October 2010 \ Features \ The Legend of Slash’s Appetite for Destruction Les Paul

The Legend of Slash’s Appetite for Destruction Les Paul

Thomas Scott McKenzie

Will we ever know who built the Les Paul Slash played on “Sweet Child O’ Mine”?


Premier Guitar October 2010

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Slash grips one of the three highly mythologized Les Paul replicas that he has used over the years (right)—which may or may not have been the inspiration for his new signature Gibson Appetite Les Paul (left). Photo by Neil Zlozower

Mythology is an essential part of human life. We may not spend much time discussing winged-footed Greek gods or tales of dragonslayers while we tune our guitars and haul amps into clubs. But myths and legends are still all around us. From the triumph of the Jedi in the Star Wars films to the latest heroic act on the sports field, myths inform our culture and sense of belonging. And even within a musical context, certain stories take root, grow, expand, mutate, and are shared for generations until they reach legendary proportions.

The story of Slash’s instrument arsenal during the heady days of recording Guns N’ Roses Appetite for Destruction is just such a tale, retold by our era’s version of epic poets and debated as hotly as any controversial archaelogical discovery.

In March 2010, Gibson Guitars released their Slash Appetite Les Paul model. The company’s press materials proclaimed this was “the axe that launched a thousand riffs.” In videos hosted on the Gibson website, Slash holds the new model next to his personal guitar and says, “This is the original right here,” and “It’s basically set up just like my original was.” The camera slowly pans over the instrument and zooms in on some of the details.

“All things considered, with the original one, it just happened to have a certain sort of unique tone unto itself,” Slash says in the video. “With the new one, we basically tried to capture that. The new Appetite for Destruction guitar is about as close as anybody could get to the original.”


According to luthier Roman Rist, the middle Les Paul replica here is Slash's first from luthier Kris Derrig—the one Rist says Slash used on the tail end of Appetite. The guitar on the right was built by Peter "Max" Baranet. The instrument on the left is purportedly Slash's second Derrig model. Photo courtesy of Roman Rist

The guitar was hailed as an impressive instrument. When Premier Guitar reviewed it, we said, “It’s a well-built, high-quality Les Paul with flawless playability and gorgeous looks.” The review carried a 4.5 rating out of a possible 5.

That review also pointed out something that Slash fans and internet forum users had known all along: The Slash Appetite Les Paul is actually a replica of a replica— because the instrument Slash rocked on the iconic album wasn’t actually a Gibson. The “original,” as Slash calls it in the videos, was made by California luthier Kris Derrig.

Slash and Gibson did not respond to interview requests for this article. However, we should note that the general attitude among savvy guitarists is that Gibson’s Appetite Les Paul isn’t some attempt to hoodwink an unsuspecting public. Most observers feel that if a customer is a big enough fan to pay the list price of nearly five grand for the instrument, they’d also know the true story. And Gibson’s new Appetite guitar does include some modern updates that theoretically improve its practicality for a mass audience. And in many ways the Gibson initiative to sell such an instrument addressed a burgeoning demand among consumers—and addressed it well.

“I don’t fault them at all,” says guitar builder Roman Rist, who figures into the earlier days of this tale. “Slash does have a relationship with Gibson. Slash is a bona fide rock star, and, for them, why not make a Slash model? I’m sure Slash had plenty of input in the design to be able to sign off and be happy with the guitar. I don’t see anything wrong with it.”

But while Gibson rehashed the iconic instrument for today’s musician, the larger legend is much more complex. Indeed, there are many who allege Slash actually wielded three Les Pauls during the time in question. Those three guitars are shrouded in questions, contrasting memories, and conflicting reports. Examining the legend of these instruments is like trying to unravel the threads of an ancient Norse epic or documenting the numerous trysts and offspring of the Greek god, Zeus. Each answer opens a new question, each thread ends at the beginning of a new one.

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Comments

(15 comments) display by
UsernameComment
Dino
21 hr 42 min ago
I always love all these stories. I find it funny that no one would loan Slash a real Gibson LP to play with. With all the bands on the strip, no one had a guitar they were willing to lend ? You had to be a real junkie loser if no one would trust you with their guitar and you had to use a fake from a pawnshop guy.
DREW GUITAR CENT
on 05/15/2012
Rick: Do you think Tom Petty will ever get his guitars back? Drew Berlin: He got them back yesterday. All the guitars have been returned. Rick: How did that happen? Do you know? Drew Berlin: Thanks to Howie Hubberman who has a pawn shop. Howie was actually the guy who sold Tom the Rickenbacker in the first place. Someone came in with the guitars and Howie was able to get all the guitars back. They’re back with Tom. Happy ending to an unfortunate story.
T Thayer
on 01/01/2012
Hunter burst Howie burst Howie Hubberman made Les Pauls the guitar to own. T. Thayer. Kiss
Aussie
on 12/21/2011
The main guitar Slash used for the majority of recording Appetite was a 59 bootleg that Alan Niven gave him. As Niven recalls. "I knew I had to help him when I found his latest guitar, an SG, sticking through the windscreen of the band rental van. I went to a great luthier, Jim Foote, to ask his advice. He had these two amazing bootleg 59 sunburst Les Pauls a friend of his had built. Brilliant instruments. We decided to add the Alnico pick-ups to update and customize the sound." The 59s were made by the now deceased luthier Kris Derrig. Kris had noted that in 1959 Les Paul's were assembled on a production line in Nashville. He thought if he could find period material he could build a better guitar than Gibson. Kris would buy old Gibsons from the period that weren't sunbursts and strip them down, dismantle them and rebuild them to his standard, finishing them as sunbursts. At the time this was still economical as old LP's in the 80's weren't fetching the premium sort of prices you see today. Kris made a total of 13 of them before he died. Alan secured 2 of them, one of which he gave to Slash. The other he gave to his son, Corey. In or around 2000 Slash traded a number of his guitars for the second Derrig. The '59 Derrig bootleg was used by Gibson to manufacture the recent limited edition re-issue , which says everything about the quality of the craftsmanship. Information kindly confirmed by Alan Niven
Doug
on 12/13/2011
HOWIE HUBBERMAN Howie was Slash's go to guy for guitars he got him the Hunter Burst, he threw everything he had into bands - almost to a fault ( he was close all these guys Poison/ RATT / GNR) meaning he was always getting stuff cheap or next to nothing to guys he thought would make it for a piece of the action. Howie got Slash the Hunter Burst for next to nothing and Slash returned to Howie after he sold the Hunter Burst back to him to get another Les Paul for the recording, he also stated back in the 1990's NOTE: Howie Huberman should be credited greatly for having a good ear for bands that where going to make it back in those days. Howie was Slash's go to guy for gear through the 1980's. Slash used several guitars in the process to record AFD in early December 1986, the scratch tracks and final rhythm tracks were all done with guitars other than the Derrig, according to slash's book they were done recording the last day when Alan finally brought the Derrig in, Slash even states this in his book, he was still frantic about getting the lead tone nailed, he also describes Howies loaner guitar the 1961 SG he used on "My Michelle" as having a fat heavy tone he liked but real dirty, he was not getting the lead tone from any of the guitars he had up until 12/20/86. According to Slash the Rumbo Studio tracks were done with the SG, BC RICH and Black Jackson Super Strat, until he got the Derrig. Slash has stated in his book that he got the Derrig the last day of the Rumbo Studios Session - December 20,1986 and then he went to Take 1 Studios in Burbank, Ca with Mike Clink after the Rumbo dates on Dec 24th with the famed SIR rented Marshall 100 Watt amp and the Derrig and recorded all his guitar tracks with his new Derrig Replica Les Paul. According to Slash, the experience at Take 1 was majical but very short - it was a mere 12 days of recording his parts (1 song per day on average) and then it was done, AFD went into engineering in the spring 1987 and was complet
Robby G.
on 08/17/2011
I have a mid-80s ESP Mirage Deluxe in baby's ass pink (I'm a straight dude, by the way). I think it was custom-made for a chick and she didn't make the payments. I got it for about half of list price. I've never played another guitar that suits me like this guitar and I've owned over 16 guitars over the years, including a 1981 Gibson Flying V and other higher-end ESP models. This particular ESP Mirage Dlx is just perfect for me. I finally gave up the idea of having it re-painted black!
S.S
on 07/27/2011
Just read this interesting article. Howie Hubberman gave Slash the Les Paul, Howie was the Main investor in Guns N Roses just before they Signed with Geffen Records. Slash paid Howie Hubberman at a later date as they did a TV show together, The show was Youth Quake, I was the Camera man. Howie was the interveiwer. S.S.
Phoenix59
on 11/18/2010
The areicle says Hoie sold the guitar to Slash for $2600, payable over time. I don't call that "no money," especially when you're an unknown player with a drug habit.
Briget W
on 10/23/2010
Howie Hubberman gave Slash the Max Les Paul for no money,because Howie believed in Guns N Roses and Slash before anyone else did. Gibson,Geffen, and the world came later ! Bravo again Howie Hubberman ! B W
Briget W.
on 10/23/2010
After Reading the Article I could not help but think. What if Howie Hubberman did not believe in Slash of GNR. Where would sales of Gibson Les Pauls be today?? Howie Hubberman deserves the praise for believing and trusting Slash. B W



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