar.com


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Comments

(7 comments) display by
UsernameComment
David Canady
on 02/01/2013
Purchased this guitar 2 months ago. Have gigged with it 8 times now. In a quite room you can hear the balanced tone but honestly, this guitar lights up once plugged in. I have the 3 saved setups for flat picking, hand strumming, and finger picking. It does it all with warm tones I could not get out of my other acoustics. I don't use a mic anymore when recording. The neck feels like an old friend. I love the fret board, real wood or not. It's also priced so you don't freak out every time you bump something. I really like this guitar and so do all my musician friends.
David Canady
on 02/01/2013
Purchased this guitar 2 months ago. Have gigged with it 8 times now. In a quite room you can hear the balanced tone but honestly, this guitar lights up once plugged in. I have the 3 saved setups for flat picking, hand strumming, and finger picking. It does it all with warm tones I could not get out of my other acoustics. I don't use a mic anymore when recording. The neck feels like an old friend. I love the fret board, real wood or not. It's also priced so you don't freak out every time you bump something. I really like this guitar and so do all my musician friends.
GR
on 10/21/2012
Hey Roger King...do ya drive a car, heat your house...etc...well those things are far more detrimental to the planet that using ebony in a guitar? Guitar makers do it for cost and hide in the green space - oh and ebony does add tone, if not lets rip up some counter tops and make guitars!
Luke Klondike
on 07/01/2012
Thank you for the review....and the sound bytes. Very helpful.... "I’m not sure there’s not a fair way to go before they really get what they’re after...." Man!! That Roland whatever-it-is sure does colour the tone and overall voice of this guitar. Not sure I like it or not but the result is an interesting voice. Thanks again.
Roger King
on 04/11/2012
You may be an Ebony snob. I'm a Silky Sifaka snob. And a rainforest snob. And a having-a-planet-to-hand-on-to-our-gandki ds snob. Just get used to the nice paper fretboards and shut up. "...ebony adds to the tone of a guitar…" give me a break!
iplay4JC
on 03/20/2010
Ovangkol back and sides? Eh, the jury's still out with me for that tonewood. I used to own a Taylor 414ce with made of the same woods. No matter what type of strings I put on, it always sounded dull and lifeless. Needless to say I sold it and don't regret it.
Tom C
on 03/19/2010
I learned to play on a '58 D-28, and still love that Martin sound. I would like to try this one out.........



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