February 2011 \ Reviews \ Electrics \ Gibson Lou Pallo Signature Les Paul Electric Guitar Review

Gibson Lou Pallo Signature Les Paul Electric Guitar Review

Adam Perlmutter

Gibson's latest honors Les Paul's right-hand man, and an incredible player in his own right, Lou Pallo. The instrument incorporates elements from both traditional Standard and Custom models, with some twists like the P-90 and Dirty Fingers pickup duo.


Premier Guitar February 2011

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Rude and Polite
At 9.66 pounds, our review model of the Lou Pallo Signature is bit of a boat anchor. But surprisingly, it didn’t actually seem that heavy when playing. The instrument’s rounded ’50s neck profile—about .818" deep at the first fret and .963" at the 12th—was smaller, and more comfortable, than the shape of Gibson’s late ‘50s Historic models. Though the neck felt slightly stiff relative to that on a recent 1960 Les Paul Historic.

Like any good Les Paul, the Lou Pallo Signature sounded loud and dynamic unplugged. But given the instrument’s atypical pickup configuration—a P-90 (single-coil) in the neck position and an open-coil Dirty Fingers humbucker in the bridge—I wasn’t sure what to expect when I plugged the guitar into a Schroeder DB7 amp. The Dirty Fingers was originally made in the early 1980s and recently revived on a signature model for Blink-182’s Tom DeLonge, so it seemed an odd choice for Pallo’s distinctly more polite approach.

But engaged on a clean setting, the Dirty Fingers had a well-balanced and articulate sound that, while not as warm as a ’57 Classic or BurstBucker, made single-note lines pop nicely. When I switched on a NerFuzz distortion pedal by The Tone God, the Dirty Fingers did sound nasty and ungoverned in the best possible way.

The neck-position P-90, which was standard on all Les Pauls from 1952 until the introduction of the humbucker in 1957, was, as expected, a bit more subdued than its bridge companion. With an overdrive pedal on, it sounded nice and creamy. And on a clean set-ting with the volume rolled back a bit, it worked well for some chord-melody-style jazz playing. Switching the distortion back on and selecting the middle pickup position, I found that the P-90 tamed the Dirty Fingers, resulting in a tone that was simultaneously rich and punchy.

The Verdict

Gibson’s Lou Pallo Signature is a smart-looking guitar with a build quality on par with its more costly Historic-series counterparts. While the instrument’s heaviness and one-of-a-kind aesthetic details might put off certain enthusiasts, its atypical electronics will appeal to those looking for a wider sonic range than offered by a traditional Les Paul. Above all, the Lou Pallo Les Paul is a player’s guitar—something Lou’s partner in crime would have appreciated to no end.
Buy if...
you’re in the market for an atypical but classy Les Paul built for maximum versatility that is a bit less expensive than a reissue from Gibson’s Historic series.
Skip if...
you place historical accuracy at a premium or you’ve got back problems.
Rating...


Street $2799 (with hardshell case) - Gibson - gibson.com

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Comments

(8 comments) display by
UsernameComment
mike
on 02/21/2011
so, steve, you drank the pos koolaide, a prs could'nt carry a les paul's water, this guitar has the best of both worlds the P 90 has the greatest tone of any pickup, and the dirty fingers rock, the black over light is an eligant look that seems to break away from the tired, repetitive look of a standard LP, I for one am going to pick one up, in the world of fine guitars, if you you have a problem with the price, thats why they make knock-off's
Bill
on 02/09/2011
I don't understand "signature" guitars that bear no resemblance to anything that the "signatory" plays/has played.
steve
on 02/08/2011
Get A Prs Les Paul is old and lame news
FlatBrokeN KS
on 02/04/2011
Nice guitar, once again over priced. I'm not sure what level of musician can afford it and Gibson seems bent on this path. The most appealing signature axe I've seen in awhile though...
Lucille
on 01/31/2011
Check out a Tradition S200 or S2000.
Maso
on 01/31/2011
What I'm hearing doesn't sound like great tone at all. Give it to me and I will get some tone out of it. And... how do you name a guitar first for Les Paul then Lou Pallo at the same time...? I'll stick with my beat up old Dan Elecrto. That guitar really knows the blues...!
Michael Radgers
on 01/30/2011
Sigh.... another overpriced Paul from Gibson. Come on guys, come up with something that player WITHOUT the big wallets want. At least it's not a robot.....
James
on 01/29/2011
I have seen Lou Pallo play a couple of times and even though he was "backing up" the late great Les Paul I could tell he was a seriously good musician. At one point in one of the shows he got to take a solo and he really smoked. He was very polite when I spoke to him after the gig - a realy gentleman.



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