June 2010 \ Features \ Axes Bold as Love: The Gear of Experience Hendrix Tour 2010

Axes Bold as Love: The Gear of Experience Hendrix Tour 2010

Chris Kies & Jordan Wagner

PG goes behind the scenes on the Experience Hendrix Tour to talk gear with the gods and demigods of guitar


Premier Guitar June 2010

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Billy Cox


Pictured here with his well-worn ‘70s Fender Jazz bass, Cox opened the show with the famed Ernie Isley on guitar. Double Trouble drummer Chris Layton joined them for a great rendition of “Stone Free.”

Out of everyone in the 2010 Experience Hendrix lineup, none had a closer relationship to Hendrix than Billy Cox. They met at Fort Campbell in Kentucky in the early ’60s when they enlisted in the US Army. Cox was Hendrix’s original choice for the bassist slot in the Experience, but Cox had several other musical projects going at the time so he declined. History would eventually be made when Hendrix and Cox reunited to form Band of Gypsys. The combination of the two, with the late Buddy Miles on drums, gave the world some of Hendrix’s best compositions, including “Machine Gun” and “Changes.”

Cox ripped through the Milwaukee set with cuts like “Stone Free,” “Message to Love,” “Them Changes,” and the closing “Red House” using a classic combination of a ’70s Fender Jazz bass rumbling through an Ampeg SVT Classic head and a matching Ampeg 8x10 cabinet. The setup was simple yet legendary, just like Cox’s thumping bass work.


Cox’s amp setup consisted of an Ampeg SVT Classic tube head with a matching Ampeg 8x10 cabinet.

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Comments

(15 comments) display by
UsernameComment
john nunez
on 10/27/2012
we'll get outdated, he won't...
Ed C.
on 08/18/2010
Can you imagine if Hendrix had today'd equipment and technology ?

Kudos to Living Colour and Ernie Isley and all the other
Musicians who keep Jimi's legacy alive.

Word !
David G.
on 07/06/2010
Thanks for the great article. Enjoy everyone!
Chill out on the criticsm people. Sorry if you feel offended. The magazine is trying to make you all appreciate some unique and interesting musicians and show great tribute to the main man Jimi who changed the Axis of the musical universe for us all.
squier
on 06/17/2010
This is a great article! The staff did a great recap of the gear and the actual performances. KWS, Living Colour, and Satch put on great performances. While legends like Hubert Sumlin and Billy Cox performed, I was most star struck by Chris Layton, being a big SRV fan. The most disappointing performance was Eric Johnson, but it was a great show and great article!
Vince
on 05/28/2010
What the Hell?....No pictures of Ernie Isley's amps and gear???A guy that actually learned at the proverbial knee of Hendrix gets a couple of half-assed pictures of half of his two Strats with one partially obscured? Come on PG....
Rebecca - Web Ed
on 05/28/2010
Regarding Doyle, he wasn't at the tour stop we went to so we weren't able to talk to him or get shots of his gear. We think he's great and definitely did not leave him out by our choice!
USmagsSuck
on 05/28/2010
So the guy who actually channels Hendrix the best doesn't get any mention at all? Great job once again! Fail is your forte! Where is Doyle?!? http://www.youtube.com/watch?v= obASwePIa4k
Mat Jochum
on 05/25/2010
The Premier Guitar staff has obviously missed some things--Johnson's Super Vee Trem, Randolph's Fuchs switcher and probably more to come--but they did a tremendous job gathering all this sexy content for those that didn't attend the tour. Gear, gear gear is what we've come to expect from these guys and they delivered again with this feature.
Mike P
on 05/24/2010
You guys failed to mention the Fuchs TDS artist footswitch on the pedal board. Robert was rocking a Fuchs TDS-150 throughout the tour (besides the Fender), which should have been noted as well.
Loser_Stone
on 05/22/2010
Nice article, but the Premier Guitar staff failed to mention the Spidey Underoos beneath Vernon Reid's trousers. This is a significant component, not only to performance, but to mojo as well. This really speaks volumes to the performance and nature of Reid's stage strutting...something the editors of Premier Guitar inadvertantly missed.



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