November 2010 \ Features \ That Can Be Arranged: Trick or Tune

That Can Be Arranged: Trick or Tune

Bill Piburn

A new tune from Bill Piburn inspired by a haunted piano


Premier Guitar November 2010

Since I can’t give you a Milky Way this Halloween, I thought I’d offer you a tune inspired by a haunted piano. With guitar in hand, I was flipping through the TV channels when I spotted a dusty, turn of the century piano on the front porch of a house... an odd place for a piano unless it is possessed by lost souls! With sheer terror I turned to my guitar to calm my fear. Soon the demons left, the show was over and I had a new tune. I hope you have fun with “Haunted Piano Blues.”

Performance Tip
“Haunted Piano Blues” should be played with a strong steady pulse. The song is filled with syncopations that make the tune swing, though the eighth notes are played evenly. Use the recording for reference.

You may find that you like the tempo a bit slower. I’ve noticed that after playing a tune for a while it always seems to find the right tempo. We have all heard great musicians talk about "the pocket." This is not only in reference of the placement of the beat, but also the tempo.

Techniques Used
1. Syncopation
2. Slurs
3. Contrary motion
4. Half-step approach chords
5. Implied harmony
6. Passing chords
7. Bass line motion
8. Chromatic lines
9. Chords inserted between primary harmony
10. Inversions

For those who choose to analyze the tune I suggest you challenge yourself to find the above bullet points.

An Observation About Creating Music
There is no GPS or Mapquest when we start the lifelong journey of learning music. In a perfect world we could always move in a straight and clearly defined line. Of course music is an art, and any and all art is about personal expression and, yes, opinion. Many aspects of music are concrete, however those aspects alone do not create music. I am neither a poet nor painter but I know that all art has a point of departure from the explainable.

Recently I attended a performance of the great Nashville guitarist Jack Pearson. As he soared into one of his unearthly solos, a friend leaned forward and asked, “How do you explain that?” I replied, "You don’t."

There is a time and season for all things. Study what can be explained, work hard, let go, and create from that unexplainable place in you. I am searching for it every day.

Haunted Piano Blues - Download Example Audio - Download Printable PDF
By Bill Piburn, © 2010





     

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Comments

(9 comments) display by
UsernameComment
Zophar
on 01/15/2011
Bill, this is gonna keep me off the streets and out of trouble for a long while, thanx.
Sean McGowan
on 11/09/2010
This is great stuff! Really nice moving lines and counterpoint ideas - and hard!!
Jeff Arnold
on 11/08/2010
Nice arrangement Bill. I like the harmonic moves.
Stanley
on 11/07/2010
Another awesome arrangement by the inimitable Bill Piburn - keep 'em coming!
Chunhao Zhu
on 11/02/2010
Like always your article didn't disappoint. It is something I look forward to every time. Can't wait for the next one!
Steve
on 10/30/2010
Bill, great tune,thanks but whatever happened to Fingerstyle guitar ? Steve
Micheal
on 10/29/2010
Great tune Bill, but only one problem.. Now I have to find somebody to take my kids trick or treating because I have to stay in and learn this song!
Hemme Luttjeboer
on 10/28/2010
What a rollicking ragtime ditty, Bill. Superb writing and playing! Four choruses of the blues in A replete with single line phrases, counterpoint lines, big band shout and jazz voicings et al. Each chorus contains enough fresh, inventive ideas to keep you wanting to play the tune again and again.
For example, the 2-bar turnaround tags of the first two choruses, meas. 13 & 14 and 25 & 26 each have the same walk-up bassline but the counter melodies and syncopation are what makes them work. And the jazzbo voicings in meas. 41 & 42 put a smile on my face. Very inventive, Bill.
Great fun to play your tune - many thanks!
Joe
on 10/28/2010
As Usual, world class Bill! Keep it up.



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