Life
Keith Richards with James Fox
Little, Brown and Company
Few autobiographies by guitarists have
been—or will be—as important as this tome
by the lead guitarist of one of the most significant
rock bands ever. Keith Richards’ riffs,
recording history, and cultural impact are
undeniable, and they’ve all led to this much-anticipated
tell-all that does not disappoint.
Richards doesn’t dial back the harsher side of
life or what it’s like to work with Mick Jagger
for 50 years. The rock ’n’ roll pirate has a lot
to share in terms of guitar playing and songwriting,
too. After reading the 547-page book
and listening to the 23-hour audiobook version,
we have a pretty good idea what Keef ’s
life is like and what makes him tick.
A quick note on the audiobook version
(from Orion Publishing Group): Much of it was recorded by actor Johnny Depp, and it’s an
appropriate choice, considering the mutual admiration between the two icons. Depp based his
Pirates of the Caribbean character, Jack Sparrow, on Richards, and Keef eventually landed a role
playing Sparrow’s father in the film series. Depp reading Richards is fantastic. He doesn’t imitate
him as much as he just reads in a manner that is engaging and effective. Musician Joe Hurley
also reads part of the book, and Richards lends his own voice a bit, too.
We forgive Richards for hyping
Life with the claim that he “hasn’t forgotten any of it” and
then writing himself into some corners that are a little foggy. For the most part, his attention to
detail is impressive—maybe even unnecessarily unbridled, as lengthy tales of childhood experiences
in Dartford, England, and drug-fueled rock-star escapades drag on and on. His complex
relationship with Jagger is painstakingly unpacked and analyses are laced throughout. Quirky
anecdotes, like his confrontation with a giant alligator snapping turtle while fishing illegally in
Georgia, and delightful randomness—like his recipe for bangers and mash—contribute much to
our understanding of this man we’ve all come to think of as a zombie-like creature who is alive
but nearly brain-dead due to his rock ’n’ roll lifestyle. Though it’s self-inflicted, that reputation
isn’t entirely justified, and Richards’ reflections on living with that reputation decades after cleaning
up the worst of it are quite interesting.
Thankfully,
Life includes many guitar-specific nuggets that’ll have you reaching for your
guitar and exploring Richards’ approaches as you read or listen. He explains his late-’60s discovery
of open 5-string G tuning (G–D–G–B–D) that “transformed” his life as a player and
allowed him to put his own sonic stamp on songs like “Honky Tonk Women,” “Brown Sugar,”
“Tumblin’ Dice,” and “Start Me Up.” He explains how an overloaded Philips cassette recorder
and an acoustic were his secret behind the tones on “Street Fighting Man,” “Jumpin’ Jack
Flash,” and “Gimme Shelter.” He also explains the names of some of his favorite ’50s Teles, like
“Dwight” (used on “Jumpin’ Jack Flash”) and the darker-sounding “Malcolm” (“Satisfaction”),
both of which are named after the Fender employees who signed the inner parts of the guitar
during quality-control inspection.
Whether you’re talking about guitars or life, it’s often your approach to the things you don’t
understand that makes you who you are. Richards was bullied as a child and found solace in
music. He found himself in a rut as a guitarist and got out of it by exploring the sonic possibilities
of using only five strings. His difficulties and revelations in both music and living as Keith
Richards are well documented in
Life. There’s a lot to learn from his story, especially if you’re a
guitarist.