June 2010 \ Reviews \ Effects \ ProCo Limited Edition ’85 Whiteface RAT Pedal Review

ProCo Limited Edition ’85 Whiteface RAT Pedal Review

Brian Barr

ProCo has reissued their legendary 1985 "Whiteface" RAT pedal. How close does the reissue come to the original?


Premier Guitar June 2010


When I hear the word “reissue,” I can’t help but be a little skeptical. Too often the end product is disappointing, leaving people again scouring the Internet and pawn shops for an original—and paying the hefty price tag that usually accompanies one. That said, I put these preconceptions aside when tasked with reviewing ProCo Sound’s latest RAT reissue.

The RAT has changed a lot over the years, both aesthetically and tone-wise. This particular reissue is based on the legendary 1985 “Whiteface” version. ProCo did their homework, using the same steel chassis, circuit board layout, large CTS pots and the crucial LM308 chip, and true bypass switch. And the work paid off—this pedal sounds as close to the original as you can get without owning the real deal.

The Basics
The RAT is a very straight-forward stompbox with three controls: Distortion, Filter and Volume. The RAT’s Distortion really gives you three different types of distortions in one. The control not only adds more gain as you turn the knob clockwise, but it also takes on different characteristics—everything from a bluesy overdrive to biting distortion to fuzzed-out sonic bliss. The Filter control, which is a 6db octave low pass filter, acts as a reverse tone control. Turning the Filter knob clockwise the treble rolls off, allowing for smaller adjustments to the harmonic frequencies provided by the RAT.

The rest is standard fare: Volume control, mono input and outputs, 9V jack, and a battery compartment on the backside of the pedal. Everything is housed in the same black U-shaped chassis with white graphics, just like the original.

Plugging In
The first time I plugged into the RAT was at a local show just a day or two after receiving the pedal. Armed with my Les Paul DC Classic with Burstbuckers, I felt that the crowd was savvy and small enough to warrant some improvised sonic destruction, which I had no problem unleashing. After hitting the switch I was overcome with joy upon hearing that early Melvins tone coming from my speakers. I ended up changing an entire end of a song that night just to get a chance to use the pedal more. This is the great thing about the RAT—its simple layout and overall good tone allow me to use intuition rather than the user manual to dial in great tones.

Dialing In
After spending more time with the pedal, I found myself running the Distortion around 12 o’clock, the Filter around 2 o’clock, and the Volume around 3 o’clock. This allowed for a cutting distortion with just a tiny bit of breakup, and enough treble rolled off from the Filter to provide warmth and midrange. At this setting there is still plenty of sustain, which tends to increase as the Distortion is turned clockwise. When a lot of sustain is needed, the RAT can certainly deliver.

Turning up the Distortion knob past 3 o'clock changes the whole character of the pedal and it’s suddenly more of a fuzz pedal with some rather tube-like qualities. It responds almost like physically adjusting the sag on a tube amp. This is where the Filter becomes your best friend, because the overall sound can tend to break up and become a little muddy. The Filter can reintroduce more treble to cut through and provide the harmonic nuances that everyone has come to love about the RAT. My only qualm with this pedal was the amount of headroom in the Volume pot. With my Sound City L120 and Orange 4x12, I had to turn the Volume up to 3 o’clock before getting to stage volume.

The Final Mojo
While the Whiteface RAT can achieve classic ‘80s tones ala Eddie Van Halen, but the infinite sustain, harmonic distortion, and growly fuzz has allowed the RAT to find its way into other genres, such as blues, grunge, stoner rock, doom and drone, making the RAT a highly versatile pedal for players of all types. The RAT's tagline, "The last fuzz you will ever need,” isn’t simply hyperbole. The RAT made a believer out of me—I’ve shelved my beloved Keeley-modded Boss DS-1 for the time being.
Buy if...
you’re looking for a versatile distortion with some classic tones
Skip if...
you want the real thing. For the street price, you can just about buy an original.
Rating...


Street $199 - ProCo Sound - procosound.com

     

Related Articles

Roland Cube Lite and Cube Jam App Review
Ibanez Echo Shifter Pedal Review
Amptweaker Bass TightFuzz Pedal Review
Fulltone PlimSoul Pedal Review
Reinhardt Willard Pedal Review


Comments

(8 comments) display by
UsernameComment
Zach Drummond
on 07/24/2012
How do the "Whiteface" variants differ from the big box 90's ones? I have one of those and I like it a lot.
Wayne
on 06/15/2012
Amen, Duane!
Duane
on 05/20/2011
I would rather pay extra for a new pedal(USA)than an old rickety one.
Wayne
on 06/10/2010
The '85 white face reissue RAT sounds just as good as my old original! Vintage freaks take note!
GlassHalo band
on 06/07/2010
I bought an original whiteface RAT on eBay for 125 two years ago and what a deal. Obviously Dan, do your homework, make sure the seller has tested the pedal or can vouch that it works--and don't buy it if it says it doesn't work. These things are pretty indestructible so my concern would not be that something is dead when you buy it. Overall I'm happy to see them reissued (as the new ones are pretty meh) but I do find the price a bit high considering the originals are available for less...or used to be anyway.
Dan
on 06/06/2010
"Why spend $200 when you can buy the real deal on eBay them same or less?" Answer - because this way your getting the real deal for $200 new and not some 25 year old rickety rusting door stop that may or may not work upon arrival from flea bay.
RAT LOVER
on 06/06/2010
Why spend $200 when you can buy the real deal on eBay them same or less? Isn't one of the main advantages of a reissue is not having to pay vintage prices?
BradP
on 06/05/2010
I've owned an original since it was new in 1985. Back then I modified it to reduce the distortion (I replaced the original clipping diodes with small LEDs for a higher threshold voltage), it was just too Marshally and that ain't my bag. For years it sat in a closet. Lately I pull it out (with the old diode structure restored) and find it good for a rather extreme overdrive (Telecaster with Distortion setting at 1 o'clock) for the one or two times a night when "over the top" seems called for. Can't imagine using one of these things all night, it's just too grindy and that always sounds like cheese to me. But it's very well built and does it's thing reliably.



Your Comment:  

All comments are subject to editing or deletion by the Premier Guitar staff.

Your Name:  


Please enter the text you see in the image:  
10

96E2F137-CB23-401C-BBC6-A9D90D633007