September 2010 \ Reviews \ Electrics \ Normandy Alumicaster Electric Guitar Review

Normandy Alumicaster Electric Guitar Review

Jason Loughlin

Normandy's Alumicaster breaks T-style traditions in more ways than just the material


Premier Guitar September 2010

(2 of 2)

Plugging In
I plugged the Alumicaster into my 1965 Princeton Deluxe Reverb, which is, in my opinion, the Telecaster's soul mate. I was pleasantly surprised—it didn’t sound like a Tele, but it sounded beautiful. The Alumicaster is a really chimey, full-sounding instrument with huge sustain.

The humbucker in the bridge is twangy but not anemic. It has tons of bite backed by a hollow-body sound. The neck pickup on its own—a weak spot for many Teles—is a little muddy, but the two pickups combined are worth it. With both pickups engaged, the guitar can sound like a big jazz box. I couldn’t help but wonder how the guitar would’ve sounded with a Tele bridge pickup and humbucker in the neck. Luckily, Normandy offers a variety of pickup configurations for those looking for something different.

The controls are laid out like a traditional Tele: three-way switch, Tone, and Volume. The Tone and Volume pots are not an even sweep—both open really quickly. For the Tone knob, this means that pulling off Gatton-esque tone sweeps is a breeze. I dug it. For the Volume, getting beautiful even swells are not really possible. I was pleasantly surprised at the guitar’s performance at higher volumes. Despite the guitar’s great resonance, the clarity and definition aren’t lost when the amp is cranked. In fact, the tone became really punchy, like a Les Paul Junior.

The Verdict
Normandy made me a believer in aluminum—this is in a class of its own. The guitar is not a one trick pony. Because of the sustain, the Alumicaster makes a great lead guitar, but I think its biggest strength is as a rhythm guitar. The acoustic qualities, clarity when strumming, and punchiness when cranked make it perfect sitting in any mix. I could absolutely see this being anyone’s main axe. There are some issues I’d like to see addressed before spending a couple grand on one—string trees better positioned for bending, a more even volume pot, and better balance between the body and neck—but if you got the cash, they're a pretty damn unique voice to have in the toolbox. I can't wait to see how Jim Normandy’s guitars evolve over the next 10 years.
Buy if...
you're looking for something truly different with a huge tonal palette.
Skip if...
you're looking for a something affordable with a tradition Tele sound.
Rating...


Street $1949 - Normandy Guitars - normandyguitars.com

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Comments

(3 comments) display by
UsernameComment
Teleplayer
on 09/11/2010
I'm a rather traditional Tele player myself & 40 years ago I would have said you're nuts. But I've played two different brands & they are so cool. Not your daddy's Tele for sure, & not the same in tone, this is a flavor I could really get used to. The biggest issue I found was, just like those '70s Travis Bean (I owned one) & Kramer aluminum-necked creations, you want to get this honey to room temp. before using it. Cold metal feels very alien to the touch & extremes of temp. can slightly affect intonation. I think I want one.
Randy
on 09/11/2010
This would be great for my Tin Lizzy tribute band.
Steve
on 09/10/2010
I suppose this guitar is ideal for that light metal music:
sort of like Magnesium Zeppelin???



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