August 2010 \ Reviews \ Accessories \ Aracom Power Rox PRX 150-Pro Attenuator Review

Aracom Power Rox PRX 150-Pro Attenuator Review

Kenny Rardin

Aracom's attenuator reduces the level of your high-gain head, and matches impedances as well


Premier Guitar August 2010

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If you have an amp that sounds great when you crank it up but it’s just too loud for most playing situations, you’ll want to know about the new Aracom Power Rox PRX 150-Pro amp attenuator. Designed for use with tube amps, this unit lets you reduce the level of a fully cranked head or combo.

Construction
The PRX 150-Pro is housed in a black anodized-aluminum case with an amp-style strap handle, and it looks all business. When I unpacked my review unit, the vented front, side, and rear panels caught my eye. They are, of course, for cooling, but they give the box a striking, industrial vibe. A passive device, the PRX 150-Pro requires no AC power for operation.

Two front panel knobs—Step Attenuation and Variable—let you control your amp’s output level. Step Attenuation has six discrete settings labeled A-F. Settings A-E reduce the level in 3 dB increments. Switching to position F engages the Variable knob, which lets you further attenuate the output by as much as 16 dB. The unit can handle a 150-watt input signal and our review model provided an overall cut of 30 dB (which effectively takes a 100-watt amp down to 0.5 watts—3% of the amp’s power rating). However, Aracom informs us that the latest PRX 150-Pros can attenuate up to 40 dB— which can take a 150-watt amp down to .015 of a watt.

The PRX 150-Pro’s magic really happens at the back panel. The input—where you plug in your amp’s speaker output—offers 2-, 4-, 8,- and 16-ohm settings, and that’s what sets the PRX apart from most other attenuation devices. Having a variable input selector lets you use the PRX with different amps with various fixed output impedances. You don’t have to purchase separate units to accommodate, say, a Fender Super Reverb and a Marshall JCM900. And if your amp offers selectable output impedance, you can explore the different taps on the output section, which can alter the amp’s tone and feel.

The Aracom’s own output impedance is also variable, and you can set this independently of the unit’s input impedance. You can switch the PRX 150-Pro’s parallel output jacks to 2, 4, 6, 8, and 16 ohms, which gives you complete flexibility to mix and match amps and speaker cabs with dissimilar impedance ratings. Very flexible. Further, a true-bypass switch on the back panel allows you to bring the PRX in and out of the circuit.

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Comments

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Matt Kennan
on 07/22/2010
I own an Aracom PRX150-Pro, and it's one of the best (and most frequently used) pieces of equipment I've purchased. Another creative use for it while recording is to use very small speakers with one's high-power tube heads. I've gotten some interesting tones by running tube heads at high gain into small practice amp speakers and old movie projector speakers which would not have handled the power of the amps without the PRX150-Pro. The ability to instantly mix-and-match impedances makes it possible to try lots of combinations in a very short time.

Also, dealing with Jeff has been an absolute pleasure!

Matt Kennan
Littleton, Colorado



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