Hotline #21
This line could be the opening line for a slow blues, but sounds good at an up tempo shuffle feel as well.
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Hotline #22
This line sounds best when played as the last two bars of a slow blues progression.
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Hotline #23
This line could be played in either the third and fourth, or sixth and seventh bars of a blues progression. The 16th note triplet in the second half
of bar one sounds different than written, so check the phrasing with the audio clip.
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This lesson comes from:
Blues for Guitar