May 2011 \ Reviews \ Electrics \ Cole Clark Hollow Baby P-90 Electric Guitar Review

Cole Clark Hollow Baby P-90 Electric Guitar Review

Adam Perlmutter

An Australian semi-hollow S-style with dual P-90s


Premier Guitar May 2011

(2 of 2)

Warm and Multifaceted
The Hollow Baby is a super light guitar—our review model weighed a mere 6.4 pounds—and comfortable to hold in both seated and standing playing positions. The neck is very comfortable as well, C-shaped and slim but not overly so. It has a Fender-style 25.5" scale length, but a relatively flat radius of 12"—more commonly encountered on Gibson guitars—allowing for wide bends without any danger of notes fretting out.

The Hollow Baby sounds loud and resonant before it ever meets an amplifier, thanks to its chambered build and thin nitro finish. Chords in all registers ring out with clarity, and single notes sound thick and snappy, with a pronounced midrange. The vibrato works well for adding subtle pitch-bending effects without disrupting the tuning.

With the neck pickup engaged and the tone rolled down, the guitar provides a warm Grant Green–like tone….with the tone turned up and the bridge pickup selected it has the twang of a Tele.

Plugged into a Fender Pro Junior, the guitar really comes alive. Overall, the guitar sounds warm with a great deal more sustain than that of a traditional hollow body guitar, and the pickups are indeed nice and quiet.

The P-90–equipped Hollow Baby sounds at home in a range of styles. With the neck pickup engaged and the tone rolled down, the guitar provides a warm Grant Green–like tone. In contrast, with the tone turned up and the bridge pickup selected it has the twang of a Tele, with both pickups engaged it has a Strat-like spank. The guitar also works well for rootsy type stuff from riffs in the manner of Elvis Presley’s Scotty Moore to slack-tuned strumming à la Creedence Clearwater Revival leader John Fogerty. One application that the Hollow Body might not work well for is in situations calling for ultra high-gain, but then again, shredders wouldn’t necessarily be drawn to this guitar.


The Verdict
Cole Clark’s Hollow Baby is a smartly designed chambered electric with a unique vibe that typifies the whole Cole Clark range. The guitar combines elements of Fender, Gib-son, and even Bigsby design in a unique hybrid. Best though, it’s featherweight and highly playable and offers a really wide range of hollow- and solidbody tones. And whether you’re a working pro or a weekend guitarist trying to cover as much stylistic ground as possible—short of metal shred—you can’t go wrong with a Hollow Baby.
Buy if...
you want a stylish chambered guitar that excels in a number of different contexts both in terms of playability and sound.
Skip if...
you're staunchly loyal to either Fender or Gibson.
Rating...


Street $2230 - Cole Clark - coleclark-america.com

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Comments

(7 comments) display by
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Lindsay
on 09/22/2011
I have nitro-finish blue (a one-off colour) Hollow Baby with a fattish maple neck and twin Seymour Duncan '59 humbuckers. It has strat-styled controls - a master volume and a tone control for each pickup - and a three-way switch. It's an astoundingly versatile guitar, with beautiful musical sustain. I play jazz and blues on the neck pup, and rock on the bridge. I've owned four Gibsons; three Les Pauls - two so heavy they were impossible to play comfortably sitting down - and a 339, and I'm sorry, but they just didn't come close to the sounds and comfort of the Hollow Baby. You get the beautiful 335-style hollowbody tones, fabulous pickups, no feedback issues, and the unrivalled comfort of the Strat's contoured body that's as perfect for players as when Leo first sold one in 1954. And it's as light as a feather. For me, who has owned three Strats, including a Mark Knopfler signature, two Teles, and a Brian May Special, this is hands-down the best electric I've ever played. If you're a regular Strat fan, you really should try one with the SSS Kinman noiseless Strat pickups: heaven on a stick. I own up to possible bias, as I'm an Aussie, and Cole Clark are Aussie guitars, but I hope I'm as objective a judge as the next player. The Hollow Baby's a modern classic.
Chamberlain
on 05/19/2011
Personally I don't think the f-hole looks very good on a strat with a pickguard, but the P-90s would be cool.
Mr Blueseagle
on 05/04/2011
The g&l guitars were only semi hollow, a small pocket in the upper rear bout, this is completly hollow apart from where the pick ups and bridge mount. Reproduction? don't agree with that unless you want to say every guitar is a copy apart from a fender or gibson, including g&l which are standard body shapes for the most part. I own a HB and the thing is an animal, the sound bites here don't do it justice. But hey, each to thier own.
varaha
on 04/28/2011
This is a reproduction of an axe made by G&L. They also use the same build technique, as does Fender. They have been making them for years. I'd like to know why PG.com magazine has never reviewed any G&L or Heritage axes. It's a rhetorical question since it has something to do with your advertising policy.
mr.may
on 04/28/2011
Seems like a cool enough design,my laptop with wmp didn't give a very good sound check,as it were,and a more lengthy offer would have been nice,it sounded a bit fuzzy to me,i personally like something clean and clear be either channel.I am sure though the folks at this facility will make the needed changes to compete on the world stage.good luck,keep up the good work.
Mick
on 04/27/2011
I've seen & heard some of these with a translucent stain finish and they are awesome! A lot tone variation too, fender to gibson-ish in one axe.
Zozi Xavier
on 04/27/2011
It should be a great guitar!



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