This line could be the opening line for a slow blues, but sounds good at an up tempo shuffle feel as well. Download Example Audio...
This line sounds best when played as the last two bars of a slow blues progression.
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This line could be played in either the third and fourth, or sixth and seventh bars of a blues progression. The 16th note triplet in the second half
of bar one sounds different than written, so check the phrasing with the audio clip. Download Example Audio...
This lesson comes from:
Blues for Guitar