November 2011 \ Features \ 10 Tech Tips from Touring Pros

10 Tech Tips from Touring Pros

Chris Kies

From string changes to amp maintenance to networking, techs to the stars tell you how to maintain your setup like a pro.


Premier Guitar November 2011

(11 of 11)

10. Whatever you do, don’t forget the most important part of setting up a rig…

Termini: This will sound ridiculous, but having all your stuff plugged in all the way [laughs]. I really can’t stress this enough. I’ve torn apart rigs only to find that things weren’t plugged in all the way. Check and make sure all your AC power blocks and pedal power supplies have good batteries, and then find a great place to plug in your main AC power supply so you have the cleanest power possible and it won’t get kicked out by a wandering stage hand or security.

Trejo: For me it’s intonation—I’m a stickler for trying to get intonation as perfect as I can. I’ve had some pretty good battles with some guitars, but in the end, I usually win [laughs]. It’s one of those things, if you’re not in tune, to guitar players in the crowd, it’ll sound like nails on a chalkboard no matter how great the guitars, amps, and pedalboard.

Dickson: I’d have to say clean nut slots, stable neck, clean saddles, and if possible, an intonated guitar. From all the tours I did with Eric and one-off shows across the world we fly into, we never knew sometimes what we’d have for amps so if I could keep the guitar, consistent and familiar, a good guitarist—which I think Eric is [laughs]—will be able to handle the rest. Oh yeah, do not tie knots with cables—that’ll just lead to issues down the road.

Buffa: Solder joints and input connections are some of the littlest components in a rig, but are of the biggest importance so I’ve learned to love soldering. Even if a rig is up and running or everything appears to be ok after a pedalboard has set for months, I’ll investigate all the connections and heat up the soldering iron—I just have a little more piece of mind knowing everything is 100 percent connected and tone isn’t being lost.

Farmer: Comfort. Trust me, whether it’s me playing or if I’m tech’ing for Warren, it comes down to comfort. I could tell you a big list of things to check and double-check, but ultimately those things all add up to comfort. If you’re relaxed and feel good, you’ll perform at your best no matter if you have a $300 First Act or a Custom Shop Les Paul. Get in the pocket, crank up the guitar, and have some fun—that’s what playing music is all about no matter if you’re playing for ten people or ten thousand.


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Comments

(18 comments) display by
UsernameComment
DeathMetalle r
on 01/29/2012
I liked it.
chris
on 11/23/2011
What did the article say speficially about maintaing inntonation?
Bill Pokora
on 11/21/2011
This was a great article. Not only does it help aspiring techs and gearheads, but it should be valuable information to any gigging musician. Most of us will never be successful enough to have our own techs, but most of us will have the joy and agony of playing live and having issues. These tips can really save you at a bar gig or at church on Sunday!
Thanks to all of you! Keep up the good work!
Steve Janowski
on 11/16/2011
@Herm I can't really see the relevance of your comment, dude. It's 10 Tech Tips, not 10 reasons to be a tech or something of that nature. I don't need to know how much these guys make in order to help my tone or save me in my next gear malfunction. WTF?!
Gerry Blue
on 11/15/2011
Amazing article, keep it up, video of these interviews would've been great. Peace
Richard Owen
on 11/13/2011
Fine article.
Brett H
on 11/12/2011
I remember going to 2 shows where things went haywire. One was a GNR concert and Power got cut to Axl's Stage Mic. I read somewhere he went through more sound guys then anyone in the business but you could still hear Axl singing from afar until it was fixed. Another was a Shina Twain concert with a few other people whom I forget. I am really not into country music but some buildings you go into are not very acoustic. Lee Civic Center is one of them and they had a 2200 Watt Pignose amp and they were using that for EVERYTHING (lets just say the steel on the erected building was reverbing as well). I couldn't even understand a word but I was there for my awesome daughter who won tickets, doesnt matter if I liked the show. Theres a bunch of work that goes into a show and one thing off can make or break an evening, and these guys pull it off night after night.
Rick Lee
on 11/11/2011
Great article - one of the best you have done. Much thanks to the guys for contributing the info.
John Bohlinger
on 11/11/2011
Brian and I were on the road together 15 years ago with a platinum artist on Asylum Records who is now long gone ....yet we continue to work. Must be doing something right.
kalapana
on 11/10/2011
Great article....seen Brian Farmer work his magic several times with Gov't Mule and Warren Haynes band..he's a credit to his profession...never heard a better backline or seen a more professional Tech...



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