May 2010 \ Features \ Field Report \ Weekend Warrior Luthiery, Part 1

Weekend Warrior Luthiery, Part 1

Steve Ouimette

Woodworking novice Steve Ouimette approaches a new challenge: building a classical acoustic in 15 Saturday classes.


Premier Guitar May 2010

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Day 2: Bracing and Lots of Clamps
The bracing steps were repeated for the back of the guitar. Using the same dowels to hold it in place I left the braces to dry. The next step involved some serious elbow grease to take off the excess wood protruding from the sides of the mold. This is the step that makes the sides the exact thickness and radius they need to be to accept the back and top. Using a scraper tool I spent a good hour taking wood off each side until it was near flush with the mold. Once the rough thickness was correct, the last bit was done using two different sanding wheels that had different radii. For the top it was a flat wheel with no radius, and the back was a 25-foot radius (yes, feet, not inches). Using the heavy wheels made of plywood we basically held them like a bus steering wheel and twisted them back and forth until our chalk lines had disappeared from all edges indicating the side was shaped correctly. This step is both tedious and relaxing because you can let your mind wander a bit while intermittently checking the progress. When that step was finished I repeated the process on the top side.

With the top removed from the go-bar area, the next step was to shape the braces. Shaping comes in the form of carving with a finger plane, chisel and sandpaper. It was explained that the braces needed to taper down to 1/8” at the bottom to allow the top and back to lay flat on the sides. This was where I met my first technical problem, the finger plane. It seemed that no matter what I did that plane just wanted to chew the wood up. Diana came by and showed me the proper technique, but no matter what I did it seemed I was pulling chunks of wood away, so I switched to the sandpaper to dig away a little less aggressively. After some time my braces were scalloped and ready….and my shoulder was sore! I should mention that a few braces needed some super glue to put a chunk back that I had taken out with the chisel. Clearly, I’m not perfect.



The last step of the day was installing the kerf onto the sides of the guitar. Kerf is the surrounding material on the top and back of the sides that gives extra surface area and support to glue the top and back on. This is the step that Norm Abram would be proud of because it uses more clamps than I’ve ever seen in my life. Basically, you lay out 5-6” strips of kerf (made of Engelmann spruce) on each side of the sides and glue and clamp them with finger clamps into place. At any given point I would have around 36 clamps holding the kerf into place while the glue dried. After 10 minutes or so the clamps could be removed and reused on the next piece of kerf.



Day 3: Rough Body Assembly
Day 3 started with removing the ribs from the mold to prepare the top and back to be glued on. After final sanding was done on the kerf (once again using the chalk for reference) the sides were ready. Surprisingly it didn’t take long to glue the top on, but as you can see from the picture we used a lot of clamps again to hold it down. This step was repeated for the back and left to dry.



After the drying was complete I used a router to remove the excess overhang wood on both the top and back exposing what was now a “box” in its basic, final shape. The structural go-bars were then removed from the box by snapping them to fit through the sound hole. In a proud moment I tapped on the guitar to hear it resonate for the first time. I could feel the vibration of the sander across the room coming through the box too…a proud moment!



With the remaining time left in the day I glued the binding onto the sides of the fingerboard (which had already been slotted but not yet radiused). Unfortunately one side of the binding lifted up enough that it needed to be removed. This is where the glue showed its strength and required a heating pad to be applied to loosen up the glue while a tool helped pry it up and off. Unreal, that wood glue. And that wrapped up Day 3.

The Cliff Hanger
Since I’m out of space I’ll need to pick up from Week 4 next time. Suffice it to say I’ve learned a ton about guitar building so far and am extremely surprised that it’s working out so smoothly. Coming from a guy who has a warrant out for his arrest from the hammer police, this is truly a thing of beauty. Tune in next month as I continue my journey into the great world of weekend warrior luthiery.

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Comments

(8 comments) display by
UsernameComment
tim
on 06/06/2012
hey fellow pickers... i'm tim and i was in that class with steve. i to always wanted to build my own guitar and george and dianna at phoenix guitar co. were a great help in acheiving that goal. it was a lot of fun and my guitar came out great too. it's always the one i reach for to play. awesome memories, you should try it. tim
Kody Knudtson
on 01/02/2011
I've also known George and Diana for years. They helped me with my D28 style guitar by bending the sides, still perfect years later. They are just THE BEST. Love them, love their guitars. Want one so bad. Premier Guitar is a great mag, use the web site all the time.
Ken Griesser
on 06/19/2010
Fantastic description of a truly unique and rewarding experience that lasts a lifetime. Anyone who loves music should consider this. Having built mine several years ago I've found there is incredible motivation to improve your guitar playing skills when you've worked for months to create your own guitar ( with George and Diane's meticulous oversight of course). Thanks for the picking lesson!
Dick Gulsvig
on 05/12/2010
Enjoy reading your views and notes about the "Weekend Warrior" opportunity created by George. I had a wonderful experiance with George and Diana during the three guitars I crafted with their expert guidance. I do not play the instuments; however, my sons do and they get "Wow, your Dad made that?". The best part is they sound FANTASTIC! The neat part is my wood skills were entry level and becuse of George and Diana's knowlege and teaching skills the "OOOO Steel String Acoustic Guitars" were beautiful! Look forward to the next article.
Rob Koch
on 05/12/2010
Great article, Steve. It is a pleasure to share space with you as a fellow weekend warrior. As I write this, I hope that there's not too much "pulling sand paper" in my future as I try to get the final fit of the neck on the guitar I'm building. Lookin' forward to stringin' it up in just over one month!!!
Tim Braun
on 04/27/2010
I've known George and Diana for years now. When I was finishing my first acoustic guitar from scratch, learning from a video set, 2 books and the internet, I needed help on the final steps of fretting and setup. I was put in touch with George and he was a HUGE help. Gracious and a great teacher. I always have a show and tell with them with each guitar I finish and enjoy seeing what is rising out of the wood pile at Phoenix Guitar Co. This class is a great way to dip your toes into lutherie. Do it if you can!
Larry Warner
on 04/25/2010
Great article. There are many of us who fantacize similarly. At 70+ time is growing short but I look forward to the next installments.
John Mueller
on 04/23/2010
Be sure to check out WWW.MIMF.COM the Musical Instrument Makers Forum. It is the best website for help on all aspects of DIY guitar building. The next best thing to having a personal tutor.



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